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0:30
(dramatic music)
0:33
- This is Undaunted Life a Man's Podcast.
0:54
I'm your host Kyle Thompson.
0:55
Let's get into it.
0:57
Drew, welcome to my house.
0:59
- Dude, thanks for having me.
1:00
- Okay, I always like never know how to like start
1:01
these things when people are in the studio now
1:03
'cause we're starting to do a bunch of like in-studio stuff,
1:05
but it's like, well, going to my house feels good.
1:06
- I know, it is.
1:07
It's awesome.
1:08
- You know, the first person I think
1:09
to sit there to do an in-person interview
1:10
was that dad gum, Joby Martin.
1:13
That dude just--
1:13
- Sorry Joker.
1:14
- He won't leave us alone.
1:16
Like he won't stop talking to us.
1:17
He's always trying to give us wisdom
1:19
and make us change how we do our own lives.
1:21
What's wrong with that guy?
1:22
- I don't know.
1:23
I love him though.
1:24
- But he's okay.
1:25
So like we were trying to think,
1:26
so peak behind the curtain, all that, you didn't just show up
1:29
like an hour ago.
1:30
We've been hanging out since yesterday.
1:31
We spent a lot of time, broke a lot of bread,
1:33
had some cigars and some good whiskey.
1:35
I introduced you to the world of Scotch a little bit.
1:37
- You did.
1:38
- Last night, I taught you like the Scotch tasting mechanism
1:40
or whatever, but like--
1:41
- You did.
1:42
- Every time I tried, like my wife was like,
1:43
how did y'all meet?
1:45
I keep forgetting.
1:46
Like how you and I like became aware of one another.
1:48
Was it Joby that introduced us initially?
1:50
Or like, how did we--
1:51
- Yeah, I mean--
1:52
- 'Cause I can't remember.
1:53
- Well, I discovered like Joby, I guess,
1:55
I don't know, two years ago, I was given his book,
1:59
like if the tomb is empty or--
2:01
- If the tomb is empty book.
2:02
- I was given that, I was given that probably three
2:05
or four years ago, and it took me a year and a half
2:08
before I opened it up, I was like, I'm gonna read this.
2:10
So I read it, I was like, this dude is awesome.
2:13
And started consuming every piece of content
2:17
that he had readily available, 'cause I just,
2:20
I thought he was awesome.
2:21
He, you know, delivered the gospel in a way
2:23
that I had never heard in my life,
2:25
and he made very deep things make sense to me,
2:30
'cause we're both rednecks, and he just explains it
2:32
in redneck language.
2:34
And so anyway, I then discovered you from Ask a Pastor,
2:38
'cause you would have him on.
2:40
- Yeah, it's so funny because there are a lot of people,
2:45
so his staff has told me before they're like,
2:48
'cause he has like 47 different assistants.
2:50
I can't remember that last count on me, assistants he has,
2:52
but he doesn't actually read any of his emails, right?
2:55
And so his assistants would tell me, they're like,
2:58
Kyle, do you understand how many emails we get
3:00
that are, hey, I found you via Andon Life Man's podcast,
3:04
hey, I found you because of Ask a Pastor, hey,
3:06
and now it's, hey, I found you because of Daily Blade
3:08
or whatever, and it's people that are just so thankful,
3:11
because, so Joby said it, and it's perfect,
3:14
and it's kinda helped me in terms of how I approach ministry.
3:17
He's like, Kyle, I'm a shepherd, you're a prophet.
3:19
- Yep, I've heard you say that.
3:20
- And not like, hey, you know, you get to tell the future
3:22
and all that, like not that level of profit,
3:23
but he's like, I have been called to a particular flock, okay?
3:28
So I am shepherding and discipling Church of 1122ers, right?
3:33
You're the prophet, you get to pull the pens on the grenades
3:36
and chuck 'em into culture, and you get to talk about
3:39
the things that aren't always gonna be appropriate
3:41
for me to talk about on Sunday morning or whatever.
3:44
And so it's helped me to know, 'cause before he said that,
3:48
it didn't really solidify in my brain like, okay, shoot,
3:50
am I a shepherd, but it's like, you know,
3:52
according to scripture, I'm not a shepherd,
3:53
I'm not a pastor, I'm not gonna have to give.
3:55
Like Hebrews says, I'm not gonna have to give an account
3:57
for how I've shepherded a flock,
3:58
but I do have to give an account for the words
4:01
that I've expressed, for the advice that I've given,
4:03
for the direction that I've given to people,
4:04
but it's like, wait a minute,
4:05
like I don't need to feel the pressure of leading a flock,
4:08
but there is pressure on speaking like literal truth to power,
4:13
like the crap and craziness that's happening in culture.
4:15
So it's kinda helped me kinda figure out how to approach all this.
4:19
- Well, I mean, yeah, I mean, there's,
4:20
'cause I think you understand there are guys
4:23
who are searching for stuff like myself was.
4:26
I mean, you know, I've been a believer, you know,
4:31
since I was a young kid, but like,
4:33
I have grown into this thing where I'm like, okay, Lord,
4:35
I want everything that you could possibly get to me
4:38
that you think that I would love.
4:40
And so I think you understand that you do have an audience
4:42
who are younger guys, who are searching for things.
4:46
And you don't, you know, I think you probably feel
4:48
a little pressured to not say things
4:50
that would lead them the wrong way.
4:52
And I don't think you would ever do that, right?
4:53
But like, there is some sort of flock mentality in that
4:57
because you do have listeners, right?
4:59
- Well, people are like, people love to be a part of a tribe
5:01
or whatever, and there are people that are like,
5:03
look, I'm an undaunted lifer.
5:04
- Right.
5:05
- And so I'll get messages from guys that are teenagers
5:07
and I'll get messages from dudes that are in their 60s
5:09
and everything in between.
5:11
As you were saying that, I remember there was a guy
5:14
that was in his 70s or 80s.
5:19
And I got that, I'll never forget this email.
5:22
But he sent me this long email.
5:24
He's like, hey, I'm a veteran, I'm a tough guy,
5:26
I'm blah, blah, blah.
5:28
And then I forget which episode he had listened to
5:30
or whatever, but it was something that we had done
5:31
and undaunted life.
5:33
And he goes, for my entire life, I thought I could be
5:37
a Christian or I could be tough.
5:40
So I just chose to be tough.
5:42
And he's like, it wasn't until listening to your show
5:45
when I realized this entire time I could have been both.
5:48
- Yeah.
5:49
- And so as opposed to lamenting the last 60 years
5:52
of wasted time, I'm just gonna get after it being tough
5:55
and being a Christian.
5:56
And I'm just like, you know, 'cause like that's a dude
5:59
that's in the sage stage of his life that could easily
6:01
just be like, oh man, I've wasted all this time
6:03
and just kind of like pack it in.
6:04
But he's like, when that's not like me pat myself
6:06
on the back, that's like, okay, I was gonna say this stuff
6:09
anyway.
6:09
And how many stories are there of guys like that
6:12
that you just, you don't know, like you don't know
6:13
that guys are just like, oh, I'm just gonna change.
6:15
I've changed my life 'cause I made a decision
6:18
to like change things.
6:19
And you know, maybe it was my podcast that sparked it.
6:22
Maybe it was one of Joby sermons, maybe it was a song
6:24
that somebody, you know, that they listened to.
6:26
But then they're just like, no, I can point to this time
6:28
and be like, this is when I decided that's it.
6:29
I'm changing.
6:30
- Yeah, for sure.
6:31
And I think, you know, a lot of that has happened
6:35
in my life, you know, recently where I have understood
6:39
things the wrong way.
6:40
Like from a really, honestly a legalistic standpoint, you know?
6:45
Like, and we've talked about this,
6:48
but your country music theology, I mean, that was me.
6:51
So like, just not understanding truly the full scale
6:55
of what grace is.
6:57
And like, you know, it's, and two, you said
7:01
like the way things are said, but there's a,
7:06
for some reason, think about this, but Joby said one time
7:09
he's talking about Jesus getting angry.
7:13
He's like, it's okay to get angry about things in the world.
7:16
- Yeah.
7:16
- Like, and I think I sense that from you,
7:19
like when I listen to you, like the things that like
7:22
get you angsty and, but they are things
7:26
that are for righteousness, right?
7:28
Like Jesus walked in the temple and turned the tables over.
7:31
It's okay to get angry about things that aren't right.
7:34
And I think that is so encouraging to dudes like myself.
7:38
'Cause I mean, I think for a long time,
7:40
you kind of feel like, well, is it okay to be like
7:43
as angry as I am about this?
7:44
'Cause I'm angry.
7:45
- One there, 'cause so some people will take Jesus
7:48
turning over the temple, turning over and redriving
7:50
the people of the temple, which happened multiple times
7:52
early in his ministry and late in his ministry.
7:54
So he, we know that he's done it at least twice.
7:57
They take that as license to be aggro about everything.
7:59
- Yeah, dude.
8:00
- And I mentioned a guy to you last night
8:01
that I won't mention on air, but like, there are people
8:03
and kind of the conservative Christian space
8:05
that everything is outrage.
8:06
- Yeah. - Everything is level 10.
8:08
And it's like, look, when you're outraged
8:10
about everything. - For sure.
8:11
- Okay, you're outraged about this bill
8:14
that passed the State House in Wisconsin,
8:16
and you're outraged about 70 Christians
8:17
being beheaded in Congo.
8:19
It's the same sound coming out of your face.
8:21
- Yeah, it's very cry wolf-ish.
8:23
'Cause I'm like, well, what do you actually care about?
8:25
- Yeah, it's like your calibration knob is broken.
8:27
- For sure.
8:27
- And the thing is, is your heart breaks
8:28
for whatever your heart breaks for.
8:30
- For sure.
8:30
- Okay, so, you know, you could be a fervent Christian
8:33
and study and theologically adept and all that,
8:34
but there's gonna be a story that affects you
8:36
more deeply than a story over here, right?
8:38
And, you know, I've got a lot of positions
8:40
that, you know, people are not huge fans of, like,
8:42
but it's, these are my convictions
8:45
that I say into the microphone.
8:46
So you may not like how I approach, you know,
8:48
how I talk about Andy Stanley,
8:49
or how I talk about the abortion debate,
8:51
or immigration, or pit bulls, or whatever the thing is,
8:54
or IVF, any of the stuff that I've said
8:55
that have like kind of really got people's hackles up,
8:57
but I'm like, I'm not just saying things.
9:01
I am saying things after I have considered them
9:04
for a long period of time, I've considered the ramifications
9:08
of what I'm suggesting should happen,
9:10
because there are people, someone pointed this out
9:12
the other day, I'm like, actually, they're right.
9:14
Oh, it was the podcast you sent me,
9:16
where Josh Howerton and Frank Turk did an amazing conversation.
9:19
So guys, this is coming out a few months
9:20
after we are recording it, but Josh Howerton, on his show,
9:24
he had Frank Turk on, and they were talking,
9:26
and they both love Al Moller, which I love Al Moller too.
9:29
I listen to the briefing every single morning,
9:31
but Al Moller is fairly long on description,
9:34
but fairly short on prescription.
9:36
And so it's like, dude, I'm with you,
9:37
these are all problems, now what do we do Al?
9:40
Right, now if you read Al Moller's books,
9:42
like the oncoming storm, I think it's one of them,
9:44
like that's one where it was like, okay,
9:45
so we got long on description and prescription,
9:47
but for me, if I'm gonna prescribe
9:50
a different way of operating, or prescribe a way
9:52
to think about a cultural topic, or news topic,
9:54
or political topic, or whatever,
9:57
I don't just do that flippantly, right?
9:59
I have a moral foundation and a philosophical foundation
10:03
in a lot of different areas,
10:05
so that whenever I give my opinion, it's not just,
10:07
well, I got mad, and I just immediately went to Twitter
10:09
and just started like, ah, right,
10:11
like I try to make sure it's undergirded by something.
10:13
- For sure, and I think you're really good at that,
10:15
and yeah, this is coming out gonna come out
10:18
a little while after things we've talked about currently,
10:21
but like, what you gave last night, the story you told me,
10:26
the throwin' the kids in the river thing, like that,
10:30
I mean, let me actually say that for people that,
10:33
'cause so I said it on an episode,
10:35
I did an episode about the sex-dortion epidemic
10:38
happening with young kids, so essentially,
10:40
the FBI puts out a PSA about these kids that are online,
10:44
playing video games, whatever, they get a DM
10:45
from someone that looks like a young, hot girl.
10:48
They, you know, get switched over to Snapchat or Instagram,
10:51
whatever, they start sendin' back, you know,
10:53
nude photos or, you know,
10:54
sexually explicit photos, then the veil's taken off,
10:57
it's some random dude in Nigeria,
10:59
and then they say, hey, we're gonna post all these
11:01
on Facebook and tag your whole family and friends
11:03
if you don't give us $1,000 or however much money
11:06
some of these kids don't know what to do,
11:07
they freak out and they kill themselves, right?
11:09
Just an absolutely horrific circumstances.
11:11
But what I was talkin' about in that episode,
11:13
Drew is like, and you were just listenin' to it
11:16
this morning 'cause it just came out.
11:18
We're not describing the problem effectively,
11:21
so people are like, hey, we need to be talkin'
11:23
to our sons and let them know they can always come to us.
11:25
Yes, fact check true, love it.
11:26
We need to be informing our sons about different scams
11:28
that may come online so they aren't susceptible.
11:31
Yep, I'm for all those different things.
11:33
But the river example I gave is like, okay,
11:35
you've got three hikers that are takin' a break
11:36
and they're eatin' lunch by the river.
11:38
And then all of a sudden they hear a kid
11:40
who's in the river comin' down the river,
11:41
oh, help, help, I'm drowning, I'm drowning, I'm drowning.
11:43
Oh, shoot, so they all three jump in,
11:45
they grab this kid, they pull him ashore,
11:46
dry him off, oh my gosh, that's crazy,
11:47
I'm so glad we were here.
11:49
Five minutes later, another kid, oh, help, help,
11:50
I'm drowning, I'm drowning, oh no.
11:52
So they jump back in, they grab this second kid,
11:54
they're like, what's goin' on, this is crazy.
11:56
Five minutes later, a third kid comes down the river.
11:59
One of the hikers takes off runnin'.
12:02
And they're like, where's he goin'?
12:03
So the two guys left, they jump in,
12:05
they grab this third kid, they bring him out,
12:07
they got three kids and almost drowned,
12:08
but they saved all three of 'em.
12:10
30 minutes goes by, everything's quiet,
12:11
nothing's goin' on.
12:12
And the third hiker, their buddy,
12:14
starts walkin' back to camp.
12:16
And he comes back up and his two buddies are like,
12:18
hey man, where'd you go?
12:19
He's like, I went up river and stopped the guy
12:21
from throwin' kids in.
12:23
It's like, we'll look at the end of the situation.
12:26
- So good.
12:27
- And I think the example I use,
12:28
it's like giving band-aids to a cancer patient.
12:30
It's like, yeah, they may have sores
12:31
that are caused by some of the treatments
12:33
or whatever that is befallin' them,
12:36
but we're not treating the source of the issue
12:37
in that particular sex-torsion thing.
12:39
The source is that these kids have access,
12:41
unfettered access to the internet,
12:42
where these, it's not just what you're giving kids access to,
12:45
it's who you're giving access to them.
12:47
So these predators, these scammers,
12:48
you're giving access to them,
12:50
so I don't wanna get too far off on that diatribe,
12:51
but I feel like, Drew, we get to this point.
12:54
We talked about a lot of subjects last night at dinner,
12:56
and afterwards, shout out Stag Lounge in Oakland City,
12:59
the best cigar bar in town.
13:00
But there's so many people that they wanna solve the issue,
13:06
but they're solving the wrong part of it, right?
13:08
It's just like, we're not going to the heart of the issue
13:11
for all of these people.
13:13
- Yeah, and a lot of it is probably uneducated a little bit,
13:19
I guess, which is why, thank God for folks like you,
13:23
who have shows like this,
13:24
who enlighten dumb idiots like myself
13:27
of even the things that are going on,
13:29
and give your viewpoint to go,
13:31
well, I've never even thought of it that way, you know?
13:34
And so I think, to go back to our original point,
13:37
like where you said, yes, you are somewhat a prophet,
13:42
but you do have, not a flock that you are shepherding,
13:46
but you have guys that you're helping along the way,
13:48
like, hey, these are things that exist,
13:51
and hey, if you have the ability to help in this situation,
13:54
let's help, you know what I mean?
13:57
And so that's what I've taken away from kind of what you do.
14:01
- I do feel a pressure and I feel the gravitas of,
14:06
'cause sometimes like, I'll get introduced to a guy like you,
14:10
and we'll get in your career and all that here in a second,
14:12
and all that, but sometimes I'll get random DMs
14:15
or random stuff from people, and I'm like,
14:17
and these people are like, man, I've been listening to you
14:18
for a while, I'm like, oh, okay, and again,
14:23
I don't get real starstruck and all that,
14:24
but sometimes I'm like, wait a minute,
14:25
you're like a serious dude in whatever category
14:28
you're serious in, and it's like,
14:30
and I'm almost just curious, like,
14:31
what value do you find in what I'm saying?
14:34
But the typical refrain from a lot of guys is,
14:37
I've had these thoughts for so long,
14:41
and I thought I was the one that was crazy.
14:43
- Yeah.
14:44
- And then I hear you give an opinion
14:45
that I've never been able to give words to.
14:47
- 100%.
14:48
- And then I'm like, okay, not only am I not crazy,
14:50
apparently there are a lot of guys that feel this way,
14:52
and dude, that's how London Life started to where it's like,
14:55
I thought I was nuts thinking about men's ministry
14:57
the way that I did, 'cause most men's ministries
15:01
are just women's ministries that have been repackaged
15:03
for men, and I just didn't like that,
15:05
and I felt like dudes that were tatted up
15:07
and have cauliflower ears and rough dudes
15:10
that they just maybe miss out on Jesus,
15:11
'cause of all of his doughy, frumpy followers,
15:14
and I was like, no, I just want to do something
15:16
a little bit different.
15:17
But then when you constantly have guys say,
15:19
I never knew, Christian, we were talking about
15:21
contemporary worship music a lot last night,
15:23
and I did an entire episode on my problems
15:25
with contemporary Christian music,
15:27
and why most guys don't like it,
15:28
and some of the issues with the lyrics,
15:30
being like homoerotic in nature,
15:31
and different things like that.
15:33
And you had guys that were like, dude, my entire life,
15:37
I have felt uncomfortable during worship,
15:39
and I have been serving the Lord,
15:40
and I have been going to Him in prayer and all that,
15:43
but then I've been told, if I don't raise my hands
15:45
during worship, during the song that I don't like,
15:48
that somehow something's broken in me,
15:49
and that I'm not, maybe not even saved,
15:51
which is what someone told me one time,
15:52
a worship leader told me, dude, I don't think you're saved,
15:54
'cause I don't like Bethel music or whatever.
15:58
But it's just like, I'm not giving guys license
16:01
to act like a jerk, I'm giving guys license
16:03
to be like, it's okay to be tough,
16:05
it's okay to not check your balls at the door
16:07
of your church before you walk in.
16:09
- I've heard this analogy,
16:10
and I may have heard this on your show,
16:12
I don't know, so I'm still in this from somebody.
16:14
- Probably me.
16:15
- Yeah, go for it.
16:16
- So, if you walked into your house, right,
16:21
and your wife had on a nice shirt,
16:25
you're like, oh wow, you look beautiful in that shirt.
16:27
- This is a JOBism, yeah, go for it, yeah, it's great.
16:29
- Well, you look beautiful in that shirt,
16:31
and then if I walk in my house
16:32
and my wife has on my shirt,
16:34
I'm like, wow, you look beautiful in my shirt.
16:36
- That's right.
16:37
- But if you come in my house
16:40
and I'm wearing my wife's shirt,
16:42
you're gonna give me very weird looks.
16:45
- Yeah, it doesn't work.
16:46
- But like, that's kind of where it's been
16:48
for men's ministry for so long.
16:49
Like, the men's ministry has been wearing
16:52
a woman's blouse for way too long.
16:54
- Well, so I get into a whole reason
16:58
as to why I think that is.
17:00
Like, how long ago did you start listening to the show?
17:03
- Maybe a year and a half ago.
17:04
- Okay, so if you go way back,
17:07
so episode four of the podcast is called
17:09
Pussies in the Puse, and I mean,
17:12
it's like that's a pretty early line in the sand.
17:15
And here's the thing about that episode.
17:16
I didn't want to call it that.
17:18
I literally text a few guys that are a bit more mature
17:20
than I am, not quite as aggro.
17:22
And I'm like, hey guys, you know,
17:24
I just started a podcast, right?
17:25
Yeah, man, great.
17:26
Good for you.
17:27
I'm thinking about calling this episode Pussies in the Puse.
17:31
And here's the content of the episode,
17:33
all that, and literally, all three of these people.
17:36
Like, I sent it specifically to these guys
17:38
'cause these guys do not care about offending me.
17:41
That's why I love them, right?
17:41
- Yeah, for sure.
17:43
- All three of them said, no, man, if it's,
17:46
call what it is, this is your dividing line.
17:48
This is, hey, if you can't be down with this,
17:50
don't pass go.
17:52
And the people, and I told you last night,
17:53
I've lost lots of money from speaking engagements
17:56
where I was booked, and then elders went
17:57
and just looked at the names of my, you know, podcast.
18:00
And they're like, we can't be down with that.
18:01
And I'm like, well, did you listen to the episode?
18:03
Well, no, it's like, okay, well,
18:04
you're part of the problem
18:05
that I'm describing in the episode.
18:07
But part of the thing is, is we've just been,
18:11
you go back to the Industrial Revolution,
18:13
where were all the virile testosterone filled men?
18:16
They were in a factory, or they were underground,
18:18
or they were working these 16, 18-hour shifts.
18:20
Hey, they weren't exhausted,
18:23
so they weren't really in the churches.
18:24
Then you get back to the World Wars,
18:26
you've got young men going and fighting and dying
18:29
in trench warfare somewhere, and some God forsaken
18:31
filled in Europe and all that.
18:32
And so the only men that were left in these towns
18:35
or villages or whatever were the elderly, the young,
18:38
the sickly, the weak.
18:40
And then you have these effeminate men
18:41
that are some, in a lot of cases, more so drawn
18:44
to the ministry, to the, to the, you know,
18:46
sit down and hold hands of the widow type thing,
18:48
which is all super, super valuable stuff.
18:50
Yeah, for sure.
18:51
But it does ping a little bit more with capital F feminine
18:54
than it does capital M masculine.
18:56
And then when you're looking out at your congregation
18:59
and its women and children and elderly,
19:01
your sermon content is gonna bend
19:03
a little bit more Lamb of God,
19:04
a little bit more grace, a little less line
19:06
in Judah, a little bit less truth.
