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DREW PARKER | Beyond Country Music Theology (Ep. 827)

October 16, 2025 2h 34m Full transcript available
DREW PARKER | Beyond Country Music Theology (Ep. 827)
0:00 / 2h 34m
In this episode, Kyle Thompson sits down with country music artist Drew Parker to discuss the intersection of faith and music. They dive into the challenges of songwriting, the complexities of the music industry, and the importance of authenticity in both life and art.
Transcript
3945 segments
0:00 (upbeat music)
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0:30 (dramatic music)
0:33 - This is Undaunted Life a Man's Podcast.
0:54 I'm your host Kyle Thompson.
0:55 Let's get into it.
0:57 Drew, welcome to my house.
0:59 - Dude, thanks for having me.
1:00 - Okay, I always like never know how to like start
1:01 these things when people are in the studio now
1:03 'cause we're starting to do a bunch of like in-studio stuff,
1:05 but it's like, well, going to my house feels good.
1:06 - I know, it is.
1:07 It's awesome.
1:08 - You know, the first person I think
1:09 to sit there to do an in-person interview
1:10 was that dad gum, Joby Martin.
1:13 That dude just--
1:13 - Sorry Joker.
1:14 - He won't leave us alone.
1:16 Like he won't stop talking to us.
1:17 He's always trying to give us wisdom
1:19 and make us change how we do our own lives.
1:21 What's wrong with that guy?
1:22 - I don't know.
1:23 I love him though.
1:24 - But he's okay.
1:25 So like we were trying to think,
1:26 so peak behind the curtain, all that, you didn't just show up
1:29 like an hour ago.
1:30 We've been hanging out since yesterday.
1:31 We spent a lot of time, broke a lot of bread,
1:33 had some cigars and some good whiskey.
1:35 I introduced you to the world of Scotch a little bit.
1:37 - You did.
1:38 - Last night, I taught you like the Scotch tasting mechanism
1:40 or whatever, but like--
1:41 - You did.
1:42 - Every time I tried, like my wife was like,
1:43 how did y'all meet?
1:45 I keep forgetting.
1:46 Like how you and I like became aware of one another.
1:48 Was it Joby that introduced us initially?
1:50 Or like, how did we--
1:51 - Yeah, I mean--
1:52 - 'Cause I can't remember.
1:53 - Well, I discovered like Joby, I guess,
1:55 I don't know, two years ago, I was given his book,
1:59 like if the tomb is empty or--
2:01 - If the tomb is empty book.
2:02 - I was given that, I was given that probably three
2:05 or four years ago, and it took me a year and a half
2:08 before I opened it up, I was like, I'm gonna read this.
2:10 So I read it, I was like, this dude is awesome.
2:13 And started consuming every piece of content
2:17 that he had readily available, 'cause I just,
2:20 I thought he was awesome.
2:21 He, you know, delivered the gospel in a way
2:23 that I had never heard in my life,
2:25 and he made very deep things make sense to me,
2:30 'cause we're both rednecks, and he just explains it
2:32 in redneck language.
2:34 And so anyway, I then discovered you from Ask a Pastor,
2:38 'cause you would have him on.
2:40 - Yeah, it's so funny because there are a lot of people,
2:45 so his staff has told me before they're like,
2:48 'cause he has like 47 different assistants.
2:50 I can't remember that last count on me, assistants he has,
2:52 but he doesn't actually read any of his emails, right?
2:55 And so his assistants would tell me, they're like,
2:58 Kyle, do you understand how many emails we get
3:00 that are, hey, I found you via Andon Life Man's podcast,
3:04 hey, I found you because of Ask a Pastor, hey,
3:06 and now it's, hey, I found you because of Daily Blade
3:08 or whatever, and it's people that are just so thankful,
3:11 because, so Joby said it, and it's perfect,
3:14 and it's kinda helped me in terms of how I approach ministry.
3:17 He's like, Kyle, I'm a shepherd, you're a prophet.
3:19 - Yep, I've heard you say that.
3:20 - And not like, hey, you know, you get to tell the future
3:22 and all that, like not that level of profit,
3:23 but he's like, I have been called to a particular flock, okay?
3:28 So I am shepherding and discipling Church of 1122ers, right?
3:33 You're the prophet, you get to pull the pens on the grenades
3:36 and chuck 'em into culture, and you get to talk about
3:39 the things that aren't always gonna be appropriate
3:41 for me to talk about on Sunday morning or whatever.
3:44 And so it's helped me to know, 'cause before he said that,
3:48 it didn't really solidify in my brain like, okay, shoot,
3:50 am I a shepherd, but it's like, you know,
3:52 according to scripture, I'm not a shepherd,
3:53 I'm not a pastor, I'm not gonna have to give.
3:55 Like Hebrews says, I'm not gonna have to give an account
3:57 for