19:08
The songs are gonna be a lot more emotive, right?
19:12
About, you know, you're singing about Jesus
19:13
like he's your boyfriend and you can just curl him up
19:15
and put him in your shirt pocket
19:16
and he's just so sweet and he's never gonna say anything
19:18
that's gonna make you angry.
19:20
Like, and then you just do that,
19:23
decade after decade after decade after decade.
19:25
And then you get to this point where you're a church
19:28
or you're a music minister and you're singing a song
19:30
and you don't even realize how it's pinging
19:33
in the ears of your men.
19:34
Again, another email I got one of the best emails
19:36
I've ever received after I did the episode
19:38
of contemporary worship music.
19:39
Like the same week I get an email from a guy
19:41
who is a worship leader at his church.
19:43
And he goes, thank you so much for doing this episode.
19:47
The episode's called like contemporary Christian music
19:50
is for women and effeminate men.
19:52
And I don't remember the number, but you can find it.
19:55
He goes, every single time I get the songs ready
19:59
to go for Sunday morning, I never have them in mind.
20:03
- Wow.
20:04
- Until this episode, because I mentioned things,
20:07
I'm like, you're singing songs that have homoerotic lyrics
20:10
to where if you took out the name Jesus
20:11
and inserted the name Drew, right?
20:13
It would be like you're singing to your boyfriend Drew,
20:15
right? That's not good.
20:17
The lyrical content is more lamb of God-y,
20:19
not God of the universe, you know, the war Psalms,
20:23
like it's devoid of all that, right?
20:26
It's in a key that most men can't hit, right?
20:30
And so the men sit there with a blank stare on their face,
20:33
maybe they're mumbling the words,
20:34
God of mercy, and they're just kind of whatever.
20:37
And they've got their hands in their pockets.
20:39
And I'm like, as a worship leader,
20:41
when you look out in the crowd
20:42
and the only people like really getting into it
20:44
are the women, that that's a signal.
20:47
- Yeah, it's because the man,
20:48
they literally cannot, they feel like they can't participate.
20:52
- Right, and they feel like if they do,
20:53
they're checking their man card.
20:55
And so like, yeah, so I just wanted to make people aware
20:57
and like this worship leader's like, from now on,
21:00
when I look at the lyrics, when I look at the song choice,
21:02
the key, the people I have on stage,
21:04
like again, I don't understand music,
21:06
but like the harmony parts,
21:07
like we're gonna make sure that we hear masculine voices.
21:10
And there's just not a whole lot of churches
21:11
that focus on that.
21:12
- Yeah, for sure.
21:13
I mean, yeah, and I think it's time
21:17
we put a set of balls on some of that stuff.
21:19
- Well, that's a dude, that's one of the main reasons
21:21
though I wanted to have you in studio.
21:23
And so when you and I got introduced
21:24
and we're talking and all that,
21:26
you've had a crazy career in music
21:30
and you've been in the music industry
21:31
and we'll start unpacking all that.
21:33
But like one of the first things,
21:36
I'm pretty sure it was you that messaged me.
21:37
I'd have to go back and look,
21:39
you're just like, I wanna make Christian music
21:42
that has balls.
21:43
And you know, obviously everyone knows I'm a huge metal head.
21:46
I'm a huge fan of Christian metal.
21:48
And like, so I love me some chain and chain,
21:50
but you know, that's not always what I need.
21:52
Sometimes I need some for today.
21:54
I need some holy name.
21:55
I need some convictions to where it's like,
21:57
that's where I'm like, that's where I'm like worshiping.
22:00
And so like, okay, so we'll get there.
22:02
We'll get to the balls on music.
22:03
But for you, you're a young guy,
22:06
but you've had a long career in country music.
22:09
And so like, let's go back to like early Drew.
22:12
So you're growing up like,
22:14
so when did you get like into music?
22:16
Like, you know, what kind of like,
22:18
'cause you're, you know, 33, right?
22:20
And so you would have been on the tail end
22:23
of kind of the nineties country thing and all that.
22:25
And so you kind of came of age during kind of like
22:27
the early 2000s country, which is not my favorite.
22:29
But it's just like, you know,
22:30
what kind of formulated your music for the nation?
22:33
- Yeah, grew up in middle Georgia.
22:35
And grew up going to church.
22:39
I mean, we were, you know, I was the,
22:41
the old joke, I was a drug baby, you know what I mean?
22:43
Like drug two church, drug front church, drug back to church.
22:46
- I was like, wait a minute.
22:47
Oh my God, what happened? - No, no, no.
22:49
And so that was where I was introduced to music,
22:52
was at church and we would have fifth Sunday night
22:55
gospel singings, you know, like every so often
22:58
there would be like a fifth Sunday of the month
23:00
and we would have a special group or whatever
23:02
would come to church with sing.
23:04
And I was like, this is awesome.
23:05
These people like, they travel around and sing.
23:07
What is that about?
23:08
And so here I am young kid, six years old.
23:11
I'm like, I want to do that.
23:12
Like, I want a sing.
23:13
And so I would start getting up and doing little
23:16
kid specials at church, right?
23:18
And so one thing led to another and
23:21
I just started, that was what I wanted to do.
23:24
I wanted to sing music.
23:26
And so there was a guy in my hometown who would do like
23:30
Friday night little gospel things in the Arby's parking lot
23:33
on a flatbed trailer and - Shout out to the happy
23:35
roast beef, let's go.
23:36
And so I would go there on Friday nights.
23:38
And again, a kid singing songs, you know.
23:41
And these were older than these gospel songs.
23:43
Yeah, this guy was in his, he was probably in his
23:47
40s at the time. - Okay, yeah.
23:48
- Yeah, yeah.
23:49
We would just go to kind of hear him
23:51
and then he would like bring me up to like do a special
23:54
or whatever.
23:54
And so I was exposed to like playing a show.
23:57
- Yeah.
23:58
- And so loved music, I started playing Southern gospel
24:03
when I was probably 10 or 11.
24:06
And when I say that, we would load my mom's
24:08
Ford Expedition up with some sound equipment.
24:10
My dad went and bought.
24:12
We'd travel all over the state of Georgia, Southeast.
24:14
And I would sing like solo by myself,
24:17
Southern gospel music at churches.
24:19
So I did that for quite a while.
24:21
2008 economy crashes, that kind of goes away.
24:26
So like, you know.
24:27
- 'Cause you would have been what,
24:28
in like middle school, high school?
24:29
- Yeah, middle school, high school.
24:30
I was like a sophomore in high school at this time.
24:33
Economy crashes and that kind of goes away.
24:38
The traveling, singing gospel music at churches
24:41
kind of goes away 'cause that was just no money.
24:43
And I wouldn't do it for money, but like, you know,
24:47
it just, they weren't even inviting people to come in
24:49
'cause they didn't, you know.
24:50
And so they needed the money to stay there kind of thing,
24:55
you know.
24:56
At least that's what I understood as a young kid
24:59
as a 17 year old.
25:00
And so to fill my habit, my passion of music,
25:05
I started doing, I'd do like open mics.
25:08
I did an open mic at a pizza joint in my hometown.
25:11
- And are you, are you playing like all covers
25:14
or songs or are you? - Covered country songs.
25:15
- Okay, you're not writing anything.
25:16
- No, not writing anything yet.
25:18
Covered, I'm covering country songs.
25:21
And the owners of this pizza joint come back and they're like,
25:23
"Hey, can you come back and do like three hours of this?"
25:27
And I'm like, "Yes, I can."
25:29
Knowing that I couldn't.
25:30
- Dude, three hours, that's like a crazy set.
25:32
- Yeah, I mean, a hundred percent.
25:34
And so I show up the first time I got this guy,
25:37
this kid that I grew up going to church with,
25:39
he knew how to play guitar.
25:41
I didn't really know how to play guitar yet.
25:43
So I got him to like learn, we learned like, I don't know,
25:47
15, 20 songs.
25:49
And the turnover was just weird, like, okay,
25:53
we can just like, like these and then we'll just,
25:55
we think the crowd has changed over,
25:56
we'll just do the same songs.
25:57
- So what were y'all singing, like who are y'all?
25:59
- Oh man, like Alan Jackson, like 90s country stuff.
26:02
- Okay, yeah. - You know?
26:03
Or like maybe whatever was popular at the time,
26:06
Jason Aldine, like just different things.
26:08
And so doing that and dude, we packed the place out.
26:13
I mean, we, the place is slammed.
26:16
And so the people are like, can you come back like,
26:19
twice a month and do this please?
26:21
'Cause I mean, we're bringing in tons of business.
26:24
And so I'm like, yeah.
26:26
And one thing led to another, I started doing that
26:31
all over my hometown and then expanded like
26:34
into other towns.
26:36
And so I started like playing legit shows.
26:41
And I'm still not writing songs.
26:44
This is like cover songs.
26:46
I'm gonna do a full band show at this place in Atlanta
26:49
called Wild Bills.
26:50
It's like, back then it was the like the place club
26:54
you went to see a country show.
26:56
And I'm gonna finally get to play, do it my own show there.
27:01
But I was, I had to sell the tickets.
27:03
Like I, you know, I had the tickets, the physical tickets.
27:06
So there was no like--
27:07
- Where do you learn 16 at the time?
27:08
- Probably, no, I'm probably 18 or 19 at this point.
27:12
- Still young.
27:13
And so there was one guy that was like
27:18
kind of booking a lot of the talent in Georgia
27:22
for like bigger shows, like he would bring like
27:24
C and B level artists, D level artists to Georgia
27:28
from Nashville to play shows, right?
27:31
And I was like, I need that guy to come to my show.
27:34
I need him there.
27:35
'Cause I think if he hears me, he'll at least let me open
27:37
for some of these shows he's booking.
27:38
And I knew one person that knew him and I was like,
27:40
whatever you do, you gotta get him here.
27:43
His name's Bradley Jordan.
27:44
Like you gotta get him here.
27:46
And Bradley came to the show.
27:48
And there was, I mean, there wasn't a ton of people there.
27:53
I maybe sold 200 tickets, which was awesome, my fault,
27:56
you know, right? - This is so good, yeah, yeah.
27:57
- And so Bradley comes, Bradley liked it.
28:00
He's like, man, I'm gonna start putting you on to open
28:02
for like these acts I'm bringing out in Nashville
28:04
if that's cool, I'm like, awesome.
28:05
- Let's go, yeah.
28:06
- So fast forward, I go to college.
28:10
I have a college degree in radiology, take x-rays.
28:14
You know, I'm doing that in my hometown.
28:16
And I'm like, man, I need to get to Nashville.
28:18
How do I get to Nashville?
28:20
So I'm living with my parents working this job,
28:22
trying to figure out how I'm getting to Nashville.
28:24
I know I'm going.
28:24
In the meantime, Bradley's put me to open these shows.
28:30
He calls me on a Friday.
28:30
He's like, hey, man, I'll give you 100 bucks.
28:32
If you can drive, my opener just bailed on this show.
28:35
100 bucks, drive to Rome, Georgia is about two and a half
28:38
hours away to come open the show.
28:40
I'm like, yes, I'll be there.
28:41
I just kept saying yes.
28:43
- Yeah, yeah.
28:44
- And I get there.
28:47
I'm like, by the way, who am I opening for?
28:49
- Right.
28:50
- And he's like, what's this new guy out of Nashville?
28:52
He just moved to Nashville's name's Luke Combs.
28:54
I'm like, okay, awesome.
28:56
I don't know who that is.
28:58
And so me and Luke are hanging out in the green room.
29:02
We hit it off and he goes, hey, man, why don't you come
29:05
to Nashville and write some songs with me?
29:06
And I'm like, perfect.
29:08
Nobody's ever invited me to Nashville to write songs.
29:11
I've been wanting to get there.
29:12
Let's do it.
29:13
So that was in about 2014, I guess, 2013, 2014.
29:18
I started driving back and forth from Georgia to Nashville
29:23
for nine months.
29:24
And then nine months later, I moved.
29:27
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31:47
Okay, so Luke Holmes, I mean, dude, that's insane.
31:52
I mean, you wanna talk about looking backwards,
31:54
seeing whether the Lord's done for you
31:55
and the Lord's that he opened for you.
31:58
But at that point,
31:58
how much writing had you done?
32:01
I maybe had written, well, I actually had,
32:03
I had written one song.
32:05
Well, okay, so what did Luke Holmes see in you opening
32:11
that made him think, 'cause one thing to have someone play,
32:15
but as we were talking about last night,
32:17
there are people that are great writers,
32:18
that suck as performers, there are people
32:19
that are great performers that suck at writing.
32:21
Then there's that small group of people that can be both.
32:24
But like Luke hadn't seen you writing,
32:27
he only had seen you performing.
32:28
I just think he saw a dude who is like-minded.
32:32
We talked about life, we talked about the things we liked,
32:34
we both liked Eric Church, like,
32:36
we just had the same, we liked the same things.
32:39
And what he thought was a good song,
32:41
was a song that I thought was a good song.
32:43
So he's like, okay, well, we're like-minded in this.
32:45
So like, I think maybe we can write good songs together.
32:48
'Cause that's how I've always like kind of looked at it.
32:50
Like, if you said, hey, I like this song,
32:53
and I'm like, yeah, I like that song too.
32:54
We would probably agree on a lot of things.
32:57
You know, like, so that's where I think it came from.
33:01
Like, he recognized it, I recognized a good song.
33:04
And so maybe I could write one too.
33:07
- Okay, so- - That's what all I think
33:09
probably it was.
33:10
- Yeah, you know, that's actually true
33:11
'cause you and I last night,
33:13
and I let you play DJ a little bit in my car.
33:15
And you almost maybe driving oncoming traffic
33:17
'cause you said you hate Johnny Cash
33:19
with the fire of a million sons.
33:21
- I didn't say I hated it. - It was something like that.
33:22
It was something, you said something like that.
33:23
It was just one of the most egregious things
33:25
I've ever heard in my life.
33:26
And I was like, I almost, as opposed to driving you to dinner,
33:28
I almost drove your butt right back to the airport.
33:30
It's like, let's get this guy out of my presence immediately.
33:32
But like, it is interesting when you hear like, okay,
33:35
this guy likes this type of song or this type of music.
33:38
It does give you some insight into their taste,
33:41
their background, all that.
33:43
And so, okay, so you get invited to Nashville,
33:47
like, but you're not really a songwriter.
33:50
Like writing one song doesn't make you a songwriter.
33:52
So like, okay, what does that process even look like?
33:55
So you get to Nashville, right?
33:57
What do you just, you go into a room with your guitar
34:00
and you start like strumming and humming along
34:01
to something like what? - Yeah, yeah, yeah.
34:04
I mean, you're just literally just making up something.
34:06
- So you and Luke are in a room
34:08
or you and Luke and somebody and you're just kind of like,
34:10
- Hey, I've got this idea, you know, a title.
34:13
Typically, I mean, is where it would start.
34:15
Like, you know, whatever the title would be, you know?
34:20
And you would kind of start there,
34:23
hey, this is the title of the song.
34:24
This is what it's about.
34:25
And you would just honestly start making up stuff, literally.
34:29
The first song that Luke recorded
34:33
that me and him wrote together was a song called Lonely One.
34:35
It was on his very first record that he put out.
34:38
And the idea of the song was like a guy sitting at a bar
34:45
and going through a heartbreak, typical country music,
34:49
you know, and he's having this conversation
34:51
with the bartender, well, he finds out
34:53
that the bartender is also a heartbroken and it's like,
34:55
well, you're not the only lonely one.
34:57
So it was just like play on words, like just stuff like that.
35:01
And so, I mean, that's kind of the process, I guess.
35:05
And to this day, I mean, usually most songs, not all,
35:10
but most songs that I would be a part of,
35:12
they start with a title.
35:14
- Okay.
35:15
So are you, is there like,
35:17
is there something recording the entire time?
35:19
I remember like, I remember Stephen Tyler was talking
35:20
about like how Aerosmith would write stuff.
35:23
And they like, every single time they got together to jam,
35:26
they had something being recorded.
35:28
Because, you know, the guitarist is over there
35:29
and like he'll hit a lick that he's never hit before.
35:32
- For sure.
35:33
- And someone will be like, hey, can you play that again?
35:34
But they'll think about it like half an hour later.
35:36
And he's like, I have no idea what I just played,
35:37
but they just kind of go back to the thing.
35:39
So do you all have like--
35:40
- There's a lot of that going on.
35:41
And you know, there's been also been times
35:42
where there wasn't something recorded.
35:44
And you're like, hey, what'd you do while ago?
35:45
And they're like, I don't know.
35:46
- I have no idea.
35:47
- And I'm like, who was recording?
35:48
No one. And we're like, dang, come on.
35:51
- I mean, I've had that happen a million times.
35:53
So, you know, that's a lesson that we're always
35:57
in learning, I guess.
35:58
So, but typically it's just,
36:04
it's literally the same format.
36:05
I mean, song I did for me.
36:07
And then, Hummin' A Melody.
36:12
And usually trying to hum that.
36:15
And usually your title is part of your hook
36:18
of the chorus.
36:19
And so, what's a cool melody over that?
36:21
And then let's kind of work backwards a little bit.
36:23
And I'm always a guy, I don't start at point A.
36:27
Like I'm like, okay.
36:29
- You figure out the chorus
36:30
and then you figure out the intro.
36:31
- That's me, typically.
36:32
That's how I like to write.
36:32
'Cause I need to know where I'm going to.
36:34
'Cause to me, the culmination of a song
36:37
is where the hook lands at the end of the chorus.
36:39
Well, I need to know that before I know
36:41
where the story's gonna start, right?
36:45
And so, that's typically the process I like to take.
36:50
- So, I'm assuming most people in our audience
36:52
aren't like familiar with the music and everything like that.
36:54
So I'm gonna be asking a bunch of questions
36:56
of you how to probably gonna be mind-numbing,
36:57
but it's 'cause I'm an idiot and I don't understand this world.
37:00
So, okay.
37:01
So two questions.
37:02
One, when did you feel like what was the point
37:05
where you're like, oh, I'm a songwriter now.
37:07
So, well, let's just start there.
37:09
Like what's the point?
37:10
And we'll ask the second one so I don't forget.
37:11
So like, okay, at what point where you're like, okay,
37:14
I'm not just the opening act performer at a pizza joint.
37:16
Like, I'm a songwriter now.
37:18
And then also like, okay.
37:20
You and Luke are sitting there in the room,
37:22
strumming on your guitar, you're humming some things along.
37:24
At what point do you realize we have just made a song
37:28
and then now what happens?
37:30
Like, do you bring in a record executive
37:31
and play it for them?
37:32
And they say, yes, indeed, that is a song.
37:35
And then like, 'cause I know y'all write way more
37:38
than what ends up on a 12 song LP or whatever.
37:41
So when did you feel like you were a songwriter?
37:44
- Honestly, man, when I got to town
37:46
and started writing songs, it was more of a--
37:49
- Like immediate.
37:49
- Yeah, in the sense of almost like tricking yourself
37:53
in the sense like, this is who I am.
37:55
Like, I guess to build confidence, right?
37:58
But as far as like going, okay,
38:00
I think I might, this might be my job, you know,
38:03
in the future.
38:04
'Cause I was working at a hospital at the time.
38:06
I got a job at a hospital there.
38:08
And so I would write songs during the day,
38:11
work at the hospital at night, and I did that for a while.
38:13
And so, but I think probably once I got my first cut,
38:18
so when Luke, when that first, one of those songs
38:22
that me and Luke wrote very early on wound up
38:24
on his first record after he signed a record deal,
38:28
I was like, okay, well, and you're kind of naive
38:32
and kind of dumb and you're like, okay,
38:33
I'm gonna be rich off this.
38:35
And like, then you were--
38:36
- But you're out of the business, yeah.
38:37
Yeah, you have no clue.
38:38
So, but you do think, you know, okay, well,
38:42
I got a song on a record, like, this is awesome.
38:46
And then obviously Luke blew up.
38:48
And so you kind of, along those you go,
38:51
oh, wow, this might turn into something.
38:53
And so I guess from a confidence level,
38:57
I'm like, this is who I am from the get-go
38:59
when I get to Nashville.
39:00
But then also just landing your first cut on a record
39:04
that felt, you know, well, I'm actually, I did it, right?
39:08
'Cause I mean, I write, I've written hundreds,
39:11
probably thousands of songs that don't make the thing.
39:15
And like, you get done with 'em, you're like,
39:16
eh, I probably won't do anything.
39:18
But then you write one, you're like, okay, well,
39:20
that might do it.
39:20
And so I guess that's when.
39:25
And then I forgot your other question.
39:28
- Yeah, so essentially, like, what does the process look like
39:31
when, 'cause this is before, 'cause you explained last night,
39:33
like you get a publishing deal and you're like part of the,
39:35
you know, as Luke is blowing up, you're blowing up with them.
39:37
So we'll get to that.
39:38
But like, okay, you're in the room.
39:39
You've created the song, you and Luke are like,
39:42
this is a song now, you figured out all the words
39:44
and all the parts, you know, you don't have the full band,
39:46
you're full accompaniment yet.
39:48
But like, now what's the process to be like, okay,
39:50
this is a song now?
39:50
- Yeah, so I think in that process,
39:54
when me and Luke were writing early on
39:56
and we had like a core group of friends,
40:00
we were just kind of, that was our circle of writers.
40:04
We kind of just wrote there until, you know,
40:06
we expanded our networks.
40:07
But I think we didn't even have a clue what we were right,
40:12
what why we were writing.
40:15
We were just like, this is what you gotta do
40:17
when you come to Nashville
40:18
and you wanna be a songwriter, you just write songs.
40:19
We had no plan, who's gonna record 'em, nothing.
40:23
It just turned in.
40:24
Luke kind of started getting some attention on social media.
40:27
And so we started doing, we could kind of see his numbers
40:32
kind of going up on social media and then
40:35
he would start recording them.
40:36
But I mean, you were to write a song.
40:38
- And are you like studio in the same building
40:39
where you're writing?
40:40
- No, a lot of it, like if me and you were to write
40:43
a song right now, we would probably just pull out my phone
40:47
and I would grab my guitar and we would just
40:51
sing it into a voice memo, yeah.
40:54
- That's how you would do a demo?
40:55
- To an extent.
40:58
- Wow, okay.
40:59
- So a lot of it, but there's also producer,
41:04
we call them track guys who are also,
41:06
you can also write with them too.
41:08
So like me and you would be right with them
41:09
and he would be over there.
41:10
Me and you would be writing a song.
41:11
He would be building a track.
41:12
We get done writing it.
41:14
He's following along what we're doing.
41:15
He's got it mapped out on his thing and then we get done
41:17
and we sing it into his track.
41:19
So then you can have a fully produced demo
41:21
or you can do it the other way where we do the voice memo
41:24
and then I take that voice memo and I send it to a studio
41:29
or take it to a studio and we cut a demo with a live band.
41:34
- Is there any concern,
41:35
I was just thinking about this too.
41:36
Is there any concern at that moment that
41:38
when you send it somewhere, is it known?
41:40
This is my property because it's like,
41:43
couldn't they just like give that to one another artist
41:45
and be like, "Hey, sing this."
41:46
Like, well, what are your rights to that song?
41:50
- Yeah, it wouldn't happen.
41:51
- Okay.
41:53
- Yeah, that--
41:54
- I mean, I guess it's a bit worse.
41:55
- I mean, I guess it somehow could, but it just wouldn't.
41:56
- Okay.
41:57
So you got some sort of demo, you start sending it around
42:01
and then so--
42:02
- Yeah, so typically, like, if remove Luke
42:07
from the situation of me and you wrote a song--
42:09
- Yeah, it'd be a great song, it'd be a banger.
42:11
- It would be.
42:12
- Yeah, let's go.
42:13
- And so we're like, "Hey, this sounds like Blake Shelton."
42:17
We're like, "Okay, well, how do we get it to Blake Shelton?"
42:20
Well, let's see.
42:21
What connections do you have to Blake Shelton?
42:23
What connections do I have?
42:24
If we have publishing deals, our publishers,
42:27
they can get it to somebody.
42:29
- Right.
42:30
- What is the best way to get it to Blake Shelton?
42:32
So I go, "Well, I've got a connection to his producer,
42:34
"I'll send it there."
42:36
And then hopefully they fall in love with it.
42:38
It's literally like, it's almost like, not gambling,
42:42
but that's how many steps you gotta go to
42:45
for a song to be successful.
42:47
I mean, you gotta get somebody,
42:49
you gotta get one person to like the song,
42:50
aside from who wrote it, one person.
42:53
That person believes in enough to send it to somebody.
42:56
Then that person hears it and believes in it,
42:57
and they're like, "Yeah, I like this.
42:59
"Let me play it for Blake Shelton."
43:01
And then Blake Shelton listens to it,
43:02
and he's gotta go, "Yeah, man, I like that."
43:04
Then they go record the song, they get it back,
43:08
and the record label goes,
43:10
"Yeah, we like that song, let's put it on the record."
43:12
Or they could say, "Ah, we don't think
43:13
"that's gonna fit the record."
43:15
So then they've, if you've gotten all the way there,
43:19
they've recorded the song,
43:20
and then all of a sudden, it doesn't make the record.
43:22
There's so many stories about that in Nashville
43:24
of it getting all the way there,
43:26
and the artist even goes and records the song,
43:29
and it doesn't make the record.
43:30
So then it just lives in the middle of nowhere,
43:32
and nobody ever hears it.
43:33
- Yeah, it'll be, after the person dies,
43:35
it'll be the albums that are released of the tracks.
43:37
- There's so many songs in Nashville
43:39
that are just sitting on shelves, technically, you know,
43:42
that are probably the best songs you've ever heard,
43:46
but nobody will ever hear 'em.
43:47
- Just 'cause one exec didn't like it,
43:49
and they just--
43:49
- One person knew it like it, or whatever.
43:51
- Okay, so let's take the scenario.
43:52
So Oklahoma boy Blake Shelton, you know, for whatever way
43:55
you weave through, it gets to someone on his team,
43:58
it gets to Blake, he's like, yeah, I like this,
43:59
this is my kind of song, he records it,
44:02
and the executives like, no, we think that's great,
44:05
let's record that, or let's keep that
44:07
for the upcoming record.
44:08
Okay, so now what does that look like for you?
44:10
Because it's not Blake's song.
44:12
- Correct.
44:13
- It's your song, but now it kind of reminds me, again,
44:16
I'm gonna have to bring up Johnny Cash
44:17
since you hate him so much, but like Trent Reznor
44:20
of Nine Inch Nails, Hurt is a Nine Inch Nails song.
44:24
But I remember Trent Reznor being interviewed
44:26
after the American recordings that Johnny Cash did of Hurt,
44:29
which is, you know, for my money,
44:31
one of the most incredible songs and videos I've ever seen.
44:33
And Trent Reznor goes, the moment I gave Johnny Cash
44:36
permission to sing my song,
44:37
I realized it was not my song anymore.
44:39
And this is before he had heard the final track,
44:41
he's like, that's not a Trent Reznor
44:43
and Nine Inch Nails song anymore, it's his.
44:45
But he had recorded it, like that was his song,
44:48
he wrote it, and then Johnny Cash just did his take on it
44:51
and it just became his.
44:52
And you see that, like, how many times you see a song
44:54
that you don't realize is a cover?
44:55
You said Keith Whitley is like one of your favorites.
44:57
Well, there's like an Allison Krauss song,
44:59
that's a Keith Whitley song, but the first time I heard
45:01
it was Allison Krauss in Union Station.
45:03
So in my head, it's her song.
45:04
So like, how does that work?
45:05
- Well, Chris Stapleton, Tennessee Whiskey.
45:07
That's a George Jones song.
45:09
- Shocking, right?
45:10
You know, and you know, and George Jones
45:13
didn't write Tennessee Whiskey either.
45:15
Like, that was written by just a guy named Dean Dillard
45:18
and one of the greatest songwriters ever.
45:21
And he wrote it, George Jones recorded it.
45:24
And then years later, Chris Stapleton records
45:27
his own version, you know?
45:28
- Right, and that blew him up.
45:30
So, okay, back to the Blake Shelton thing.
45:32
He loves it, executive loves it, all that.
45:34
Okay, what does that mean for the album?
45:37
What does that mean for Blake?
45:38
What does that mean for you at the very, you know,
45:40
start of this thing?
45:41
- So, and I don't know how deep we want to get into this,
45:45
but--
45:45
- We are all the time in a world.
45:46
- There are, and I tried to explain this yesterday,
45:49
the best I could, and this is so confusing.
45:53
A song has two pies, okay?
45:57
There's a Master Pie, there's a songwriter pie, okay?
46:01
The Master Pie is the sound recording.
46:03
So, the record label puts it out,
46:06
whatever it makes on the recording, okay?
46:09
There's also a songwriter pie.
46:10
So, and I don't know how the money is split.
46:13
How do they determine what money goes to this pie
46:15
and what money goes to that pie?
46:16
I have no clue.
46:16
But let's take the songwriter pie.
46:21
So, this song is somehow split.
46:23
So, I'm gonna get paid out of the songwriter pie.
46:25
Well, in the songwriter pie,
46:27
that pie is cut amongst songwriters, okay?
46:30
So, if me and you wrote a song, you get half the pie,
46:32
I get half the pie.
46:33
Well, then you're half of the pie,
46:35
you got to split your half of the pie with whoever
46:38
you have a publishing deal with.
46:39
Now, if you don't have a publishing deal
46:40
and you're an independent songwriter,
46:41
you get your whole half.
46:42
- Okay, but I more than likely have a publishing deal.
46:44
- More than likely.
46:46
So, then you got to split that somewhere
46:48
and I would do the same with my pie.
46:50
And then, but me and you as songwriters,
46:54
we get nothing, no money from this master pie over here.
46:58
And now, what's crazy to me is how it's all figured up.
47:05
I like, it makes no sense to me
47:10
because someone streams the song me and you wrote,
47:14
they stream it on Spotify.
47:16
Well, we get paid differently than if they go stream
47:18
at one time on Apple Music or one time on YouTube.
47:20
It's not like a universal number across the board,
47:23
which is very confusing to me.
47:25
And I guess probably confusing to everyone.
47:27
Like, why that's not.
47:28
Like, why does our song have a different value
47:31
on this network than on this one?
47:33
Like, it's the same song.
47:34
- When you even tell me what,
47:35
last time you told me for every a million streams
47:37
on Spotify, that's like $4,000 in revenue.
47:39
- So like, so like, I think that's if you own the master.
47:43
- So if you own the whole part of this pie.
47:45
- If you own the part of this pie.
47:46
- Okay.
47:47
- On the songwriter's side, it's like 0.0007 cents, I think.
47:52
- Gee, okay.
47:54
- Per stream, that's per stream.
47:56
And then that split amongst songwriters.
47:58
So that point, so every time the song me and you wrote,
48:02
get streamed on Spotify, 0.0007, I think is the number.
48:10
It's either three zeros or four zeros.
48:11
Anyway, that amount, pennies, I mean,
48:16
we're talking not even pennies.
48:17
Fractions of pennies goes into the songwriter pie.
48:20
Well, then there's people eating,
48:22
there's more than just me and you eating from this pie.
48:25
So I mean, you split the 0.7 and then whoever's also eating
48:28
from our pie is taking a fraction of what me
48:32
and you just took.
48:33
- Wow, okay.
48:34
- So it takes for streaming, I mean,
48:36
you can make money as a songwriter
48:40
if someone's streaming your songs that you've written,
48:43
but like they've got to be streaming a lot.
48:45
That's why Morgan Wallen is very awesome
48:49
to get a cut on Morgan Wallen record, Luke Holmes.
48:54
We're talking guys that stream tons.
48:57
- How do you say millions?
48:58
- Yes.
48:59
So I don't know, that's how that works.
49:05
How do we make it where people can make a little more money
49:08
just by getting a song recorded?
49:10
Because if, here's the reality, if you don't get a song
49:13
to be a single at-country radio, terrestrial radio,
49:21
it's hard to make like a real living.
49:24
- That's what I was gonna ask.
49:25
So like, you know, a fraction of a fraction of a fraction
49:28
of a penny split amongst several other people.
49:31
Like a million streams is $4,000.
49:33
It's like, it's not no money,
49:35
but it's almost like no money
49:36
if you're trying to live in a city like Nashville.
49:38
- Yeah, and we're talking about,
49:39
we're talking about if that song streamed a million
49:41
like immediately, then you get that.
49:43
But like, we're talking about, it doesn't.
49:45
- It could stream a million over a year.
49:46
- Exactly.
49:47
- Right, okay.
49:48
And a million's a lot.
49:49
- That's a lot of streams.
49:50
- Yeah, that's awesome.
49:51
Somebody loves your product.
49:52
- Right, okay.
49:54
So help me attach, so you're a songwriter,
49:58
people obviously make very good livings
50:01
and can make very lucrative livings off of writing songs,
50:04
but that doesn't make any sense on the streaming world.
50:06
And I know it's changed 'cause back in the day,
50:08
it was basically all radio and touring
50:11
'cause there was no other option.
50:12
Oh, and album sales,
50:13
but now no one's really buying albums
50:15
because, you know, that's not really super duper a thing.
50:18
Like, yeah, if you're buying albums and CDs
50:20
from Walmart or if you're buying vinyls and all that,
50:22
but almost everything has gone to streaming, go ahead.
50:24
- So that royalty rate, so like if streaming didn't exist
50:28
and there's a physical product
50:30
and you had to go to Walmart to buy Luke Combs record,
50:32
that's the only place you could get is
50:34
if you go to Walmart, Target or whatever.
50:35
- Yeah.
50:37
- Okay, I mean, you had a song, a two-way song on there.
50:41
That song, I think, got, you'd get nine cents a copy,
50:45
which is a lot.
50:48
That's a lot compared to what we're getting now.
50:49
- Right, it was streaming, okay.
50:51
- Okay, and that rate, that nine-cent rate,
50:55
I think it's nine cents.
50:56
Don't hold me to any of these exact guys, but--
50:58
- Yeah, there were, it is.
51:00
- That rate was set years and years and years ago,
51:05
like maybe in the 1930s.
51:08
- Really? - Okay.
51:09
- Okay, well that rate was set
51:12
when streaming didn't exist,
51:14
Napster didn't, nobody knew that the internet didn't even,
51:17
like we didn't know that we were gonna get to this point.
51:19
- Right, radio and touring controlled everything.
51:22
- Yeah. - Whenever that was made.
51:23
- Yes, in physical sales.
51:25
- Right.
51:26
- That rate has not changed in 2025.
51:29
Here we are almost a hundred years later,
51:31
and we're still living off this old physical sales model.
51:36
- 'Cause it's good for the record companies, I guess.
51:40
- Yeah. - That's why they're
51:41
keeping it that way. - So, I don't know, man.
51:43
I mean, I wouldn't discourage anyone
51:46
from being a songwriter, but I think people,
51:50
it's hard to understand,
51:52
'cause it is a very, very, very confusing business,
51:55
and I think they like it that way, to be honest with you.
51:59
- But, and don't let me, don't hear what I'm not saying.
52:03
I've been super blessed.
52:05
Like, the Lord has taken care of me and my family.
52:07
I've been fortunate to have hit songs at Country Radio,
52:11
and those have been awesome.
52:12
But like, if you don't have those, it can be tough.
52:17
- It can be a slog.
52:17
Okay, so we talked about this last night.
52:19
So, because I mentioned last night,
52:21
I was like, I don't remember the last time
52:22
I turned the radio.
52:23
Actually, I do remember last time I was getting to drive
52:27
my grandfather, who has passed away,
52:29
his 71 Ford Ranger, that's all original.
52:33
Like, the whole thing was at my dad's house.
52:36
And that was the first vehicle I ever drove.
52:38
I was like 13 years old.
52:39
My grandpa was like, let's drive around the neighborhood,
52:40
right?
52:41
And I'm like blowing through stop signs,
52:42
'cause I don't know what stop signs are.
52:43
Like, it's just stupid, right?
52:44
But this was like, separated by 30 years.
52:48
Here I am driving, you know, my grandpa's truck.
52:50
- Yeah.
52:51
- Well, it just got the original radio.
52:53
And so, we're just listening to AM or whatever,
52:56
but I was like, okay, like who listens to the radio?
52:58
And you're like, dude, everybody.
53:00
That is still king in this world.
53:03
And so like, okay, let's talk about that process.
53:05
So let's stay with the Blake Shelton example.
53:07
Europe's from a long blah, blah, blah.
53:08
You and whoever you're riding with is like,
53:10
this is a Blake Shelton song.
53:11
You weave it up to Blake Shelton.
53:12
He's like, yeah, I like it.
53:13
They recorded the record deal, record company.
53:16
They were like, yeah, let's get this out there.
53:18
Now, how does it get pitched to country radio?
53:23
And then just take us all the way to, okay.
53:24
Now it's a hit, like what does a hit mean?
53:27
'Cause everyone knows what a number one hit is.
53:29
I think we at least kind of understand what that is.
53:31
But like, how does that all happen?
53:32
- Yeah, so a record label has a radio promotion team.
53:37
So they would work the song at radio.
53:40
They would announce, hey, Blake Shelton's next single is X song.
53:45
It's gonna be going to country radio.
53:48
And so radio stations start playing it.
53:53
And so there's two radio charts.
53:58
There's a billboard chart
53:59
and there's a country air check media based chart.
54:03
Billboard chart is where the song lands on the chart
54:08
is determined by audience.
54:10
So how many people heard this song this week?
54:12
Media base is how many times it got played, okay?
54:16
And a lot of times the two charts line up.
54:19
Sometimes they don't, but a lot of times they do.
54:22
So there's no thing that makes a song a hit.
54:27
I mean, if it's a number one song, you're like,
54:29
well, that's a hit.
54:30
But like, there's a lot of songs that never got to number one
54:32
that I think are hit songs.
54:33
Jamie Johnson in color hit song never was a number one song.
54:37
- Yeah.
54:38
- Mind blowing.
54:39
That's just hard for me to even wrap my head around.
54:41
So, but from a, you know, business side of things.
54:48
So there's royalty, there's like a collection agencies,
54:53
I guess, I'm a member of BMI.
54:57
So broadcast music incorporated.
54:59
So they collect my royalties for me.
55:03
And so they have hit song bonuses.
55:08
So if a song gets from top 40 to 30, you get a bonus.
55:13
From 30 to 20, you get a bonus.
55:17
And I don't know what the exact like deviations are,
55:21
but it might be 30 to 25, and then 25 to 20.
55:24
But anyway, 20 to 10, then like 10 to five,
55:26
and then like five to two, and then like, oh, number one.
55:29
Like there's different like levels of bonus.
55:32
And so, but the radio promotion team
55:36
is working the song at radio.
55:37
Blake Shelton's traveling around,
55:39
and he's, you know, playing shows for these radio stations,
55:43
you know, hoping that they'll play his music.
55:45
And the whole concept of where this even came from years ago,
55:50
so is to promote a record, to promote a physical record.
55:54
Like that's how everybody made money was,
55:56
let's play this song on radio,
55:58
then we'll sell these physical copies.
56:00
And that's how they determined
56:01
whether it got, whether it kept playing on radio.
56:04
It's like, well, we've been playing it in Oklahoma City,
56:07
and this, your record sold 10 copies this week.
56:11
We're not gonna play your song anymore.
56:12
Nobody likes it 'cause nobody's buying it.
56:14
You know, and that was kind of how it, it worked by them.
56:18
But like now, you know, there's physical copies.
56:21
There's really no, there's really no way to understand,
56:25
you know, there's consumption rates
56:27
that they now look at from, you know, streaming.
56:29
And there is, oh, what's the word for it?
56:34
Research, the radio does research.
56:37
So radio calls you and they go, hey, Kyle,
56:42
we're gonna play you five songs.
56:44
Press one if you like it, two if you don't.
56:47
And they'll play a small clip of this Blake Shelton song.
56:49
And if you hit one, you say, and you liked it.
56:52
So then they take all the people that they did research
56:55
and they're like, well, 100% of the people we sent it to
56:57
said they liked it, so we're gonna keep playing it.
56:59
- Okay.
57:00
- That's kind of what we're doing now.
57:00
Which is kind of an old school model to me, you know.
57:06
- And so for you specifically--
57:09
- Well, let's talk about, so you've had--
57:10
- We are in the weeds right now too.
57:12
- Okay, this is not interesting to you guys.
57:14
I don't care if it's interesting to me
57:15
'cause I'm the one sitting here.
57:16
No, I think people will find this interesting
57:18
because I always like digging into people's worlds,
57:20
like whatever business or thing that they're neck deep in.
57:24
But I think this is, everyone consumes music,
57:27
but we don't know how people make money, right?
57:28
And then, you know, we've heard about these horrible deals
57:31
where you have this artist like, I remember this so funny
57:33
'cause the first CD that I owned was TLC Crazy Sexy Cool, right?
57:39
So I'm like eight years old or something like that.
57:41
But I remember like the VH1,
57:44
buying the music or whatever TLC,
57:45
they sold however many millions of records of that LP.
57:50
And they made, as an artist, they made nothing.
57:54
Like, they're like, we had no money.
57:56
Like, we were being taken care of on the road
57:57
and stuff like that, but in terms of our bank accounts,
57:59
we had no money 'cause the deal they were signed to
58:01
was like egregious.
58:02
It was like a terrible, terrible deal.
58:04
But like, okay, so for you,
58:06
let's talk about your first number one
58:08
because you've had a handful of number ones in your career.
58:12
So let's talk about that process.
58:14
So you write a song, like when you wrote it,
58:16
did you like, did you know?
58:18
'Cause like, I'm thinking like as a podcast there,
58:20
sometimes I'm like, oh, this was a great, great podcast.
58:22
No one ever talks about it.
58:24
And there's times where I just kind of mailed it in
58:25
and people are like, dude, that's the one right there.
58:27
You know what I mean?
58:28
So let's talk about that.
58:29
- So my first number one was a song
58:32
called "Homemade" for Jacob and I had never had a hit song.
58:38
I had had like, maybe a couple songs recorded,
58:43
like, you know, that were on records,
58:45
but I had never had like a song picked to say,
58:49
"Hey, this is gonna be our next radio single."
58:51
And even when they say that, you're like,
58:53
"Oh, that's awesome."
58:53
Like, we did it.
58:55
But then you got, it's got to,
58:57
- It's got to actually happen.
58:57
- It's got to happen.
58:58
- Yes, people got to love it, you know?
59:00
But when we wrote that song, I mean, I had never written,
59:04
I had never had a hit song before,
59:05
so I didn't technically know what one was.
59:08
But man, dude, I felt, I was like,
59:10
if there ever was one, this has got to be it.
59:12
Like, this has got to be it.
59:13
'Cause it was very up, it felt fun.
59:19
And it was a country song.
59:21
Like, and it was like, I mean, "Homemade."
59:24
Homemade me love a dirt road.
59:25
Homemade me love sweet tea.
59:29
Only mama knows how to make homemade.
59:31
Homemade me love a small town.
59:33
You know, it's like, it's all these plays on "Homemade."
59:35
Everything I love is "Homemade."
59:37
And so I was like, what does the trick
59:40
of like using the hook in different ways?
59:42
And so it just felt like a hit, it really did.
59:45
So it kind of got in the hands of different artists
59:50
in town very quickly.
59:53
People were like, yes, we wanna record this.
59:55
Yes, we wanna record this.
59:56
Yes, we wanna record this.
59:57
Jacob, and here's it.
59:59
He's like, I wanna record it,
1:00:00
and I wanna jump the line,
1:00:02
and I wanna record it this week.
1:00:04
So then we have to like, okay, well, what do we,
1:00:06
how do we, how do we do this?
1:00:08
'Cause it's kind of an honor system, honestly.
1:00:11
Yeah, so what happens if like five artists
1:00:13
all wanna record it, like who gets to?
1:00:15
Is it literally the first one to the studio?
1:00:19
Yeah, I mean, that's kind of the rule now, I guess.
1:00:22
There is no rule, that's the problem.
1:00:23
There's no like, there's no,
1:00:25
because artists don't have to pay you to hold a song.
1:00:29
That's another slight little small issue
1:00:32
that I kind of have with the whole thing is like,
1:00:36
you could say, Kyle, you could be the biggest country artist,
1:00:38
and you could say, hey, I love the song,
1:00:41
I wanna hold it, but I'm not recording
1:00:44
for another year and a half.
1:00:46
So here you are, you literally are holding on
1:00:48
to my song for a year and a half,
1:00:49
and then your record comes out and you hate the song down,
1:00:51
so then you don't record it,
1:00:52
and you've like, kept me from getting recorded
1:00:55
by somebody else for a year and a half.
1:00:57
So now it only, I think there's, there is no rule.
1:01:04
There's no rule, it's just like,
1:01:06
if a bunch of people put it on hold,
1:01:09
and then this one guy goes, I want it,
1:01:10
and I'm gonna record it this week.
1:01:12
Usually the songwriters are just gonna go,
1:01:15
"Yeah, go ahead, please, thank you."
1:01:16
You're telling us you're gonna record it, so go ahead.
1:01:18
We don't know, we don't want it to sit
1:01:21
in the pocket of this other person for a year and a half.
1:01:24
And they probably weren't gonna do that,
1:01:25
but let's take a chance on who's gonna cut it right away.
1:01:28
So that was kind of how that happened.
1:01:31
We wound up on his record, record label loved it.
1:01:34
I remember getting a call from one of my co-writers
1:01:37
who found out it was gonna be the next single dude.
1:01:38
And I mean, that was the moment for me
1:01:42
where I was like, "Oh my gosh,
1:01:44
or me and my wife, we were, you know,
1:01:47
we had been married four years at this point,
1:01:51
and we're three and a half when we found out
1:01:55
that it was gonna be the single,
1:01:55
and I mean, we're celebrating, dude.
1:01:58
I mean, I'm crying, I mean, I'm crying.
1:01:59
This is what you work for to get a single.
1:02:03
And we're celebrating, and I was still working
1:02:08
at the hospital, and then song goes number one,
1:02:12
March 22nd of 2020, right in the middle of COVID,
1:02:17
which honestly, when COVID started, you know,
1:02:21
like the COVID thing was happening,
1:02:22
and we were like, "Oh my God,
1:02:23
is country radio is gonna like just shut off."
1:02:25
Luckily, our song was already researching as a hit
1:02:30
when like COVID happened, right?
1:02:32
And so it didn't kill it, right?
1:02:38
Because they country radio because nobody was in their cars.
1:02:43
So nobody was really listening to the radio
1:02:46
'cause nobody was going anywhere.
1:02:48
And so the things country radio was playing
1:02:50
was very familiar stuff.
1:02:52
The only way we can get people to listen
1:02:54
is if we play things they know.
1:02:56
Well, luckily ours was already like in the top 10
1:02:58
at the point.
1:02:59
And anyway, it ends up going number one,
1:03:02
March 22nd of 2020, I called my boss at the hospital.
1:03:06
And I had made a deal with her
1:03:07
that if I ever got a number one song
1:03:09
that I would work one more shift
1:03:10
and then I was gonna quit.
1:03:12
So I called her on a Sunday, the chart come out,
1:03:15
March 22nd, 2020, number one song, homemade jicco.
1:03:18
And I called my boss at the hospital.
1:03:19
I'm like, hey, I got my first number one.
1:03:21
I'll be there tomorrow, but that's gonna be it for me.
1:03:23
She was like, congratulations, awesome.
1:03:24
- Wow, that's cool.
1:03:25
- And so Monday rolls around.
1:03:28
I'm in my bedroom, putting my scrubs on,
1:03:30
getting ready to go work my last shift.
1:03:31
I mean, dude, life couldn't get any better.
1:03:33
I mean, it was awesome, except COVID, you know.
1:03:37
- Yeah.
1:03:38
- Wouldn't allow anybody to go anywhere.
1:03:39
So I'm putting my scrubs on, getting ready
1:03:42
to go work my last shift on cloud 1000, dude, life.
1:03:47
As I'm putting my scrubs on my wife walks in the bedroom
1:03:50
and says, hey, my water just broke.
1:03:52
- Oh, shoot.
1:03:55
- So I had to call my boss back and say,
1:03:57
- Just kidding.
1:03:58
- Hey, actually I am coming to the hospital,
1:04:01
but I'm not coming to work.
1:04:03
My Mallory has gone into labor.
1:04:06
And I get to the hospital.
1:04:09
My boss comes and helps us get out of the car.
1:04:11
And I never, I never worked my last shift there.
1:04:14
So in a matter of 72 hours, had my first number one,
1:04:18
quit my job and became a dad.
1:04:21
- Dad, for the first time too.
1:04:22
- First time.
1:04:23
- Bro.
1:04:24
- And 72 hours.
1:04:24
I mean, dude, I look back on that.
1:04:29
And for the longest time, dude, I struggled with saying
1:04:33
2020 was the best year of my life.
1:04:35
Because for a lot of people, it wasn't.
1:04:36
Like a lot of people passed away, you know,
1:04:38
and a lot of people went through struggle.
1:04:40
And for a long time, dude, I felt guilty for saying
1:04:43
2020 was the best year of my life.
1:04:44
But then I like people were like, dude, that what?
1:04:49
If it was the best year of your life,
1:04:50
it was the best year of your life.
1:04:51
And so, and it truly was.
1:04:54
I mean, dude, I mean, everything that I worked so hard for
1:04:56
for the last five years, I moved to Nashville in 2015,
1:04:59
had my first hit in 2020.
1:05:01
Like everything that I worked hard for had happened.
1:05:05
First hit, quit my real job, you know.
1:05:08
And become a dad.
1:05:11
And so like everything was like, awesome.
1:05:15
And, I mean, yeah.
1:05:19
- Well, so let's take that out and let's extrapolate
1:05:22
that out further.
1:05:23
Because now, and for, you know, all the guys in our audience,
1:05:25
when you became a first time dad,
1:05:26
a lot of things became real.
1:05:28
'Cause like, I've talked about this before
1:05:29
because I was prepared 'cause everyone was like,
1:05:31
hey, you know, at the moment, you see that baby.
1:05:34
You're never gonna know that you could love something so much.
1:05:37
And like, you're just gonna attach to immediately.
1:05:39
I didn't have that feeling.
1:05:40
And I thought, oh no, something's broken in me.
1:05:42
Because like, when I'm looking at James,
1:05:44
little James, I'm like, oh my gosh.
1:05:46
Like, I don't know, I don't want to hold him
1:05:48
'cause I'll drop him.
1:05:49
Like this is like, you know, I got good hands,
1:05:50
but this thing's gonna wiggle out of my hands.
1:05:53
And it took me, honestly, about six weeks.
1:05:56
Like I knew I loved him like intellectually,
1:05:58
but it was like, it was just weird because you're not,
1:06:00
you're dad.
1:06:01
And so your job is to take care of everything around mom.
1:06:04
So mom can keep your progeny alive, right?
1:06:07
But at six weeks old, we were rushing him to hospital
1:06:09
in the middle of the night for emergency surgery, right?
1:06:11
And you're handing your baby over to a nurse.
1:06:13
I still get upset thinking about it
1:06:15
'cause you're like, oh no, this could be the last time
1:06:18
I even touch you 'cause you're going in a surgery
1:06:20
and you're six weeks old, you're so small.
1:06:22
And obviously it worked out fine.
1:06:23
But like, it does change where you're like, okay,
1:06:27
before that you're just providing for you
1:06:29
and you and your wife.
1:06:31
And you know, she's probably working,
1:06:33
you're working, you're trying to make ends meet.
1:06:34
You know, whatever the economy's doing,
1:06:36
that doesn't really affect your next shift.
1:06:38
You just gotta go and work it and get paid to do your job.
1:06:41
But now you're a hit songwriter.
1:06:43
You're a number one songwriter
1:06:44
and you've got progeny now.
1:06:46
You've got a baby.
1:06:47
So talk about your mindset a little bit of like, okay,
1:06:52
I've made it, but I don't wanna be the songwriter equivalent
1:06:55
of a one hit wonder. - For sure.
1:06:56
- Where this is the last time anyone buys anything
1:06:58
I've ever done in the last time that we're successful.
1:07:00
Now there's the added pressure of like, oh crap,
1:07:02
there's that extra amount to feed
1:07:04
and you don't wanna be a loser dad.
1:07:05
So let's talk about, okay, what does your career look like
1:07:08
now that you've kind of made those shifts?
1:07:10
- Yeah, so I quit, I mean I quit.
1:07:13
- So you're not doing radiology anymore?
1:07:16
It's like you're done with that.
1:07:17
- And also, this was about the time.
1:07:22
So I quit the hospital, I'm writing songs
1:07:25
and I'm like, okay, now let me start focusing
1:07:28
on my artist career.
1:07:29
Okay, so. - Oh yeah, I guess
1:07:32
I kind of forgot like you were trying to,
1:07:33
you know, do it yourself as well.
1:07:34
- Yeah, yeah, just write songs.
1:07:35
- Not just write songs, just be a songwriter,
1:07:37
be an artist too.
1:07:39
- So this is like about the time I started,
1:07:41
and I was on, I was actually on "Toward Luke Combs"
1:07:45
when all this, when like COVID happened.
1:07:47
Like my last show before COVID was "Rupp Arena"
1:07:52
in Lexington, Kentucky, where Kentucky plays basketball.
1:07:56
- So are you playing with Luke's band or your opening?
1:07:59
- No, I was wanting one of the opens.
1:08:00
- And so are you singing your songs?
1:08:01
Are you singing my songs? - Yeah, singing my songs.
1:08:03
- Okay, yeah, yeah.
1:08:04
- So singing my songs.
1:08:06
So I was doing the artist saying,
1:08:07
I hadn't really, I had put out like a four song EP, okay?
1:08:11
And so I was kind of, those were the songs I was playing.
1:08:14
I was playing maybe 30 minutes.
1:08:16
So it was me, Ashley McBride, Luke Combs, on that tour.
1:08:21
So that tour was over, COVID happens, hit song,
1:08:26
become a dad, quit my job.
1:08:28
So now I don't have a real job.
1:08:32
We're writing songs on Zoom now because of COVID.
1:08:36
And so I start focusing on my artist's career.
1:08:41
Like, what are the steps I need to take
1:08:43
for my artist's career to take off?
1:08:46
So doing that, new dad.
1:08:49
We were about to, I was about to put out,
1:08:57
I was actually, I had an EP recorded.
1:08:59
I'm rethinking all this stuff.
1:09:00
I hadn't thought about it in a long time.
1:09:02
I had an EP recorded that I was gonna put out right.
1:09:07
Like March of 2020.
1:09:10
I didn't put it out 'cause of COVID.
1:09:12
We were like, well, the tour got canceled.
1:09:14
The tour was over.
1:09:16
So why am I, there's no need to put music out right now.
1:09:18
Let's wait.
1:09:19
Well, then like October rolls around and I'm like,
1:09:23
and this is the perfect time to put music out, you know?
1:09:26
So I call my manager, I'm like, hey,
1:09:28
like people are in, the world is basically in turmoil.
1:09:33
And hey, if I've got this six song EP,
1:09:36
I think it was, it's 30 minutes worth of music.
1:09:41
You know, 20 minutes worth of music.
1:09:42
If for 20 minutes somebody can listen to it
1:09:44
and forget about the craziness that's in the world,
1:09:46
let's do that.
1:09:47
So in October, I put this EP out.
1:09:49
There was one song on it called "Why You're Gonna" blew up.
1:09:53
It got picked up by SiriusXM.
1:09:55
It was played on the highway.
1:09:57
It went number one on the highway.
1:09:58
Me as an artist, my first number one as an artist
1:10:01
on SiriusXM.
1:10:02
Very big for me.
1:10:03
My fan base grew very large.
1:10:08
Or at least for what I thought was large, you know?
1:10:12
And so that happens.
1:10:16
Then the record labels kind of start coming
1:10:20
'cause they're seeing me have success independently.
1:10:22
So then in November of 2020,
1:10:26
I signed a record deal with Warner Music Nashville
1:10:28
as an artist.
1:10:30
You know, so here I am writing songs,
1:10:32
still writing songs hoping that I'm gonna write something
1:10:34
that somebody else loves, but also I'm writing something
1:10:37
and I'm like, well, I love this,
1:10:38
so I'm gonna put this over here for me.
1:10:40
And if I didn't fill something like it was something for me
1:10:45
or something that I wanted to sing about or whatever,
1:10:47
I would pitch it, you know, to ex-artist.
1:10:50
So that went on for a while
1:10:53
and I continued writing songs with Luke
1:10:56
and then wound up with some songs on his,
1:10:59
what you see is what you get record.
1:11:02
I think I had three songs or four songs on that record.
1:11:05
- Okay, so let's talk about,
1:11:07
so you're still working with Luke.
1:11:09
Tell me about the relationship
1:11:12
that you guys are developing with one another
1:11:14
'cause obviously you hit it off in the green room
1:11:16
back at that show that you open for him.
1:11:19
You've written some songs together.
1:11:20
You've written some songs that went onto albums of his,
1:11:23
you know, you're touring and so like y'all's careers
1:11:27
are kind of like intertwined to a degree.
1:11:30
- Yeah, for sure.
1:11:31
So you're trying to make it, you know, as a solo guy,
1:11:34
solo act and you've got your deal.
1:11:37
So like when you got your deal,
1:11:39
did that like complicate what you were doing with Luke?
1:11:41
Were you kind of still writing?
1:11:43
Like, well, what did that look like?
1:11:43
- No, it didn't.
1:11:45
We, you know, I mean, he's one of my closest friends.
1:11:48
Like, yes, we worked together
1:11:50
in the sense of writing songs, but like he, you know--
1:11:53
- Hey y'all, just boys.
1:11:53
- Yes, if he called me, I'd go do whatever he needed me to,
1:11:56
you know, and he would do the same for me.
1:11:58
And so we're just continuing to write songs
1:12:02
and hang out.
1:12:03
He would, he was nice enough to bring me along for tours
1:12:07
to, 'cause he knew I was trying to do the art of saying,
1:12:09
he believed in me.
1:12:10
- And he gets to make that call as a headliner?
1:12:12
- Yeah, yeah.
1:12:13
- Or like, okay.
1:12:13
- He's like, hey, I want Drew to become like--
1:12:14
- I didn't know if like the management or like,
1:12:15
you know, they get to force somebody on tour with you.
1:12:18
- Yeah, I mean, he's making the decision,
1:12:20
ultimately making the decision.
1:12:21
He's like, I want Drew to come on tour.
1:12:22
So I mean, I've toured with him so many times
1:12:25
on different tours.
1:12:26
So he believed in me, I'm touring with him.
1:12:28
So now here I am doing the songwriter thing,
1:12:32
but also touring with him, promoting my music now
1:12:36
and trying to grow a fan base.
1:12:38
And so nothing really changed, honestly.
1:12:42
When I got the record deal, they took "Why You're Gone"
1:12:47
when I signed in November of 2020.
1:12:49
They took "Why You're Gone", the song that was number one
1:12:51
at Sirius XM independently, they got it.
1:12:53
And they sent it to terrestrial radio.
1:12:57
Now, the exact opposite happened of what happened
1:13:01
with homemade, so when nobody was driving in their cars,
1:13:06
homemade was already like top 10,
1:13:08
so they didn't quit playing it, right?
1:13:11
'Cause it was familiar to their listeners.
1:13:13
The exact opposite happened with my song.
1:13:15
I'm a new artist, song no one knows,
1:13:18
other than whoever's heard it on Sirius XM
1:13:20
or whoever streamed it, right?
1:13:23
It goes to terrestrial radio and just,
1:13:25
I mean, it gets like top 40, you know?
1:13:28
And that's just kind of where it stalled,
1:13:31
because I think it's because like,
1:13:36
country radio, they needed to play songs that were familiar.
1:13:41
'Cause the purpose of country radio,
1:13:42
the purpose of radio, period, is not to play music.
1:13:45
The purpose of radio is to sell advertising.
1:13:48
- Yeah, sell ads.
1:13:49
- But to keep people listening,
1:13:51
to hear the advertisement is to play familiar songs.
1:13:55
If I come on there, they're gonna like,
1:13:57
probably skip, they're like, I don't know this song.
1:13:59
I'm gonna go find another song,
1:14:00
I'm gonna go find another song, I'm like, so.
1:14:02
I think that's partly why it didn't work.
1:14:04
Just nobody was willing to take a risk really,
1:14:07
which I don't blame them at all.
1:14:09
I mean, listen, God has orchestrated
1:14:11
exactly what is supposed to happen in my life.
1:14:13
I truly believe that.
1:14:14
And I don't think he wanted that song
1:14:16
to get any farther than it did, so.
1:14:20
But that, I mean, that's what happened.
1:14:21
But yeah, I continued on tour with Luke,
1:14:23
continued to grow a friendship.
1:14:25
I mean, not my closest friends.
1:14:26
- I mean, just about everyone,
1:14:27
our audience is gonna know Luke Holmes' and all that.
1:14:29
So like, the kind of the typical question,
1:14:32
'cause I'll get asked sometimes like,
1:14:34
hey, what's my Chandler like behind closed doors?
1:14:37
Like, what are the Robbersons like behind closed doors?
1:14:38
Like, what's Joby like for real?
1:14:40
And the thing is, is for the most part,
1:14:42
'cause I used to work for Major League Baseball,
1:14:44
so I was around a bunch of ball players,
1:14:45
a bunch of Hall Famers, a bunch of really famous people.
1:14:50
And almost all of them were rather incredible.
1:14:53
Like, with the exception of Brandon Phillips,
1:14:56
one of the worst human beings
1:14:57
I've ever been around in my entire life,
1:14:58
an awful, awful, terrible human being.
1:15:00
And I thought that coming in,
1:15:02
and he just confirmed it when I was around.
1:15:03
- Wow.
1:15:04
- Okay, so he was the, you were telling me Dwight Yolkam's,
1:15:06
you know, not the nicest guy in the world last night.
1:15:08
And so Brandon Phillips, terrible, terrible human being.
1:15:10
I hope he's repented it.
1:15:11
I hope he's like, found Christ and all that.
1:15:12
Otherwise, if not, I hope he, you know,
1:15:15
gets stuck in a ditch somewhere.
1:15:16
But like, I remember like Charlie Sheen came
1:15:19
to this studio where I was working at in 2012.
1:15:22
And this was like the height of like Tiger Blood time.
1:15:25
Like, you know, he's just got infamous
1:15:28
more than he is famous at this point.
1:15:29
I remember them telling us, all of us working there,
1:15:31
'cause we were like on-air personalities and all that.
1:15:33
They're like, look, no one can talk about Tiger Blood.
1:15:36
No one can talk about like drugs.
1:15:38
No one can talk about hookers, like nothing.
1:15:40
Like, and so by the time he's walking in,
1:15:42
we're all like kind of scared.
1:15:44
Like we can't talk, can't function.
1:15:46
He could not have been a nicer, more accommodating person.
1:15:50
So not only did he just know baseball.
1:15:52
And so when you're working for Major League Baseball
1:15:54
and you have people come in that clearly don't know baseball,
1:15:56
it's kind of like, okay, you're just here for the publicity.
1:15:58
But he just knew baseball.
1:15:59
He just sat down and watched baseball with us.
1:16:01
And he's just telling us about different things.
1:16:04
Huge baseball fan.
1:16:05
And one point I think it was the Angels.
1:16:07
He wanted a home run ball 'cause he had never caught a ball.
1:16:09
So he bought every ticket in left field bleachers.
1:16:12
Like, just hoping somebody would hit a home run.
1:16:15
He was the only guy out there and nobody hit a home run.
1:16:18
But like, I never even at one point,
1:16:20
someone comes up to him and like brings him a bottle of water
1:16:23
that he didn't ask for.
1:16:24
And he literally, he could have just grabbed it
1:16:26
and kept talking to whoever he was talking to.
1:16:27
He just, he stopped and he goes,
1:16:28
"Hey, thank you so much."
1:16:30
Like, that's so nice to consider.
1:16:31
What's your name?
1:16:32
- It's awesome.
1:16:33
- And like, he was just such a nice guy.
1:16:34
But like, then we hear these horror stories
1:16:36
of these people that seem really, really nice.
1:16:38
And every time you see them on TV or a social media,
1:16:40
they're really nice.
1:16:41
And then it's like, I'm everyone, Ellen.
1:16:42
Like everyone found out like Ellen DeGeneres
1:16:43
was this horrible, horrible, awful, terrible person.
1:16:46
And people were shocked because she's always nice
1:16:48
and jovial and fun, loving on television.
1:16:50
So it's like, all right, man, Lou Combs.
1:16:53
Like, what is he like, you know, when all the cameras are off?
1:16:55
- Dude, I mean, and I always feel like no one's gonna believe me
1:16:59
when I say this, but he is literally the nicest dude.
1:17:02
Like, he is, like he put out a record.
1:17:05
What you see is what you get.
1:17:06
It couldn't be more true.
1:17:07
Like, he is that person.
1:17:09
And he's not, but he, and he doesn't boast
1:17:12
about being a nice person.
1:17:13
Like, I've seen him do things behind closed doors
1:17:15
that like people would like put him on a pedestal for,
1:17:20
but he doesn't want, you know, praise for those things.
1:17:23
You know, like, he is just a very genuine, great dude.
1:17:27
He's been a great friend to me.
1:17:28
He's, you know, he's always been in my corner.
1:17:30
He's always believed in me and fought for me in situations.
1:17:34
And man, he truly is a great dude.
1:17:39
And, you know, I get that that's, you know,
1:17:43
he's my friend.
1:17:45
So yeah, he's great to me, but I've seen him
1:17:49
in every situation you could possibly see him.
1:17:50
And he's just a great dude.
1:17:52
And, you know, kind of to what you're saying,
1:17:54
I've asked him, like, 'cause he's been around
1:17:57
the who's who of everyone, you know, I mean,
1:17:59
he's set in every nice suite at the Super Bowl
1:18:03
that you could possibly, you know.
1:18:04
So I've asked him, like, hey, man, how is,
1:18:06
who is, how is this person?
1:18:08
And he won't tell you.
1:18:09
I'm like, what do you mean?
1:18:11
He's like, well, dude, well, they're all nice to me.
1:18:15
- Oh, but are they nice to the help?
1:18:16
- Exactly. - Are they nice
1:18:17
to the person that parks a car for him?
1:18:18
- 100% dude. - Yeah.
1:18:20
- And knowing that he thinks about people that way
1:18:23
can, to me, tell you how great of a person he is.
1:18:26
Because he won't even say so-and-so is a nice person.
1:18:30
He's like, because they're all nice to me, man.
1:18:32
Like they're all, but like, how are they treating the person
1:18:35
that just press the button on the elevator for him?
1:18:38
You know, like at the Super Bowl or whatever it is, you know?
1:18:40
And I have seen him literally like,
1:18:43
stop and shake the hands of people at the end, dude,
1:18:45
it would make their day.
1:18:46
Like the people building the stage at the stadiums or whatever.
1:18:50
He just, he is a very caring, genuine dude.
1:18:53
And there's no more I can say about it than that.
1:18:56
- So without, you know, violating confidence or whatever,
1:18:58
like give us an example of like,
1:19:01
while I was talking to you at dinner last night.
1:19:02
So back when Albert Pujols was still on the St. Louis Cardinals,
1:19:06
there would be after games.
1:19:09
And I think Bob Stoops here, you know,
1:19:10
when he coached for OU, he would do something similar to this.
1:19:12
So I might be mixing stories just a little bit.
1:19:15
But like after a game, and the games are get done, you know,
1:19:17
10 o'clock at night or, you know, whatever.
1:19:20
He would get cleaned up and he would go to a local
1:19:22
children's hospital without his manager,
1:19:25
without a PR team, nobody taking pictures.
1:19:28
And he would just go and talk to kids that were sick
1:19:31
and just sit with them and talk to their parents.
1:19:33
And you know, sign stuff, and he'd bring them stuff
1:19:36
and all that.
1:19:37
And then he would just, like he wasn't being whisked
1:19:39
in an unmarked SUV and whisked out like, you know,
1:19:43
some mega church pastors.
1:19:44
Like he was literally just going in there
1:19:46
and just serving these kids when there were no cameras around.
1:19:49
And so like, I kind of have like a dissonance with that
1:19:51
because it's like, okay, I saw this video the other day.
1:19:54
It's like, hey, do you know you can pray for homeless
1:19:56
people on the street without recording it
1:19:57
and putting it on TikTok?
1:19:59
But it's like, but then you do that
1:20:00
and you put it on TikTok and you remind people,
1:20:02
hey, you should be doing this.
1:20:03
And look at what the Lord did in this moment, aren't we?
1:20:05
So glad we have the encouragement of the video going around.
1:20:08
So I kind of like, I don't want to know the stories,
1:20:10
but I do want to know the stories.
1:20:11
But like, is there like a story that comes to mind
1:20:13
where, hey, Luke did this thing, no one knew about it,
1:20:15
but he just like kind of spoke to his character a little bit?
1:20:18
- Well, I mean, a few different things.
1:20:21
And let me say this, Luke's the people that are around Luke
1:20:24
also can tell you like how great of a duty is,
1:20:27
like the people that work for him,
1:20:28
because they are unbelievable as well.
1:20:30
Like so, and I say that to say, we were in Europe.
1:20:34
I toured with him in Europe back in 2023.
1:20:37
We were there for a month touring like 18 different cities
1:20:41
in Europe.
1:20:42
And there was a young kid who was a cancer patient
1:20:47
who unfortunately has passed away,
1:20:51
but they came to the show.
1:20:53
And dude, just like he literally,
1:20:56
what he interacts with like that,
1:20:59
he talks to him like they're the only person,
1:21:00
like he is just, he's a golden dude, man.
1:21:03
Like he truly is.
1:21:04
And another instance, I think this happened years ago,
1:21:08
like this is very early on.
1:21:11
I think he was still touring in a sprinter van
1:21:14
when this happened.
1:21:15
And I was with him.
1:21:16
It was like me, him and his band.
1:21:21
And we were in a sprinter van.
1:21:26
And he was crushing it, dude.
1:21:27
I mean, he was crushing it at the time.
1:21:30
And I believe we were in Oklahoma City.
1:21:32
And I watched him literally give a life-changing tip
1:21:35
to this girl at a restaurant.
1:21:37
And when I say life, I'm talking like...
1:21:40
- He don't have to get another.
1:21:41
- Could be life-changing. - Tell me on fair, yeah, yeah.
1:21:44
- And I saw him do it, dude.
1:21:45
And this girl broke down and he was just like,
1:21:48
she was like, can we take a picture?
1:21:52
And he was like, yeah, absolutely.
1:21:54
And just, but he didn't do it.
1:21:57
He didn't want me to know that he did that.
1:21:59
The only reason I knew that he did it
1:22:01
is 'cause she's like walked back up to the table
1:22:03
and she's crying and I'm like,
1:22:04
well, she's been happy this whole time
1:22:06
while she crying all of a sudden.
1:22:07
And then we leave and he's like,
1:22:09
I was like, bro, wow, you gotta tell me,
1:22:10
otherwise it's gonna drive me nuts.
1:22:12
And he told me, but he didn't want nobody to know that.
1:22:17
So he's just a good dude, man.
1:22:19
- And it kind of reminds me, I've heard a lot of stories
1:22:21
of Shaquille O'Neal, 'cause again,
1:22:23
like that was probably my favorite, you know,
1:22:26
that one of my favorite players
1:22:27
when I was watching the NBA, like growing up and stuff,
1:22:29
like I was just so dominant and just like a,
1:22:31
you know, like they were changing rules
1:22:32
and they had to like change the structure of the backboards
1:22:37
'cause he kept like bringing down an NBA game.
1:22:39
So it's just like insane.
1:22:40
But I've heard so many stories of him
1:22:43
just paying for all kinds of stuff, right?
1:22:46
Like just, but like not doing it in public,
1:22:49
but like literally going to Walmart,
1:22:51
'cause he's done some of this on on film,
1:22:52
like going to Walmart and just finding the single moms
1:22:55
in Walmart and being like, hey, let's walk around
1:22:57
and let's get your kid a bike, let's get some toys.
1:22:59
Like, hey, and then just giving us some cash here.
1:23:01
Here's for diapers and groceries and stuff like that.
1:23:04
And so it's good when you hear stories like that
1:23:06
'cause we don't really like the stories of people
1:23:08
who are really not doing those things.
1:23:09
But, you know, even for Luke,
1:23:12
'cause I tell people all the time,
1:23:14
I'm like, don't put your faith like in your favorite artist
1:23:17
or your favorite podcast or your favorite, you know,
1:23:19
pastor or whatever, 'cause you know,
1:23:20
they can always let you down.
1:23:21
And part of it is like, if the veil is taken off
1:23:24
and it's like, oh, this guy's a complete [inaudible],
1:23:26
like it'll kind of like crush you a little bit.
1:23:28
And like, I remember like, as a kid,
1:23:30
you find out kids, like guys aren't really, really nice
1:23:33
or even when you see guys that are like really mean to kids,
1:23:36
like they won't even stop and give a kid a handshake
1:23:38
or a picture and all, it's like, man,
1:23:39
that's like kid's whole life, he's seven.
1:23:41
Like stop and take a picture, you fricking jerk.
1:23:43
But like Luke Combs' music is important to me
1:23:49
if for nothing else because of the one album
1:23:51
that like you didn't help him with at all.
1:23:54
And so like, I've told you about and you've listened
1:23:56
to my episode where I talked about fathers and sons.
1:23:59
And like, okay, by the time he releases that record,
1:24:03
he's already a mega superstar, he's selling out arenas.
1:24:05
Like he's, you know, he's been, I think,
1:24:08
Entertainer of the Year a couple of times and all that.
1:24:11
And then he's just, okay, I'm gonna put out an album
1:24:15
of all like fatherhood type stuff.
1:24:18
And you can correct the record
1:24:19
'cause I just wanna kind of hear like the behind the scenes
1:24:22
of this album because I thought I'd heard the record label
1:24:26
or whoever the executives were like, okay,
1:24:28
we can do a song, a fatherhood song, like on your next album,
1:24:32
but we can't do like a whole concept album
1:24:34
of just father and son, you know, type stuff, manhood type stuff.
1:24:38
It's not gonna sell, it doesn't make any sense.
1:24:40
Like why would you do that?
1:24:41
Let's just kind of keep the gravy train moving with,
1:24:43
you know, rinse, repeat, you know, keep your sound,
1:24:45
like keep making records that people can sing along to.
1:24:48
So like when were you kind of made aware of this?
1:24:51
And I know you didn't work on it
1:24:52
'cause you were doing some of your own stuff,
1:24:53
but like what's your understanding,
1:24:56
kind of where the sound came from?
1:24:57
Because I mean, it's just had a huge impact.
1:24:58
- Yeah, from what I understand is that,
1:25:03
you know, he was in an album cycle of needing to,
1:25:09
you know, starting to put a record together.
1:25:12
And he was a new dad.
1:25:14
And so he was writing, you know, these kinds of songs.
1:25:18
And then people were, you know, people would send him,
1:25:20
you know, you know, half songs, like verse, chorus of an idea,
1:25:24
whatever.
1:25:25
And they were, everybody knew he was a dad.
1:25:29
So they would like try to, you know,
1:25:31
they would send him, you know, an idea of a dad song or whatever.
1:25:34
Well, then it turned into like,
1:25:35
well, I like this one and I like this one and I like this one.
1:25:38
And it's like, well, this album cycle,
1:25:40
it probably don't need to do it like.
1:25:42
- Yeah, you can't put like three dads on there.
1:25:44
- It's either I can only do like maybe one or two on this record,
1:25:47
which I think would have been growing up or getting old.
1:25:54
They did like growing up getting old
1:25:56
and it was like the getting old part, right?
1:25:58
I think, I can't remember exactly.
1:25:59
But anyway, so maybe I could do one or two on there
1:26:02
or I could just take all the ones I love
1:26:05
and go make an actual Father's Day release
1:26:09
of a Father's son's record.
1:26:10
That's how I understood it all happened.
1:26:12
But yeah, I didn't have a song on there.
1:26:15
I was kind of busy doing radio tour on on.
1:26:17
And also, I'm not a dad to I'm a girl dad.
1:26:21
So, but man, that record is unbelievable.
1:26:25
- Like I can literally remember it was,
1:26:28
I was like scrolling TikTok or whatever, like, you know,
1:26:30
looking for content to repurpose on our stuff.
1:26:34
And the, so it was hunting by myself.
1:26:39
It was some, some hunter had like posted this video
1:26:42
with those in the background and like,
1:26:43
I had never heard of it.
1:26:44
I obviously, okay, that's Luke Holmes's voice and all that.
1:26:46
And then I think Luke said, hey,
1:26:48
should I release a whole album of stuff like this?
1:26:50
And I remember sitting there and I think at the time,
1:26:52
my boys were probably three and one, maybe like a three
1:26:57
and nine months old, something like that.
1:26:59
And I remember the hunt by yourself again.
1:27:00
And I've told everyone on my own, it's a million times,
1:27:02
I didn't grow up hunting.
1:27:03
I wish that I had grown up hunting by like,
1:27:05
my dad didn't hunt, his dad didn't hunt.
1:27:07
Like I was playing baseball and I was trying
1:27:09
to get straight A's and so there was a whole lot of time
1:27:11
to go sit in a deer stand.
1:27:12
I didn't have anyone to take me, right?
1:27:13
And so in like, I don't, I don't fault my dad for that.
1:27:16
It's like, oh, my dad didn't teach me astrophysics.
1:27:18
Like he wasn't astrophysicists.
1:27:19
So you don't hold that against somebody.
1:27:21
So it just kind of is what it is.
1:27:23
But hunting is important to me being able to look for
1:27:26
and provide provision through meat for your family,
1:27:28
for other families.
1:27:29
And so I'm learning and I'm making like rookie mistakes
1:27:32
in my thirties, you know, when it comes to hunting,
1:27:34
so that my boys can just grow up having always hunted.
1:27:38
So that can get that skillset can be passed down.
1:27:40
And I remember when it hit the course of that
1:27:43
and where dude, I'm like getting upset,
1:27:46
even just thinking about it.
1:27:47
Cause I just like, I broke down crying at the thought of like,
1:27:50
oh my gosh, if I do this right,
1:27:53
eventually I'll be hunting by myself again.
1:27:55
I was just like, oh, and then I like send it to Joe B
1:27:58
cause like his son JP was about to graduate high school
1:28:00
and like, you know, you know, he probably blubbered.
1:28:02
He would never admit it,
1:28:03
but he probably blubbered on his backyard
1:28:04
while I sit there watching the birds
1:28:05
or whatever he does with his spare time.
1:28:07
But then when the whole album came out,
1:28:10
like I remember distinctly just about every single song,
1:28:15
like it was like Mike Tyson one, two like uppercut
1:28:18
punching me right to the fields.
1:28:21
And it was like, I was like, is this because
1:28:23
these are just that impactful?
1:28:25
Is it because I'm a boy dad now?
1:28:26
Is this having the same impact on somebody else?
1:28:29
But like the ripple effect for me,
1:28:31
I talked about it on the show, other dads
1:28:33
that maybe weren't country music guys,
1:28:35
maybe we're Luke Holmes guys or all that,
1:28:37
and I said, that's one of the most important records
1:28:41
like for fathers, like, and I forget all the grandiose
1:28:44
things I said about it,
1:28:45
but like the ripple effect and the impact of that
1:28:47
has been substantial for a lot of people.
1:28:50
- It is.
1:28:51
I mean, and I too related to that record.
1:28:52
I mean, I have a dad who, you are a son.
1:28:55
- I am a son, you know, and I have a brother
1:28:57
and I had a great dad, you know, my dad is awesome.
1:29:00
He grew up taking us hunting.
1:29:02
And so like I did relate to it.
1:29:03
It's just, I related to it from a different place
1:29:06
than you would 'cause you're our dad, two sons, you know.
1:29:09
But yeah, man, that record was so good.
1:29:13
- And you can just find yourself
1:29:14
and all kinds of things on that record and then, okay.
1:29:16
And then he got kind of back to the normal schedule thing.
1:29:19
But one of the things that you and I talked about a lot
1:29:23
is so you're a believer, you know, your first,
1:29:26
you cut your teeth, you know, doing gospel music
1:29:28
and all that and you kind of always been a Christian
1:29:31
and we can talk, well, yeah, let's talk country music
1:29:33
and theology because, you know, for all intents, purposes,
1:29:38
Luke Combs is one of your best buddies, not a believer.
1:29:42
- Yeah.
1:29:43
- And I told you whenever, 'cause, you know,
1:29:46
people that have just found me in the last year,
1:29:48
you're in half, they don't know this,
1:29:49
but I almost ended my career
1:29:51
'cause I had two vocal cord surgeries
1:29:53
within a couple of months
1:29:54
'cause the first one was unsuccessful,
1:29:56
had a class vocal cord,
1:29:57
have had a class vocal cord for God knows how long
1:29:59
and who knows how it happened.
1:30:01
First surgery was not successful.
1:30:02
I could not speak above a whisper and I was fully healed.
1:30:05
So they had to go back in there and, you know,
1:30:07
take out the implant, put it into implant.
1:30:09
They woke me up in the middle of surgery
1:30:10
to try to make me talk while I'm my next wide open
1:30:13
so they can, you know, it's a whole nine yards.
1:30:15
And so my first recording back
1:30:18
after I had kind of gotten my voice back
1:30:21
and I'm on the, you know, the upswing with my recovery
1:30:23
and rehab and all that was country music theology.
1:30:27
So that's such an important thing to me
1:30:29
because that idea was stuck in my brain for months.
1:30:33
So I'm sitting in a chair, a recliner.
1:30:36
That's where I would have to sleep
1:30:37
with a giant gash on my neck,
1:30:39
trying to make sure I don't sneeze so that, you know,
1:30:41
that the stitches don't pop and like, you know,
1:30:43
you can't really hug your kids or, you know,
1:30:45
do all that 'cause you're just scared of getting your neck,
1:30:47
you know, bopped or whatever.
1:30:48
And for me, my show is kind of cathartic, right?
1:30:53
'Cause I need to think through my philosophies,
1:30:55
think through my opinions and then I need to write it
1:30:57
and then I need to, you know, record it
1:31:00
and then I need to put it out.
1:31:01
And then once it's out there into the world,
1:31:03
it's out there now and then I feel like I can move on.
1:31:05
I just couldn't move on from this concept
1:31:06
and for anyone that has not listened to the episode,
1:31:08
I would encourage you to go back to it.
1:31:09
But ultimately it was when you're doing ministry
1:31:13
in the south, right?
1:31:14
So if you're in Oklahoma or Georgia or Texas
1:31:16
or Tennessee or whatever, a lot of people think
1:31:19
they're Christians because they're Grandmama,
1:31:22
always went to church because they got baptized
1:31:24
when they were a kid, because they believe in God,
1:31:27
because, you know, they, when they vote,
1:31:30
they vote Republican and they listen to 90s country music,
1:31:32
which is the best version of country music.
1:31:35
And they think that's what saves them
1:31:36
'cause God likes all those things.
1:31:38
And it's like, well, then we start talking to the person.
1:31:41
It's like, well, you know, God doesn't save last names.
1:31:44
He saves first names.
1:31:45
God doesn't have grandchildren, right?
1:31:47
He has children.
1:31:49
And it's like, no, no, no, getting dunked in water
1:31:52
doesn't mean anything.
1:31:53
That is after you have postuode, Joby,
1:31:57
after you have put your faith in,
1:31:58
transferred your faith into the, you know,
1:32:02
the sin debt that was paid for on the cross.
1:32:04
Baptism is the first public expression
1:32:08
of an internal reality.
1:32:09
- For sure.
1:32:10
- Okay, so getting dunked is just getting dunked,
1:32:12
but baptism should be a public expression.
1:32:14
And so you're trying to figure out
1:32:18
like your own country music theology, like, oh, you know,
1:32:21
you just raised, you know, do more good things
1:32:23
than you do bad things and God will let you in the club,
1:32:25
but it's like that's not biblical, that's not Christianity.
1:32:29
That's country music theology.
1:32:31
But then here you are interacting with a lot of guys
1:32:33
that may think, hey, I'm a good guy.
1:32:34
I leave life changing tips, you know,
1:32:37
I'm nice to the help and all that.
1:32:39
So like, how does that all kind of mix into y'all's relationship
1:32:43
and kind of how you approach things?
1:32:45
Because again, the depravity in the country music world
1:32:49
is just like the depravity in the hip hop world.
1:32:51
It just sounds different and looks different.
1:32:53
Like I remember going to a PBR event
1:32:55
and the amount of like scuzzy looking hooker girls,
1:32:58
it's the same thing if you were to go to a hip hop show,
1:33:00
but it's just, it's wrapped in the American flag
1:33:03
and George Strait and it's so it's like somehow acceptable.
1:33:06
You know what I'm saying?
1:33:07
- Yeah, for sure.
1:33:07
Yeah, man, oh, where to start.
1:33:11
So, you know, again, I've been a believer
1:33:17
for, you know, most of my life.
1:33:19
I very early on, you know,
1:33:24
I was kind of scared into salvation a little bit, I think,
1:33:28
partly.
1:33:29
- Same.
1:33:30
I got a Hellfire and Brimstone Pre-Johnna Sunday afternoon.
1:33:32
- Exactly.
1:33:33
- Hell sounds awful, I don't want to go there.
1:33:36
So yes, that kind of thing, you know, and I did believe,
1:33:41
I believed the story.
1:33:47
I believed all the things, you know what I mean?
1:33:49
And to this day, but the put your faith in part was like,
1:33:53
I didn't realize that I hadn't done that.
1:33:55
I thought I had, right?
1:33:56
So I want to back up a little bit.
1:34:00
So I had wrote some songs with Luke
1:34:04
and they turned in to hits.
1:34:09
One of those songs in particular was a song called "Doing This"
1:34:14
and it got nominated for a Grammy
1:34:16
for Best Country Song of the Year, whatever.
1:34:20
So, which I thought was awesome.
1:34:23
I mean, it's a great thing.
1:34:25
And so, but I kept like, I would kind of,
1:34:30
what's the word I'm looking for?
1:34:33
I would try to be like false humility, right?
1:34:36
Like of like, kind of like, oh, it ain't nothing,
1:34:40
but hey, you got nominated for Grammy, you know?
1:34:43
Yeah, right, so, and I kept like,
1:34:46
I would be playing songwriter rounds
1:34:47
and I'd be doing this and I just,
1:34:49
it kept being like me, me, me, look what I did,
1:34:51
look what I did, kind of stuff, right?
1:34:53
And dude, the Lord got ahold of me.
1:34:54
This is probably, probably two years ago at this point.
1:34:58
And I just felt the Lord say,
1:35:02
bro, you haven't done anything.
1:35:05
Like you, yeah, you wrote this song,
1:35:07
but you haven't done anything.
1:35:08
And not once have you think to me
1:35:10
for what the song did, you know?
1:35:12
And dude, it was in that moment where I was like,
1:35:14
okay, I'm sorry, Lord, sorry.
1:35:18
And the Lord just began to work on me
1:35:20
and I realized that that song wasn't written just for Luke.
1:35:23
That song was also written for me.
1:35:25
That song tells Luke's story of like how,
1:35:28
if he wasn't playing music, you know,
1:35:30
the whole thing is like, if I wasn't doing this,
1:35:31
I'd still be doing this.
1:35:32
It just might look different, right?
1:35:34
Like, and so I realized that I wouldn't even be able
1:35:39
to do this if it hadn't been for the gifts
1:35:41
that God gave me when I was born, right?
1:35:44
So he gave me the gift of writing songs.
1:35:46
He gave me the gift of singing.
1:35:48
He gave me the gift of music, you know?
1:35:51
And here I was, I wasn't thanking him.
1:35:52
So I wouldn't even be able to do this.
1:35:54
So the reason that I do this should be to glorify God
1:35:58
in what I'm doing, right?
1:36:00
And so he began to get my attention with that.
1:36:03
Probably two years ago, I picked up and started reading
1:36:07
if the tomb is empty, you know?
1:36:09
This was all about the same time.
1:36:11
And it wasn't like, I really wasn't searching for the Lord.
1:36:15
I knew the Lord.
1:36:16
And I'm getting to country music, like I had country music,
1:36:19
theology, I don't, like I have the Lord.
1:36:22
It wasn't, I wasn't a believer and I need to be saved.
1:36:26
It was just like, man, I'm not, I'm not doing what I'm supposed
1:36:30
to do on this earth, which is glorify God.
1:36:32
Like I'm not, he's given me these gifts and these talents.
1:36:36
And I'm not using them to like glorify him, right?
1:36:39
So he uses a song I wrote doing this to get my attention
1:36:44
for all those things.
1:36:45
And so time goes on.
1:36:47
And I began to like fill the Lord like nudging me
1:36:54
for whatever reason.
1:36:55
He's just like every, just the Holy Spirit just kept,
1:36:58
you know, convicting me, but I didn't know
1:37:00
what it was convicting me of, like what is going on?
1:37:02
And I just kept ignoring it, ignoring it.
1:37:05
And so this was in the middle of the process
1:37:11
about a year and a half ago now,
1:37:14
starting to start the process of recording
1:37:16
my first full-length project under my record deal
1:37:20
at Warner Music Nashville.
1:37:21
And I felt like God like trying to get my attention,
1:37:24
didn't really nobody was trying to get my attention for,
1:37:26
but I'm like, not right now, God.
1:37:29
Everything I have worked for is happening.
1:37:31
I'm finally doing a full-length project.
1:37:33
The record label is going to send another song
1:37:35
back to country radio.
1:37:36
Finally, after four years, I'm not having one.
1:37:38
Like this is what, this is what we planned on God.
1:37:41
Like this is what we wanted.
1:37:42
Like, you know, that it's finally happening,
1:37:45
like not right now.
1:37:46
And so I just kept ignoring it.
1:37:51
And then finally I, about a year ago now,
1:37:56
or about the same time I started meeting
1:38:03
with the men's pastor at my church on a weekly basis.
1:38:06
And then I had read Joby's book.
1:38:09
He had found out that I was a fan of his book.
1:38:12
I was coming to Jacksonville for,
1:38:14
I was on the Luke Holmes Stadium tour in 2024.
1:38:20
And we were playing the stadium in Jacksonville there.
1:38:22
And Joby found out I was coming.
1:38:24
I was on that tour.
1:38:26
Took me golf and came to the show the next week.
1:38:30
Joby's like, hey, man, I would love to mentor you,
1:38:33
disciple you, whatever you need, you know?
1:38:35
So I started having these men come into my life
1:38:37
and I'm like, okay, this is weird.
1:38:40
And now I look at, I'm like, God, man, God was,
1:38:42
he was literally preparing me.
1:38:44
He was preparing me.
1:38:45
He was, and you said this last night,
1:38:46
he started to use people to put kindling around me, right?
1:38:50
And so, and I knew the Lord was trying to get my attention.
1:38:54
I just didn't know what for or why.
1:38:56
And so he's putting all these people around me.
1:38:58
I'm starting to grow in the Lord.
1:39:01
Like I'm starting to really read my Bible
1:39:04
and understand what it's saying.
1:39:05
I'm like consuming Joby's messages.
1:39:08
I'm consuming undaunted life.
1:39:09
I start finding things like I want what I'm desiring something.
1:39:14
What am I desiring?
1:39:15
'Cause here I am playing these stadium shows.
1:39:17
I play 30 minutes.
1:39:18
I have the time of my life.
1:39:19
I mean, awesome, dude.
1:39:20
I mean, thousands of people are like singing along, whatever.
1:39:25
And then I get off stage and I'm like,
1:39:26
I want to be home right now.
1:39:28
Yeah. I want to be home right now.
1:39:29
Why am I, why do I, why I'm enjoying this, but I'm not.
1:39:34
Like why?
1:39:35
And so time goes on.
1:39:40
I just keep ignoring God.
1:39:41
And then finally December of 2024, I met my church.
1:39:44
And I don't even know why.
1:39:47
Like I don't know why.
1:39:49
I don't remember exactly what the preacher preached on that
1:39:52
morning, but I just remembered at the end of that sermon.
1:39:55
I'm like, okay, God, I'm sorry.
1:40:01
I've been stubborn, I've been ignorant.
1:40:05
You've been trying to get my attention for what feels like
1:40:08
probably a year and a half at this point.
1:40:10
And I just pushed you away.
1:40:14
You know, it's not what I wanted.
1:40:16
I'm scared of what it is you're trying to tell me to do.
1:40:18
Like this is my career.
1:40:20
Like I feel like you're trying to,
1:40:22
I don't know what it is, God.
1:40:23
I don't know.
1:40:24
I was like, hey, why are you trying to derail this?
1:40:25
Yes, exactly.
1:40:26
That's what I felt.
1:40:27
I'm like, I'm scared.
1:40:28
Why are you trying to derail what you gave me?
1:40:29
Exactly, exactly.
1:40:30
And so, because I thought that I was doing what you wanted me
1:40:33
to do, God, you know?
1:40:34
And so, I'm like, God, okay, here's the deal.
1:40:39
I'm stubborn, ignorant, here's the deal, God.
1:40:43
I need you to tell me what you're trying to tell me,
1:40:45
but I need you to do it in a way that leaves no doubt
1:40:48
that I can't deny what you're telling me.
1:40:50
I need it to be so clear that you're saying,
1:40:52
hey, this is what I'm trying to tell you.
1:40:55
I need you to tell me that way because again,
1:40:57
I'm stubborn, I'm ignorant, I'm a big dummy.
1:41:00
Like, tell me, that was it.
1:41:03
They was over, prayed that prayer.
1:41:06
Dude, I didn't think any more about it.
1:41:07
I didn't think, you know, I mean, obviously I still felt
1:41:10
like the Lord was trying to get me my attention,
1:41:13
but like, I just prayed that prayer and I was like,
1:41:15
it didn't feel like a burn the ships moment in the moment.
1:41:17
No, no, not at all, not at all.
1:41:20
I was just like, well, if either he's gonna reveal it
1:41:22
or he's not, you know, kind of thought.
1:41:24
So I go about my week, five days later, Friday rolls around.
1:41:28
Me and my wife are out of Christmas shopping.
1:41:31
My manager of 10 years, who also manages Luke Combs.
1:41:35
He's me and Luke are like the first two people
1:41:37
he started managing when we moved to Nashville 10 years ago.
1:41:42
He calls me and I've got him on the speaker phone
1:41:48
and I have no idea what, I have no idea what he's calling me for.
1:41:53
Like, no idea in the world.
1:41:56
And he just starts going, hey, man,
1:41:58
I know this country music thing is your dream
1:42:02
and like, it's what you moved to Nashville, to Chase.
1:42:05
I know that you love it so much.
1:42:08
And he just keeps going on like that and I'm like,
1:42:12
Kathy, what are you, just get it out, dude.
1:42:15
Like, what are you trying to tell me?
1:42:17
And he goes, man, I don't know how to tell you this,
1:42:21
but for the last week, and let me preface this,
1:42:23
Kathy is an unbeliever.
1:42:24
And me and him, I've had conversations,
1:42:28
he has no problem with me talking about this.
1:42:30
He's an unbeliever.
1:42:32
He is on a journey with the Lord right now,
1:42:34
with God right now, he's figuring it all out.
1:42:38
- Okay. - Okay.
1:42:39
But when he calls me, he's an unbeliever.
1:42:42
I mean, he's lost.
1:42:43
- And he's calling me out of the blue.
1:42:44
- He calls me out of the blue.
1:42:45
He goes, man, I don't know how to tell you this,
1:42:48
but for the last week,
1:42:52
I've been waking up in the middle of the night
1:42:54
around three o'clock in the morning
1:42:55
and I cannot get you off my mind.
1:42:57
Like, and I don't know, I didn't know what it was.
1:43:01
I said, he said, but there's this,
1:43:03
and I've been scared to tell you this,
1:43:04
and he keeps beating around the bush.
1:43:06
I'm like, Kathy, just tell me, dude, what did tell me?
1:43:09
And he goes, man, I don't know how to tell you this,
1:43:11
but there's this voice that,
1:43:13
when I wake up in the middle of night three o'clock,
1:43:14
there's something, there's a voice,
1:43:16
there's something telling me,
1:43:17
I'm supposed to tell you,
1:43:18
you're supposed to sing songs about Jesus.
1:43:21
You're supposed to be a Christian artist.
1:43:23
And I'm like, I go, what?
1:43:25
Well, he thinks that my reaction of what is like,
1:43:28
negative, I'm [inaudible], you know?
1:43:31
And so he starts like walking about, he's like, well,
1:43:34
you know, I just didn't, you know,
1:43:38
and I'm like, no, no, no, no, no, Kathy,
1:43:40
listen, bro, five days ago,
1:43:42
Sunday morning, I prayed that God would send
1:43:45
the most undeniable sign
1:43:48
that I'm supposed to do something different,
1:43:50
and I need to know exactly what it is I'm supposed to do.
1:43:52
And I said, bro, he's used you,
1:43:57
he's woken you up in the middle,
1:43:59
he's been waking you up in the middle of the night
1:44:01
to deliver this to me.
1:44:02
Like this, this is, I'm not offended, bro,
1:44:05
this is, I asked for this.
1:44:07
And he goes, what do you mean you prayed for it?
1:44:09
I'm like, dude, Sunday morning at church,
1:44:11
I prayed that God would send,
1:44:12
I felt like God was trying to tell me
1:44:14
I'm supposed to do something different.
1:44:15
I asked him to send me the most clear sign
1:44:19
that I would not be able to deny it.
1:44:22
I said, he's been, an unbeliever,
1:44:23
he's been waking up in the middle of the night
1:44:25
to tell me to sing songs about Jesus.
1:44:27
Like what, that, it can't,
1:44:28
don't get no more undeniable than that.
1:44:31
And he goes, when did you pray that?
1:44:33
I said, Sunday morning, he said,
1:44:34
that's weird Sunday nights when I started
1:44:35
waking up in the middle of the night.
1:44:36
- Bro, come on.
1:44:38
- And I'm like, oh my gosh.
1:44:39
And dude, it was just the most real,
1:44:42
like the most real experience of the Holy Spirit
1:44:45
of like God going, ha, I got you, pal, I got you.
1:44:48
Like don't, don't be scared, you know.
1:44:52
And so I, Joby Martin was the first person I called.
1:44:55
He's like, hey, I'm going through security
1:44:58
at the airport or something.
1:45:00
Can I call you right back?
1:45:00
Yeah, sure.
1:45:02
Joby calls me back.
1:45:03
I tell him exactly everything I just told you.
1:45:05
And he goes, have you listened to my message
1:45:08
from last night?
1:45:09
And I go, no.
1:45:10
And so this is Friday, his Thursday night message,
1:45:14
this particular week was a message called
1:45:15
why do we doubt or why do you doubt or something like that?
1:45:18
And he's basically talking about Peter is in the boat
1:45:21
and he's looking at the Lord and the Lord's like,
1:45:24
come on, Peter, you know, and the minute Peter doubts,
1:45:27
he falls in the water, right?
1:45:29
So, but Joby's like, but Peter got out of the boat.
1:45:33
And in his message, he's going,
1:45:35
there's some of you out there.
1:45:37
There's some of you that are sitting in the boat.
1:45:39
- Yep.
1:45:40
- You're scared to get out of the boat
1:45:41
'cause you're scared of what God has for you
1:45:42
and you're sitting there and you won't even get out of the boat.
1:45:45
You won't even get out.
1:45:47
You need to get out of the boat.
1:45:48
That's his message, dude.
1:45:49
And I'm literally watching this
1:45:51
after everything that has just happened this morning
1:45:53
on this Friday morning, December 6th.
1:45:56
And now I'm watching Joby say,
1:45:57
you just, the Lord wants you to get out of the boat
1:45:59
and I'm like, oh my goodness, Lord, I see you.
1:46:02
Like I see you.
1:46:04
And then two days later, I'm at my church and I go to
1:46:08
Long Hollow Church and right outside Nashville
1:46:12
and my pastor there, Robbie Gallady, he's preaching
1:46:14
and he's preaching on the parable of the talents
1:46:17
and how we're gonna, we store up treasures in heaven.
1:46:20
If like using art, using what the Lord's given us
1:46:24
for his glory, right?
1:46:26
And I'm like, oh, it was a dude.
1:46:28
It was literally just the Lord just kept.
1:46:31
I'm like, okay, God, when I pray that you would make it
1:46:34
undeniable, I see it.
1:46:36
You have like sending my unbelieving manager,
1:46:40
waking him up in the moonlight to call me and tell me this.
1:46:42
Like that was, I believe that.
1:46:44
And now you sent me a message from Joby
1:46:47
and now my pastor's preaching this.
1:46:49
And dude, it literally kept going.
1:46:50
It was one thing after another.
1:46:51
- No, not subtle.
1:46:52
- No, it was like, the Lord would like punch me
1:46:55
and then he'd right hook me and then he left hook me
1:46:57
and he's like, don't you see me, you big dummy?
1:46:59
You know, that's what I felt.
1:47:00
And I'm like, Lord, I see you, I see you.
1:47:03
And dude, so as of this, as of sitting right here,
1:47:08
I am, as an artist, I have asked out of my record deal.
1:47:18
And I don't know what the Lord has for me.
1:47:20
I think, you know, my plan is to continue writing country songs
1:47:24
for anybody.
1:47:24
If there's someone that, if I write a country song
1:47:26
and someone believes in it, wants to record it.
1:47:29
I don't believe the Lord has asked me to stop that.
1:47:32
But on the artist side of things,
1:47:34
I'm gonna be putting out music.
1:47:36
And hopefully, honestly, by the time this comes out,
1:47:38
I hope that I may have some music out.
1:47:39
So, but it's gonna be music that it literally,
1:47:46
it's the gospel, dude.
1:47:46
It's country, it's gonna sound country like country music,
1:47:50
like modern country music,
1:47:51
but it's going to have the gospel in it.
1:47:53
I think that's what the Lord has literally
1:47:57
specifically asked me to do.
1:47:58
- Dude, the story is just like,
1:48:03
so it's still powerful hearing it from you the first time,
1:48:05
but Joby and I were driving out to encounter,
1:48:08
that's like the hunting encounter they do
1:48:10
for Church 11, 22ers every, you know,
1:48:12
November or December or whatever.
1:48:14
So we're driving to Wherever'sville, Georgia.
1:48:17
And he tells me the story, and you and I hadn't met yet,
1:48:20
I don't even think you and I had ever talked yet.
1:48:21
And he kind of told me the story and I'm like,
1:48:23
"Wait, what?"
1:48:25
Like, it's non-believing manager called,
1:48:26
like that's not a, like that's not a nudge.
1:48:31
That's like a shove from the Lord,
1:48:33
where it's like, because of where the message came from.
1:48:36
- And that's a lot of people have gone,
1:48:38
well, why can't you just keep your record deal
1:48:40
and just keep doing like, like, there's nothing wrong
1:48:44
with what you're doing?
1:48:45
No, I didn't say there was, there wasn't,
1:48:47
if you go listen to, I mean, I put out my last full length
1:48:50
project, the one I was talking about,
1:48:52
is a record called Camouflage Cowboy.
1:48:54
There are very faith, some faith-based songs in there.
1:49:00
You know, I ended the record with an old gospel hymn.
1:49:04
I don't think there was anything wrong
1:49:06
with what I was doing.
1:49:07
- Yeah, and why can't I continue to do that?
1:49:11
- Well, I could.
1:49:13
That's not what God has asked me to do.
1:49:15
He didn't say, "Hey, bro, keep singing your faith-based."
1:49:18
Why would he have gotten the attention of me
1:49:21
through my unbelieving manager if what I was doing was okay?
1:49:24
Like, why, my manager's like, you're so,
1:49:27
he was like, this thing's telling me you're supposed
1:49:29
to be a Christian artist and sing songs about Jesus.
1:49:32
Well, I was, what I was doing was kind of that,
1:49:36
but obviously that wasn't, the Lord didn't,
1:49:38
he wants me to do something more specific.
1:49:40
- Like, he's the one you'd be on,
1:49:41
country music theology, you know what I mean?
1:49:43
- Exactly, and so, dude, it's, I know I kind of got
1:49:48
into this whole story, but on the country music theology,
1:49:52
but for so long, I was, I was that country music theology
1:49:56
guy, I was like, well, I'm a Christian.
1:49:58
You know, and I sang about it in my songs, like, you know,
1:50:03
but man, I had not really postuode, I guess, in a sense, you know?
1:50:08
- Well, and you and I talked about last night
1:50:10
about the process of sanctification, like, okay,
1:50:13
'cause there are people that are like,
1:50:14
oh, I thought I was saved as a kid, but then, you know,
1:50:16
I fell away, but I'm really safe now.
1:50:19
It's like, your moment of salvation could have been
1:50:22
when you were a child, and you made the wrong decisions
1:50:27
and you distance yourself from God and distance yourself
1:50:31
and stop listening to the Holy Spirit.
1:50:33
And then something got your attention and got you
1:50:35
to come back around on the back end.
1:50:37
And so, that is a description of your sanctification,
1:50:39
not your salvation. - Exactly.
1:50:41
- And so it's like, but you just had some delayed
1:50:43
sanctification going on. - And people get confused
1:50:45
and I'm here to encourage anyone that's listening
1:50:47
to this right now that, like, hey, like, it's okay, right?
1:50:52
'Cause I think for a lot of, you know, also to the growing
1:50:57
up in the South, I mean, there's a lot of legalistic stuff,
1:51:01
like, don't drink, don't you and don't go to girls who do.
1:51:05
- Yep. - And so.
1:51:07
- And if you're Baptist, never ever dance.
1:51:08
- Right, it's like so, I think a lot of that was like,
1:51:13
in my head too, you know, like, oh, maybe, I, you know,
1:51:18
I've drank, like, you know, like, is that bad?
1:51:24
Like, so, so I felt like, honestly, obviously
1:51:29
in country music, I mean, everybody's drinking.
1:51:33
So like, I felt in those moments that when I was drinking,
1:51:36
because of kind of the background that I had in the church
1:51:40
as a child, that like, well, I can't be a great Christian,
1:51:45
or I can't be a Christian and do these things,
1:51:47
but when I do them, I don't feel like I'm doing anything wrong.
1:51:51
Like, I'm not getting like drunk, you know what?
1:51:54
So that was kind of, until I realized, okay, hold on.
1:51:59
And then I read Joby's book,
1:52:01
run over by the grace train, and I'm like, hold on.
1:52:04
This version of grace is way different than anything I,
1:52:07
even, and so I do believe that when I was a child,
1:52:10
I understood Jesus died on a cross for me.
1:52:13
Why?
1:52:15
You know, and like, somehow it counted for me.
1:52:21
Like, I don't know how I counted, but somehow it did.
1:52:23
Like, he did die, and he did go in a grave,
1:52:26
and he was resurrected, and I believe
1:52:29
that as a child.
1:52:29
So I do believe that I was saved as a child.
1:52:32
But again, the sanctification process of my life
1:52:36
was country music theology, you know?
1:52:38
- Yeah, do nice things, like listen to nice music,
1:52:41
wrap yourself in an American flag, and it'll all be okay.
1:52:44
And I think that's the difference whenever we discuss,
1:52:47
like again, Joby teaching people about push duo,
1:52:50
because we talked about Jordan Peterson last night.
1:52:52
This is a man, very, very smart man,
1:52:55
a man that I'm a huge fan of for a lot of different reasons.
1:52:57
- Correct.
1:52:58
- On record now, as saying that he believes
1:53:01
that Jesus was resurrected from the grave.
1:53:04
He is on record saying that Jesus is God.
1:53:07
And it's interesting, it was two atheist podcasters
1:53:09
that got him to admit those two things.
1:53:11
It wasn't, you know, some Christian country artists
1:53:13
trying to like put him in a corner.
1:53:14
- Yeah.
1:53:15
- But there's also no evidence that Jordan Peterson
1:53:21
believes that that counted for Jordan Peterson.
1:53:24
And that's what push duo is.
1:53:25
You're transferring your faith into that reality.
1:53:27
- Right, it's not believe that, it's believe in.
1:53:29
- Right, and so, and maybe you can help,
1:53:32
because I think somebody listening to this needs
1:53:34
to hear this, because this helped me.
1:53:36
Do you know, what's the analogy of the chair?
1:53:39
I think Joby's used it before.
1:53:41
- Okay, yeah, so explain that.
1:53:42
- Yeah, I use this all the time.
1:53:43
And I think I used some version of this
1:53:45
before Joby explained it.
1:53:46
He, you know, I explained it way better than him,
1:53:48
'cause he's kind of an idiot.
1:53:49
That Joby Martin guy, like I wish he could know
1:53:51
how words worked, but okay.
1:53:52
So when you walked in the studio this morning, right?
1:53:56
- Yeah.
1:53:57
- You looked at the table and you saw,
1:53:59
you recognized on your side of the table
1:54:01
that that was a chair.
1:54:02
- Correct.
1:54:04
- And you recognize that as a chair,
1:54:06
because you have an evidentiary basis that that's a chair.
1:54:10
Why?
1:54:11
It looks like a chair.
1:54:12
It's got the elements of a chair.
1:54:13
It's got legs.
1:54:14
It's got a seat.
1:54:15
It's got a back on it.
1:54:17
And you've got experience with chairs,
1:54:19
'cause you've seen a lot of chairs that look vaguely,
1:54:22
at least like what that chair looks like.
1:54:25
But in that moment,
1:54:27
knowledge of what a chair is,
1:54:30
and knowledge of, I believe that that's a chair,
1:54:34
you have yet to provide faith in the fact that it is a chair
1:54:38
because you have not transferred your weight of your body
1:54:42
into the chair and you have not transferred the fact
1:54:45
that I believe it's going to uphold my body
1:54:48
when I sit there, right?
1:54:50
That's the line.
1:54:51
So that's where people that I know and love,
1:54:53
people that are listening to this right now,
1:54:55
and you know exactly who I'm talking about.
1:54:58
They believe in God.
1:54:59
They were baptized when they were a kid,
1:55:02
and that's good enough.
1:55:03
Don't say another word.
1:55:04
I don't want to hear anything else.
1:55:06
Well, you know, but hey, but Jesus,
1:55:09
and the demons even believe,
1:55:10
and they shut her at the thought.
1:55:13
But hey, you know what?
1:55:14
You get to have your opinions and I get to have mine.
1:55:16
You are entitled to your own opinions.
1:55:17
You are not entitled to your own facts, okay?
1:55:20
And so you can look at that and say,
1:55:23
I believe that's a chair.
1:55:24
I know that's a chair.
1:55:26
You put me in the corner and I say,
1:55:27
yeah, I believe that's a chair,
1:55:29
but have you placed your faith in the chair, right?
1:55:33
'Cause guess what?
1:55:34
You didn't make the chair, you didn't put the chair there.
1:55:36
The only thing you bring to the chair is your faith
1:55:39
that it is that and sitting down onto it
1:55:42
and allowing that to uphold you.
1:55:43
That is the gospel when Jesus died on the cross
1:55:47
at Calvary, Uncle Gatha, right?
1:55:49
Whole long story about that, which I absolutely love, right?
1:55:52
When he did that, that provided a payment,
1:55:55
a payment that satisfies, right?
1:55:57
A propitiation of your sin debt, right?
1:56:00
And then your sin debt was paid in full to tell us die, right?
1:56:03
It was paid in full, right?
1:56:06
What is your role as it pertains to the gospel?
1:56:08
You bring your sin to the cross and you bring your repentance
1:56:13
and you push to, oh, you put your faith in
1:56:15
that when Jesus died on the cross,
1:56:17
that somehow that you don't fully understand
1:56:19
because we have finite brains that that counted for you.
1:56:23
Now, what is required of you?
1:56:25
Oh, now you have to be the ultimate rule follower,
1:56:28
the ultimate rulekeeper, the ultimate, well, hey, you know,
1:56:30
don't cuss, like do all that, like, no,
1:56:35
but you should be on the start of a sanctification process
1:56:38
that changes everything about you for the good.
1:56:42
Repentance is not saying I'm sorry super fervently
1:56:46
and with a lot of gusto.
1:56:47
Repentance is I was going this way
1:56:49
and I'm turning 180 degrees away
1:56:52
from my self-driven sinful desires and lifestyle.
1:56:56
And I am going to, in my best ability imperfectly,
1:56:59
gonna follow the dictates of God
1:57:01
and to follow the promptings of the Holy Spirit
1:57:03
as I move forward in this world.
1:57:05
And I'm gonna share about the transforming faith
1:57:09
and what I believe with other people
1:57:11
so that they can be invited to postuo in the chair as well.
1:57:14
That's what we're doing.
1:57:15
- Yeah, yeah.
1:57:16
And you don't have to be scared
1:57:18
to put your faith in the chair.
1:57:19
- No, it's a chair, right?
1:57:21
He's God, you don't have to be scared to put your faith in him.
1:57:24
- And when it's God's chair,
1:57:24
you know, when you put your way down on it's not gonna break.
1:57:26
It's not gonna, it's not a false chair, like it's not.
1:57:29
Now, there are plenty of false gospels out there
1:57:31
that look like chairs.
1:57:32
- Yeah, for sure.
1:57:33
- And one of the false gospels is hey boo, you do you, right?
1:57:37
What false gospels is chase money, get honeys, right?
1:57:40
That's a false gospel.
1:57:41
And then there's Christian sounding false gospels,
1:57:43
like new thought that Melissa Doherty
1:57:45
has taught a lot of people about
1:57:46
to where things kind of sound Christian,
1:57:48
they're bereft of any type of biblical theology,
1:57:52
like, or a biblical reality.
1:57:53
Hey, Jesus is just a guru
1:57:56
that said a bunch of really nice things.
1:57:57
He was a pacifistic, you know, communist somehow
1:58:01
that just would never tell anyone
1:58:03
that what they were doing was wrong.
1:58:04
He would never judge them.
1:58:05
He would never do any of those things.
1:58:06
And you know what, technically you're God.
1:58:08
Like you are divine.
1:58:10
Like, and if you send posy vibes into the atmosphere,
1:58:13
it'll connect with other posy vibes and rain down,
1:58:16
you know, positive things on you.
1:58:17
And hey, if you touch my hand,
1:58:19
'cause I'm a mega church pastor
1:58:20
and I've got two jets,
1:58:21
that's somehow you will receive blessings.
1:58:23
There's plenty of false gospels out there, baby.
1:58:26
But the true gospel is the only one
1:58:28
that when you sit, you will not fall.
1:58:30
Yeah, for sure. That's reality.
1:58:31
Yeah, man. That's so good.
1:58:34
And, you know, I think that's kind of,
1:58:38
I have discovered that.
1:58:39
And two, like, I think I realized like, okay,
1:58:44
well, why do I need to do this, right?
1:58:47
Well, to, you know, the whole store-up treasure
1:58:50
and heaven kind of thing, right?
1:58:51
Like, there's more to this than that.
1:58:54
Like, I, to glorify God and like,
1:58:58
to use my talents and to glorify Him
1:59:01
and to be a witness for Him, to folks who, you know,
1:59:05
who have honestly been in my shoes.
1:59:07
And that's like the reason why,
1:59:08
another reason why I'm like,
1:59:09
well, I can't, it's gotta be,
1:59:11
there is literally a line drawn.
1:59:13
This was a country, this was a country music career.
1:59:16
This is this new thing, right?
1:59:18
And because it's not just music.
1:59:22
Like, it's the gospel and I want to share the gospel, you know?
1:59:27
And God gave you a voice.
1:59:28
For sure. And dude, hopefully I will get back on the tour.
1:59:32
You know, hopefully one day, you know,
1:59:34
I'll be back on like the country music tours.
1:59:40
I think that what I'm gonna do is, you know,
1:59:42
can be on a country music tour.
1:59:44
I think it can be on a country music festival.
1:59:46
I mean, dude, right now, I mean,
1:59:48
this is the, I think you're gonna release this
1:59:50
a little after we record it.
1:59:51
But today, today, whatever today's date is,
1:59:55
I'm supposed to be in Indio, California,
2:00:00
playing stagecoach tonight.
2:00:01
That's where I was supposed to be.
2:00:04
But when the Lord called me out of this,
2:00:06
I was like, I got to cancel all the shows.
2:00:10
And everybody was like, oh, why?
2:00:11
They were like, don't you think the message
2:00:14
that you're wanting to deliver
2:00:15
should be for those people too?
2:00:18
And I'm like, okay, yes, but here's the deal.
2:00:20
I don't want people showing up to those shows
2:00:22
expecting to hear the stuff that, you know,
2:00:27
I've played for, 'cause I'm not,
2:00:29
that's not who I am as an artist anymore.
2:00:31
Like I am going to share the gospel.
2:00:34
- Camel Flush Cowboy is a chapter in your life
2:00:37
as an artist and it's just moved on
2:00:39
to a different part of the book.
2:00:40
- Exactly, for sure.
2:00:41
And so I don't want for one,
2:00:43
I don't want them to be disappointed
2:00:46
that I'm not going to play those songs.
2:00:48
But also I don't have anything to play.
2:00:50
I mean, this is so new.
2:00:53
I've written like literally a very small amount of songs
2:00:57
for what I'm going to do next.
2:00:58
And when the Lord sends me,
2:01:01
every time he sends me one, I go write it, you know?
2:01:04
And so, but man, it's just I,
2:01:08
but I am also in the best place in my life
2:01:11
because I just, the Holy Spirit has like,
2:01:14
just reminds me daily, bro, just keep being obedient.
2:01:19
Just keep being obedient.
2:01:21
Just keep, and honestly man, put your yes down.
2:01:24
And a lot of it, and I didn't mention this,
2:01:28
but I think this could be for somebody out there.
2:01:30
I had hit songs, I mean, homemade,
2:01:35
forever after all, Luke Holmes, doing this Luke Holmes.
2:01:39
Blake Shelton just recorded a song of mine
2:01:41
that hopefully is going to be a single for him at some point.
2:01:44
I went along, I never tithed to my church, never.
2:01:51
And dude, about a year and a half ago, I was convicted.
2:01:54
I'm like, we got, we got to start giving.
2:01:57
Like what am I doing?
2:01:59
- Yeah.
2:02:00
- And dude, it's literally just obedience
2:02:02
of what the Lord wants from you.
2:02:04
He starts to work in your life and you get consumed.
2:02:07
So it's literally, I'm just trying to not get off,
2:02:10
not run this thing off the rails.
2:02:12
I'm just trying to walk in obedience.
2:02:14
So like it started with, you know, me realizing,
2:02:19
you know, through an unbeliever asking me questions
2:02:21
that I didn't know much about the Bible.
2:02:22
I needed to know more about the Bible,
2:02:23
started digging into that, beginning to get convicted
2:02:26
that I'm not giving, start giving, start meeting
2:02:28
and being, surrounding myself with kindling
2:02:32
that I didn't even know that's what it was
2:02:33
at the point in time, you know,
2:02:35
around other men who are believers.
2:02:37
And just continue to walk in obedience towards the Lord,
2:02:40
spend more time in the Word.
2:02:41
And then he, along the way, after being obedient
2:02:46
for that period of time, he sends my unbelieving manager
2:02:48
to deliver a message that I prayed for.
2:02:50
Like that, this isn't happenstance.
2:02:53
I don't believe in, you know, coincidences
2:02:57
don't exist in my life that, you know, to this standpoint.
2:03:01
I just, everything is just orchestrated by the Lord.
2:03:03
And I'm just seeing it clearly now.
2:03:04
And I think it's always been there.
2:03:06
Just, I had, again, this veil was over my eyes, right?
2:03:09
- Well, let's talk kindling a little bit,
2:03:11
'cause we brought that up a little bit last night.
2:03:13
I think it was Matt Chandler,
2:03:13
the first person to say it because it's like, okay,
2:03:16
you can't guarantee your kid's salvation.
2:03:18
You can't, you know, get them saved,
2:03:20
but all you can do is put kindling in and around them, right?
2:03:24
And so, 'cause I think about it,
2:03:25
'cause I know people that were in Christian homes,
2:03:28
fervently Christian mother and father,
2:03:31
private Christian school, you know,
2:03:33
they went to all the camps, they did all the things
2:03:35
and they're adults now and they're far from the Lord, right?
2:03:37
And a lot of them are not believers.
2:03:39
- Yeah.
2:03:40
- Then you got the guys who grew up in abusive households
2:03:43
and, you know, were never around the Bible.
2:03:45
And then here they are, you know, in their 30s
2:03:47
and they're, you know, in the process of ODing on heroin
2:03:50
and they hover over their body for a second
2:03:52
and then they zips that back into their body
2:03:54
and then all of a sudden they end up in a church
2:03:55
and all that, okay, and then these people are Christians
2:03:57
and then they become missionaries.
2:03:58
So everyone's got their own story of how
2:04:00
they found the Lord and how they got there.
2:04:02
But kindling, you asked me a question last night
2:04:05
because we were talking about,
2:04:06
forget what we were talking about that brought it up,
2:04:11
but we were basically talking about how people,
2:04:13
or do you remember what you were saying?
2:04:14
- Yeah, so I believe in what you're getting at, I think,
2:04:16
is we were talking about not putting your faith
2:04:19
in pastors, right?
2:04:20
And I'm like, but man, dude, like,
2:04:23
and I don't think Joby wouldn't have a problem
2:04:24
with us using him as an example.
2:04:26
I love that dude.
2:04:27
Like, like that dude has been like awesome for me.
2:04:30
Like man, and like, I've had my dad, but I've never,
2:04:35
but like a man like him to like really put their arm around me
2:04:40
and believe in me as more than just a songwriter
2:04:43
and a country music singer to like want to pour
2:04:46
into my life, like he's been awesome for me.
2:04:49
And so when I hear you say,
2:04:51
"Hey, don't put your faith in these guys
2:04:53
that they can let you down," you know what I mean?
2:04:55
Like, well, that's kind of scary to me.
2:04:58
'Cause I'm like, okay.
2:04:59
Then I asked you, I'm like, "Hey, how do we make sure
2:05:01
that don't happen?"
2:05:02
- Yeah, so that's where we got to last night,
2:05:04
'cause every time something like this happens,
2:05:06
we're a pastor falls or, you know, we find out,
2:05:09
you know, what Steve Lawson did.
2:05:11
We find out what Andy Stanley is doing.
2:05:12
We find out what, you know, allegedly Robbie Zacharias
2:05:15
did before he passed away.
2:05:17
And I'm just like, I'm a reminder of my guys,
2:05:20
pick your favorite pastor, Toby Martin Matt Chandler,
2:05:22
Vody Bockham, John McCarthur, whoever your favorite guy is.
2:05:25
Don't put your faith in that person.
2:05:26
Pick your favorite country music singer,
2:05:28
pick your favorite politician, pick your favorite athlete.
2:05:30
You know, I'll put your faith in these people.
2:05:32
They will let you down.
2:05:33
Your favorite podcaster, if that's me,
2:05:35
don't put your faith in me.
2:05:36
I put myself in the same category
2:05:38
because some is gonna maybe take them out.
2:05:40
They may have a bend toward the chemical.
2:05:42
It might be money, it might be honey.
2:05:43
Like, we don't really know what it's gonna be.
2:05:45
- And then it can cause you to question your--
2:05:47
- Right, you get saved at a RZIM, Robbie Zacharias event.
2:05:50
And then we find out, allegedly,
2:05:52
that he was a horrible sexual deviant.
2:05:55
And then now you're questioning your own salvation, right?
2:05:57
And that's not a good thing.
2:05:58
But you asked me, how can we put,
2:06:00
'cause we were talking about Kenling,
2:06:01
you know, how can we put Kenling around these guys?
2:06:04
And I said, well, no, that's not how you ask it.
2:06:07
You asked like, how can we make sure
2:06:09
that those guys can't fall?
2:06:10
And what did I say?
2:06:11
- You said you can't.
2:06:12
- You can't, you flat out can't do it.
2:06:14
Just like you can't work out on their behalf.
2:06:16
You can't eat well for them.
2:06:18
You can't study the Bible for them.
2:06:20
You can't pray, you can pray for them,
2:06:22
but you can't pray for them as them, right?
2:06:25
- Yeah, for sure.
2:06:26
- And so, but I said, what you can do
2:06:28
is put Kenling around them, right?
2:06:30
So you feel some kind of way about Joby
2:06:33
kind of putting his arm around you
2:06:34
because like, you know, Joby to me,
2:06:35
it's like he's somewhere between like a much older brother,
2:06:38
much uglier older brother or an uncle or a father.
2:06:43
Like he's kind of like this amalgamation
2:06:44
of just a really important man in your life.
2:06:46
And as you said, he's got his arm around you
2:06:48
and it's like, oh my gosh, this feels great.
2:06:49
But what I can do for a guy like Joby
2:06:54
is when we're driving down the road,
2:06:56
you know, on our way to go hunt or do something else,
2:06:58
I can be like, hey man, how you doing?
2:07:00
And not like, hey brother, how you been?
2:07:03
Like that kind of thing.
2:07:03
No, no, no, no.
2:07:05
Hey man, things good at home?
2:07:06
- Yeah.
2:07:07
- You and JP still connected.
2:07:09
Are you in Reagan company?
2:07:10
Are still like, you know, she's still seeking after the Lord.
2:07:12
Hey, are your elders elders, right?
2:07:15
Are they laughing at your jokes a little bit too much
2:07:18
when they're not funny?
2:07:19
Like, hey, you still working out?
2:07:21
Hey, you still, you still, you know,
2:07:22
taking yourself on this, you still eating meat?
2:07:24
Like, hey, like, and you're just,
2:07:27
you're providing an opportunity for him to say,
2:07:29
no, actually, you know, my daughter and I
2:07:32
are, we're at odds right now
2:07:33
and I can't seem to break through with it,
2:07:35
which is not true, I'm just making this up.
2:07:36
Like Reagan can be the best.
2:07:37
But like, you know, you're giving them the opportunity
2:07:42
and what you're also doing, Drew,
2:07:44
is you're giving them the opportunity
2:07:46
to invite you to get up under the bar.
2:07:49
That's on their back, okay?
2:07:51
So I've used an example similar to this before,
2:07:53
but it's like, you know, you're a barbell athlete,
2:07:56
you're a squat guy, you know, precisely the amount of weight
2:08:00
you can put on the bar that would crush you, okay?
2:08:02
So even if you're really, really strong, right?
2:08:05
If I put 2,000 pounds, if I put a ton on the barbell
2:08:09
and then get under it and try to back squat it,
2:08:11
it's gonna, it's gonna destroy me.
2:08:13
It's gonna snap my spine in half.
2:08:15
It's gonna like, absolutely destroy me.
2:08:17
And that 2,000 pounds might be your life.
2:08:20
It might be the weight of your business.
2:08:21
It might be the weight of your ministry.
2:08:22
It might be the weight of your family.
2:08:23
It might be the weight that's been put on you
2:08:26
by having a kid gone prodigal.
2:08:27
It might be the weight of a sickness.
2:08:29
It might be the weight of a financial issue
2:08:31
that's going on right now.
2:08:32
But you as a man can invite other men
2:08:37
to get up under the bar with you, right?
2:08:40
- Yeah.
2:08:40
- You don't get to get up under,
2:08:42
you don't get to get off the bar.
2:08:43
- Yeah.
2:08:44
- You are in the middle of the bar.
2:08:45
But if I put five guys on either side
2:08:48
and I'm there in the middle,
2:08:50
we can get that 2,000 pounds off the rack and down
2:08:53
and up again.
2:08:54
- 100%.
2:08:55
- We can do that.
2:08:56
But I can't do that by myself.
2:08:57
And so when you're having these real conversations
2:08:59
with these men, men that might be untouchable, right?
2:09:03
That seem untouchable, right?
2:09:04
They're famous for whatever reason
2:09:06
or they have a big influence in the community
2:09:08
you live in, whatever.
2:09:09
But you're allowing them the opportunity
2:09:12
to invite you to get up under the bar.
2:09:14
And again, I say this all the time, guys,
2:09:16
if you get that invitation,
2:09:18
you better get up under that damn bar, right?
2:09:20
- Yeah, for sure.
2:09:21
- And if a guy welcomes you into his life
2:09:22
and says, "I want you to provide accountability for me,"
2:09:25
you better provide accountability.
2:09:26
And if you're the one asking for accountability,
2:09:29
when you get it, you better respond like a man.
2:09:31
- For sure.
2:09:32
- You better take the rebuke.
2:09:33
- 100%.
2:09:34
- And you better operate accordingly.
2:09:35
Why?
2:09:36
Because this man loves you
2:09:36
and he put relational chips in the center of the table
2:09:39
for not his benefit, for your benefit.
2:09:41
- 100%.
2:09:41
And so I think if you're in a group
2:09:46
of men, a de-group, whatever it is,
2:09:50
you'd like to call him your foxhole.
2:09:52
- Yeah, yeah, foxhole, mac carriers.
2:09:54
- All those.
2:09:55
- Okay, those guys.
2:09:56
- Okay, if you care about the guy sitting across from you
2:10:00
at your forging table, if you care about this man.
2:10:04
- Yeah.
2:10:05
- Tell him what you're struggling with
2:10:07
because you know what you're gonna do.
2:10:08
- Yeah.
2:10:09
- You're gonna break the barrier.
2:10:11
You're gonna break this veil.
2:10:12
You're gonna break this ice.
2:10:13
You're gonna shoot the elephant in the room, okay?
2:10:17
If you care about the dude sitting across from you,
2:10:20
tell him your struggle.
2:10:20
'Cause you know what you're gonna do?
2:10:21
You're gonna shoot the elephant in the room
2:10:22
and he's gonna tell you about his.
2:10:24
- You're modeling to them.
2:10:25
- 100%.
2:10:26
You're like, wait, this guy trusts me enough
2:10:28
to tell me that he's struggling with X,
2:10:30
whatever it is, porn, lust, money,
2:10:34
whatever the things are, right?
2:10:36
He could fill in the blank with anything.
2:10:39
Tell him what you're struggling with
2:10:40
and he's gonna go, man, this guy trusts me to tell me that.
2:10:44
Man, I need it.
2:10:45
Now I feel a little bit of freedom
2:10:48
'cause now I can tell him what I'm struggling with.
2:10:49
- Right.
2:10:50
- And dude, there is so much freedom.
2:10:52
And to me, that is manning up.
2:10:55
It's like, you know what I mean?
2:10:57
You wanna man up in front of your friends
2:11:00
and tell them what you're struggling with.
2:11:01
That's a man up.
2:11:02
- Well, dude, that's what we were talking about
2:11:04
in terms of men's ministry.
2:11:05
We were talking last night,
2:11:06
talking at the beginning of this conversation.
2:11:08
You know, a lot of men's ministries
2:11:10
have taken the physical part too far.
2:11:12
And somehow they've wrapped up their manhood
2:11:15
in the number of pullups they can do
2:11:17
or how fast they can do the Murph
2:11:19
or, you know, how much they can deadlift.
2:11:22
And dude, I'm pro all those things.
2:11:24
I do the Murph every year.
2:11:25
I deadlift every week.
2:11:26
Like I do hard things physically
2:11:28
'cause God gave me one body, right?
2:11:30
And I know you and I talked about that
2:11:31
because you're not as much on the physical side of things.
2:11:34
But it's just like God gave me one body
2:11:36
and what if he requires something of me
2:11:37
that's gonna take my body and my body's not ready for it?
2:11:40
Right, I use the example of, okay,
2:11:41
you're helping dig water wells for tribes in Africa
2:11:45
or whatever.
2:11:46
And you know, the place where you're working
2:11:48
is a couple miles down a dirt road
2:11:49
and you've got these high luxes
2:11:50
that you pile all the stuff in every single day
2:11:52
and you drive down the road.
2:11:53
Whoops, the high luxes went missing
2:11:55
or they're not running anymore.
2:11:57
Do we just not build water wells today?
2:11:59
Is that just, oh, or are we gonna start putting stuff
2:12:02
on our back and walking our tush
2:12:03
a couple miles down the road
2:12:04
so that we can help prepare these people?
2:12:07
But if you're not ready for that,
2:12:08
it's too late for training.
2:12:10
You're in the moment.
2:12:11
If an image bearer of God is being violated physically
2:12:14
and you don't know how to fight
2:12:15
and you're physically incapable of using your body
2:12:17
to stop somebody 'cause you're fat worthless
2:12:19
and you haven't taken care of your body your entire life.
2:12:22
You've just been feeding your body Cheetos and Dr. Pepper.
2:12:25
Well, you're not ready to intercede in this moment, right?
2:12:28
You don't have the skill, the desire
2:12:30
or the know-how to intercede in this moment.
2:12:32
That's why I talk about the physical.
2:12:34
But it's kind of like what a lot of people have said.
2:12:36
It's like, look, I like hunting,
2:12:39
I like going off road, I like working out, I like jerky,
2:12:43
I like whiskey, I like cigars.
2:12:44
And as Joby would say, all those things make me awesome.
2:12:47
They don't make me a man though, right?
2:12:50
- 100%.
2:12:50
- And for me, in what we talk about in a Don life,
2:12:52
a man is a male, it's stupid that I have to even start
2:12:55
the sentence, a man is a male.
2:12:56
But here we are in the dumbest time in human history.
2:12:59
But a man is a male that cultivates spiritual, mental
2:13:01
and physical resilience on a daily basis.
2:13:03
- Yep.
2:13:04
- What in the world does that require of you?
2:13:06
Spiritual, mental, physical resilience, not strength,
2:13:09
strength wanes over time, it always goes down as you age.
2:13:11
Resilience, that's the one thing you can continue
2:13:13
to get better at as you age is resilience,
2:13:16
not typically strength, right?
2:13:18
And so like, that's what a man does.
2:13:20
And if you do that, guess what?
2:13:21
You're gonna be loving your life and an Ephesians wife
2:13:23
in a Ephesians five way, you're gonna be raising up your,
2:13:26
well, it goes back to the lawyer that tried to trip up
2:13:30
Jesus as we see in the gospels and ask him, you know,
2:13:32
what's the greatest of all the laws?
2:13:33
And Jesus takes a singular question, turns it into
2:13:36
a dual answer, he says, one, love the Lord to God
2:13:38
with all your heart, soul, mind and strength.
2:13:41
Heart, soul, mind and strength.
2:13:43
Oh, and also the second is like it.
2:13:45
Love your neighbor as yourself.
2:13:46
Okay, well now that we need to talk about neighbors,
2:13:48
what does that mean?
2:13:49
What is your primary neighbor as a human being?
2:13:51
Your spouse, that is your primary neighbor.
2:13:54
If you're a male, you have to love your wife
2:13:55
in a sacrificial way as Christ loved the church.
2:13:57
And as a female, you are a helpmate made fit for him
2:14:00
and you are to protect his side and be at his side.
2:14:02
That's your primary neighbor.
2:14:03
Who's your secondary neighbor?
2:14:05
Your children, whom you have to raise up in the nurture
2:14:07
and admonition of the Lord and put as much kindling
2:14:10
around those people as anyone else that you would run into.
2:14:13
Who's your tertiary neighbor?
2:14:15
Everybody else, your friends, your pastors, your coworkers,
2:14:19
your job, all those things are tertially important at best.
2:14:24
And when things are in the right ordering,
2:14:26
then you're able to do the things in the order
2:14:29
and in the cadence that God has put before you
2:14:31
and has asked you to do.
2:14:33
But we live in the most disordered time period in history
2:14:37
to where men who have to provide for their families
2:14:39
or their worst and an unbeliever,
2:14:41
where they elevate that above loving God
2:14:43
with all their heart, soul, mind, and strength
2:14:45
and above every neighbor.
2:14:47
And so they build this career,
2:14:48
they build this life for themselves and they realize,
2:14:50
wait, I didn't bring anyone along with me.
2:14:52
Oh, and I'm at a place right now where nobody can check me.
2:14:56
Nobody can tell me, hey, brother,
2:14:58
you're screwing up right now
2:14:59
'cause they've insulated themselves
2:15:01
from all this negative feedback and it's just,
2:15:03
yeah, that's where a lot of these men's ministries go wrong
2:15:06
to where it's like, they go the lone wolf route
2:15:08
and it's like, watch animal planet.
2:15:10
What happens to lone wolves, they die alone.
2:15:12
Like that is not a good plan.
2:15:14
Don't do the lone wolf thing.
2:15:15
- Yeah.
2:15:16
Yeah, I think there's a lot of times
2:15:20
and this is just really something that became evident to me.
2:15:25
I think a lot of times we get it wrong
2:15:28
and I really don't have the ground to stand
2:15:31
on to speak on this, but I've just seen it
2:15:33
and I was kind of part of this.
2:15:34
Like we want the hand raised, but then we're...
2:15:38
- Where's the size of the shot?
2:15:39
- We're not equipping, no one's equipped
2:15:44
and I talked about this and I don't wanna get too much
2:15:46
in the weeds of this 'cause there's some information
2:15:49
that I don't know about.
2:15:49
- Let's get in the weeds.
2:15:50
- We talked about, but it's some things we talked about
2:15:53
that I don't really want to get the public.
2:15:55
So 'cause it was a specific situation,
2:15:57
but I was put in a position where I was asked questions
2:16:01
about things and I was not equipped to answer them
2:16:03
and I literally felt like a loser,
2:16:05
like a guy searching on a journey towards the Lord
2:16:09
and he's got questions and I had no answers
2:16:13
because I'm not equipped.
2:16:15
And yes, that is partly on me.
2:16:18
I mean, it's mainly on me, right?
2:16:20
That I haven't equipped myself, right?
2:16:22
But also, where do I go to get equipped?
2:16:26
I mean, I can go read the Bible and I can do my hear journal
2:16:30
and I can read, we've talked about that,
2:16:31
but like, I need help, bro.
2:16:34
- Yeah, like I need help, you know?
2:16:36
Like some, I'm literally, I want to help somebody,
2:16:39
but I'm screaming for help because I can't help them
2:16:41
'cause I don't know how to help them.
2:16:43
- Yeah, the desire you don't have to know how.
2:16:45
- 100%, that's so--
2:16:47
- What?
2:16:47
- The mission of--
2:16:48
- Sorry, I get so impassioned about it
2:16:50
because I've been, I was the guy, like,
2:16:53
and thank God I had a Joby Martin and a Will Moore
2:16:57
and a Kyle Thompson and other men who saw me
2:17:02
and wanted to put their arm around me
2:17:03
and they were guys that knew how to help.
2:17:06
- Right.
2:17:07
- But now here, you know, but I was put in a place
2:17:09
before I had those guys where somebody was, you know,
2:17:14
I was Christian enough for them to have questions for me
2:17:17
and I didn't have a stinking answer.
2:17:19
- And that's why, so why are we here?
2:17:22
We're here to equipment to push back darkness, okay?
2:17:25
You can't push back darkness if you refuse to look for it.
2:17:28
So if you're covering your eyes,
2:17:30
if you're plugging your ears, if you,
2:17:31
oh, you don't wanna rock the boat with, you know,
2:17:33
culturally incendiary topics or things like that.
2:17:36
And so you're just gonna let, you know,
2:17:37
let bygones be got bygones.
2:17:39
You're gonna go along to get along.
2:17:40
You're just gonna be like a, you know,
2:17:42
a walking hallmark card with everybody,
2:17:44
never challenging anybody, any of those types of things.
2:17:47
And so we equip guys to notice darkness,
2:17:49
which causes me personally and all the people here,
2:17:52
everyone that's ever sat at this forging table
2:17:54
to, you know, get into some dark areas
2:17:57
and wade into some dark waters
2:17:59
and sit there in the milieu of that for a while.
2:18:02
But then we have to equipment how to do that.
2:18:03
We have to equip them with a voice.
2:18:05
You know, I do a presentation
2:18:07
how to destroy pro-abortion arguments.
2:18:12
And I teach people like, hey,
2:18:14
here's the top 18 pro-abortion arguments that are made.
2:18:17
And here are the questions you should ask back to somebody
2:18:20
because the person in power is not the person answering
2:18:22
the question, it's the person asking the question.
2:18:25
But then we get back to the scripture telling us
2:18:28
that we are to be able to be stand ready to provide
2:18:31
an apologia or apology, a reason for the faith that we have.
2:18:35
Does that mean you need to become William Lane Craig
2:18:38
and like be able to talk about every possible philosophical
2:18:41
underpinning of a certain thing in audiology?
2:18:43
No, does that mean you should study him?
2:18:45
Yes, does that mean you should study
2:18:47
and retactics by Greg Cocle
2:18:49
and understand how you can be putting rocks
2:18:51
in people's shoes?
2:18:53
Yes, does it mean studying something
2:18:54
like the Sandler language system?
2:18:56
That's a sales language system that people,
2:18:58
if they need to sell like, you know, life insurance
2:18:59
or whatever, like they learn the Sandler system,
2:19:01
but it's all about questioning strategy.
2:19:03
And it's because again, someone says something,
2:19:06
they ask a question, it could even be an angry question.
2:19:09
And you can diffuse the situation and inform them
2:19:12
just by asking a question back.
2:19:14
And so you were telling me about this person
2:19:15
that's very important to you, that I was asking you,
2:19:17
these heartfelt sincere questions about God-ish related stuff,
2:19:21
Jesus tangentially related stuff, right?
2:19:25
And you were just completely flat-footed.
2:19:28
Now, it didn't destroy the relationship,
2:19:30
it destroyed an opportunity, but again,
2:19:32
it's not your job anyway to argue somebody
2:19:35
into the kingdom of heaven.
2:19:36
However, you can't, you can't be one of those people
2:19:39
that's like, Christian apologetics is stupid,
2:19:40
you shouldn't do that either.
2:19:41
Because what was Peter doing whenever he was
2:19:44
at the Areopagus and like, when you see these different
2:19:47
people preaching in the book of Acts,
2:19:49
like what were these people doing if not being prepared
2:19:52
for their audience?
2:19:53
So if it was a mainly Jewish audience,
2:19:55
they would speak, you know, Paul, Peter,
2:19:57
the different people Barnabas, they would speak in this way.
2:20:00
If they were speaking to a mainly Greek secular audience,
2:20:03
they would start this way, but it all circled the drain
2:20:07
to the gospel of Jesus Christ and the reality
2:20:09
of the resurrection.
2:20:10
- And I think to this story, to put a period on it,
2:20:15
I do think that I probably put a little rock in a shoe,
2:20:20
but man, dude, I wish I could have given more.
2:20:24
Yeah, you know, and so I think to encourage other people
2:20:28
out there who honestly know, you know,
2:20:30
know what I'm talking about, whether you're on the side
2:20:33
that I was on or whether you're a very knowledgeable person.
2:20:36
Hey, bro, don't just give a description, right?
2:20:39
We could go back to this, don't just give a description.
2:20:41
Get prescribed somebody, you know, like help us, you know?
2:20:45
And I just think that's, men need that.
2:20:48
And I think men want it.
2:20:50
And it's obvious by some of, I was listening
2:20:53
to your podcast, some of the numbers, I guess,
2:20:55
that just recently come, I think these were like
2:20:56
maybe UK numbers, just right.
2:20:59
- Yeah, just in Briarly, we were talking about it.
2:21:01
You know, I think--
2:21:02
- Shocking uptick in the number of news emails
2:21:05
going to church.
2:21:05
- But dude, I can sense this.
2:21:07
I can see this, I--
2:21:09
- Yeah, amongst--
2:21:11
- So I've been asking everybody about coming awakening
2:21:13
because it's just like, it feels like it's in the air.
2:21:15
It feels like it's so thick that you can like grab
2:21:16
a fistful of it.
2:21:17
- And do part of me wonders, is this why the Lord go back?
2:21:23
The Lord started putting kindling around me.
2:21:25
Is he trying to prepare me to provide, not entertainment?
2:21:29
I don't want to call it that, but provide an outlet
2:21:33
for men, for some of these men to have music to go listen to
2:21:36
that is the gospel, bro.
2:21:38
- Yeah.
2:21:39
- Like, I don't know, I don't know what the Lord has.
2:21:41
- I actually want to talk about that
2:21:42
because I want to put a fine point on that
2:21:44
because again, it's kind of like a thing now in my show
2:21:47
about how much I'm not a fan of contemporary Christian music
2:21:50
and how I like Christian metal and I like those types of things.
2:21:53
But all kidding aside and no tongue in cheek,
2:21:56
when I listen to generic contemporary Christian music
2:22:01
that as a category, it doesn't sound pleasing to my ears.
2:22:06
Now, I love me some Shane and Shane,
2:22:09
but even some Shane and Shane songs, I'm like,
2:22:10
eh, yeah, I just don't really like it.
2:22:12
I love me some Phil Wickham, but there's even some
2:22:15
of his songs are a little bit too scinthey,
2:22:17
a little bit too poppy and it's just,
2:22:18
it's not my style, it's not what I like, right?
2:22:21
And you can do that with just about every artist,
2:22:23
like, if they're rarely an artist,
2:22:24
even if they're your favorite,
2:22:25
where you just like every single track on every single album,
2:22:27
like, and you can tell by the number of streams
2:22:30
you have of certain songs on certain albums
2:22:31
versus some of your favorites, right?
2:22:34
But for whatever reason, metal has always appealed to me.
2:22:39
It's kind of like last night,
2:22:40
I'm teaching you about scotch and different things.
2:22:42
I like I love scotches.
2:22:43
Those are incredibly PD, smoky, you know,
2:22:47
depending on like, Ardbegg is kind of like, you know,
2:22:50
road tar covered pirate ship, campfire,
2:22:54
I had dining awesome and it sounds terrible to other people
2:22:56
for whatever reason, the first time I drank it,
2:22:59
I just understood it and it agreed with my palette.
2:23:01
I didn't have to acquire the taste
2:23:02
or any of those types of things.
2:23:04
But I do not like even the implication
2:23:06
that if you don't like contemporary Christian music
2:23:09
and if you don't sing it with your full heart
2:23:11
and fallen out in the aisles at church,
2:23:13
that somehow something's wrong with you.
2:23:15
Because a lot of people like that style of music,
2:23:18
most people don't.
2:23:19
But I'm also not advocating for bringing, you know,
2:23:22
a Christian death metal band and pending doom
2:23:24
and letting them do your worship set
2:23:26
because that's not gonna appeal to a wide audience.
2:23:29
- For sure.
2:23:29
- But there are people like me that will worship God
2:23:34
at a POD show or a skillet show or a convictions show
2:23:40
or, you know, again, a pending doom for today,
2:23:43
even though they're not around anymore.
2:23:45
And that's all the genre of very holy name, right?
2:23:49
Obviously they're the inter-altrow music of our show.
2:23:51
And like convictions has said, you know,
2:23:54
we're aggressive worship music.
2:23:56
I have a shirt from holy name that says violent worship.
2:23:59
That's the way that they're couching it and all that.
2:24:02
And it may not appeal to you, you may not like it.
2:24:05
But when I listen to it, I feel close to the Lord
2:24:08
and I feel excited about digging into the Bible
2:24:11
and about sharing the gospel and all those things.
2:24:13
The same is true for people that can't listen
2:24:16
to Bethel or Hillsong or, you know, elevation or whatever.
2:24:20
But when they hear the altar music,
2:24:22
which is worship music with a banjo
2:24:24
and it's, you know, it's Johnson City, Tennessee
2:24:26
and it's more bluegrass, that type of thing,
2:24:28
that's where I feel like you're gonna provide, Drew,
2:24:31
is like, okay, maybe you're not into hymns.
2:24:34
Maybe you're not into contemporary Christian music.
2:24:36
You're certainly not into, you know,
2:24:38
heavy aggressive Christian metal.
2:24:40
You're just country guy.
2:24:41
You like country music.
2:24:42
You like three chords in the truth.
2:24:43
But you also don't wanna listen to music
2:24:45
that you feel like is violating your intellect or, you know,
2:24:50
it's kind of like a lot of Christian art.
2:24:54
It's like, hey, it's Christian art.
2:24:55
So you better like it.
2:24:56
I know the movie's terrible.
2:24:57
I know the songs aren't good, but you better like it.
2:25:00
Why?
2:25:00
'Cause it's Christian, pure flicks, right?
2:25:02
You know, watch it.
2:25:03
But it's like it's just not good.
2:25:05
So I feel like that's your vein.
2:25:06
And that's the lane you're about to go run down
2:25:08
to where it's like it's country music with balls,
2:25:11
but it's gospel at the same time and it's unapologetic.
2:25:14
- Yeah, for sure.
2:25:15
100%.
2:25:16
I mean, I think that is literally what the Lord
2:25:19
has asked me to do.
2:25:20
And dude, I'm so excited to say I'm nervous, scared.
2:25:25
I mean, some of that exists a little bit, but not really.
2:25:29
I mean, not as much as people think.
2:25:30
I mean, I have left, I mean, I had a record deal
2:25:34
on a major record label, you know, out of Nashville.
2:25:37
Like, and I have asked out of that.
2:25:38
Like people are gonna, when people find this out,
2:25:41
they're gonna think you have lost your mind.
2:25:44
But like, bro, the Lord literally said,
2:25:47
hey, I need you to do this.
2:25:49
You know how I know he asked me to do that?
2:25:51
'Cause he's been waking my unbelieving manager up
2:25:53
to tell me this.
2:25:54
Five days after I said, Lord, send me a sign
2:25:57
that I can't deny.
2:25:59
That's how I know.
2:26:00
And so, yeah, it looks, it's gonna, it seems crazy,
2:26:05
but bro, I'm excited, you know, I think there's people
2:26:08
that, you know, that want it, that need it.
2:26:12
And two, man, again, if this is for one person,
2:26:16
I'm good with that too.
2:26:19
- Hey, that's what we just talked about.
2:26:20
- I'm just trying to be obedient.
2:26:22
- So we talked about last night,
2:26:23
we won't put anybody on the hot seat,
2:26:24
but there was a very specific person
2:26:26
that you brought up last night.
2:26:28
- Yeah.
2:26:29
- No, guys, it's not Luke Holmes,
2:26:30
but there was a very specific person
2:26:31
that's very important in your life
2:26:33
that you said, if getting out of the country music,
2:26:37
Nashville thing and going into this Christian circle
2:26:40
saves that guy and that, that was the whole reason
2:26:45
behind all this, you would consider that worth it, right?
2:26:48
- A hundred percent.
2:26:49
- And again, it goes back to what you were talking about
2:26:51
is the treasures that are stored up in heaven, right?
2:26:54
And I always use the, you know, the word picture,
2:26:57
it's not accurate biblically, but I'm like,
2:26:59
man, I'm just putting another golden brick
2:27:00
in my driveway, right?
2:27:02
And so, 'cause again, all these crowns
2:27:05
that you're gonna get when you get to heaven,
2:27:06
do you know what's required of you when you get there?
2:27:09
You take the crowns and you lay them at the feet
2:27:11
of the Lord, right?
2:27:13
So even all the stuff that you stored up in heaven
2:27:15
because you did the right thing
2:27:16
and you shared the gospel when you were supposed to
2:27:18
and you made the music you were supposed to
2:27:20
and you did all the Christianese things
2:27:22
that you were supposed to do,
2:27:24
it's still not for your glory.
2:27:25
- And when you understand, and this is what it took for me,
2:27:28
when you understand the grace of Jesus
2:27:30
and what that meant when he died on the cross,
2:27:34
he gave his life for you, right?
2:27:38
You're like, and I go, when I understood that, right?
2:27:41
And I go, man, dude, I need some more crowns to lay at it
2:27:45
like this man's feet, right?
2:27:47
- Yeah.
2:27:48
- And so I've got 33, you know, I was saved as a young child,
2:27:52
so whatever the math is, I've got 20 plus years
2:27:55
of some catching up to do on storing up some crowns
2:27:58
to give this man who gave his life for me,
2:28:01
a dirty rotten human that deserves, you know, death, right?
2:28:06
But man, this man died on a cross for me.
2:28:10
And bro, I got some more crowns, I need to store up to give him.
2:28:14
So like, thank you, Jesus, for giving me a chance to do this.
2:28:16
And man, I'm gonna use it for your glory, so.
2:28:19
- Well, dude, I'm psyched for you.
2:28:22
You know, we talked a lot about some of the songs
2:28:23
that are coming out.
2:28:24
And again, guys, by the time you're listening to this,
2:28:25
like we're releasing it strategically,
2:28:27
so you should be able to go to Apple Music,
2:28:30
to Spotify, to YouTube, search through Parker,
2:28:33
and you'll be able to see kind of the stuff
2:28:34
that you're coming out with.
2:28:35
And this is where I always tell guys,
2:28:38
a lot of guys have this habit and I don't get it.
2:28:40
They'll find something awesome.
2:28:42
It could be a new seasoning, shout out to Jeez.
2:28:46
It could be, you know, a new Jitsugi, shout out to Origin.
2:28:49
It could be, you know, a new song, or a new movie,
2:28:51
or a new show, or a new book, or whatever.
2:28:54
And they consume it, they love it.
2:28:56
And they don't tell anybody else about it, right?
2:28:58
They don't leave a five star review.
2:29:00
They don't do anything to get the word out
2:29:02
that they actually like it.
2:29:03
So guys, if you download this music, if you stream it,
2:29:06
if you whatever, and if you like it, guess what?
2:29:09
All you gotta do, and all these apps make it super easy.
2:29:12
Typically you hit one button, if not two buttons,
2:29:16
and you share it with someone that you think will like it.
2:29:18
So if there's someone in your life
2:29:19
that absolutely abhors country music,
2:29:22
and they think it's the stupidest thing in the world
2:29:24
and all that, probably not the person you should share it with.
2:29:26
But if you like it, like people like like people,
2:29:30
and so there's probably some people in your immediate circle
2:29:32
that are gonna be down with that same style,
2:29:34
that's how this stuff gets out.
2:29:36
And so I always tell people, like they'll be followers
2:29:39
of my show and I'll be like, hey,
2:29:40
so if you share it around, they're like, well, no.
2:29:43
I'm like, well, are there guys in your life
2:29:44
that you also think could, you know,
2:29:46
get some value from the people I'm interviewing,
2:29:48
or from the forging table, or whatever?
2:29:50
Well, yeah, I'm like, well, let's go ahead
2:29:52
and connect those dots for some people
2:29:54
because if they don't know I exist,
2:29:55
how in the world are they gonna find me?
2:29:56
Perhaps that's your job.
2:29:58
How are they gonna find your music?
2:29:59
Guys, just share this stuff around.
2:30:01
- Thanks, pal.
2:30:02
- I don't want stuff to be the best kept secret.
2:30:04
I was telling you this, like there's dudes in Nashville
2:30:07
that they're amazing guitarists,
2:30:10
maybe they're great singer-songwriters and all that,
2:30:12
and it's like you don't want to be the best artists
2:30:15
that no one knows about if you feel like God's calling you
2:30:18
to be an artist and all that.
2:30:19
And so ultimately, man, I'm psyched to play a little role
2:30:24
in some of the influence and the stuff that's going on
2:30:26
with you and like kind of the ecosystem
2:30:28
that is being created with these guys
2:30:31
that are getting after it spiritually, mentally and physically,
2:30:34
and they're taking in good Bible teaching,
2:30:38
you know, expository preaching, verse by verse,
2:30:40
verse by verse, they're not being isogied to do,
2:30:42
they're being exogied to do.
2:30:44
And like, we're just creating this.
2:30:45
And so like, I mean, I think there's some great things
2:30:48
for you and it may not look like, you know,
2:30:50
Grammys and mansions, but it's gonna look like,
2:30:52
you know, something this side of glory
2:30:53
that's gonna provide a lot of benefit for a lot of dudes.
2:30:56
I'm pumped for you.
2:30:57
- Yeah, and I have so much, you know,
2:30:59
satisfaction in that more than anything.
2:31:01
I mean, you know, I think we would be remissed
2:31:05
like people in country music, for sure.
2:31:08
It would be, we would be lying if we said,
2:31:10
"Hey, there's not a part of it that exists where you're like,
2:31:12
Oh man, I might be famous and I might be rich one day."
2:31:15
Right?
2:31:16
But dude, like I have so much freedom
2:31:20
from any of those thoughts anymore.
2:31:23
Because I'm, you know, what I'm gonna be rich in,
2:31:26
some crowns to lead Jesus' feet.
2:31:27
And that's, I'm more excited about that.
2:31:29
And thank God that I have experienced this revelation
2:31:33
or whatever you wanna call it that like,
2:31:34
the Lord has gotten my attention.
2:31:35
And man, it's just been awesome.
2:31:38
Thanks for platforms like yours who are allowing guys
2:31:43
like myself to grow in the Lord.
2:31:46
I mean, I think, you know, that your podcast
2:31:50
is plays a role in what has happened in my life in the last
2:31:54
five months, you know, six months.
2:31:55
And so I just, I think we need more of it.
2:31:59
You know, like, dude, after I get done,
2:32:01
I listen to your podcast for the week.
2:32:03
And then I listen to Deepin with Joby during the week.
2:32:07
And I listen to all these things.
2:32:08
And then it's Tuesday.
2:32:09
And I'm like, okay, well, what do I do
2:32:13
for the rest of the week?
2:32:14
You know, and so I just wanna say thank you for that too.
2:32:19
But I hope, I think people will love what I'm gonna do.
2:32:22
I hope, if not, that's fine too.
2:32:24
I don't know what, again, I'm just trying to be obedient.
2:32:26
I don't know what the Lord has planned.
2:32:27
It ain't up to me.
2:32:28
So I'm just trying to continue to write songs
2:32:30
that he wants me to write and put them out
2:32:32
and then let him do with it, what he wants to do with it.
2:32:35
- I can appreciate that, but dude, that's all for me.
2:32:37
Is there anything else you wanna get off your chest?
2:32:38
- No. - All right, dude.
2:32:40
Hey, man, appreciate being here.
2:32:41
- Yeah, you too.
2:32:42
- Thank you for listening to this podcast.
2:32:43
Wherever you're listening to this,
2:32:44
please subscribe, rate and leave us a positive five-star review.
2:32:47
If you wanna come speak live at your event
2:32:49
or on your podcast, just shoot me an email to info@undonton.life.
2:32:53
That's I-N-F-O@undonton.life.
2:32:55
Follow us on Instagram and like us on Facebook
2:32:57
and check out our website for everything else,
2:32:58
including how to donate to keep more content
2:33:00
like this coming your way.
2:33:01
Just go to www.undonton.life.
2:33:04
And as always, we wanna thank the band Holy Name
2:33:05
for allowing us to use their music for our content.
2:33:08
The music on this podcast is their song Perpetua,
2:33:10
which is off their self-titled debut album
2:33:12
on Face Down Records.
2:33:13
The links are in the description.
2:33:15
I'm your host, Kyle Thompson. Remember,
2:33:18
keep pushing back darkness,
2:33:20
keep forging spiritual, mental and physical resilience.
2:33:24
Keep seeking the lion of Judah.
2:33:26
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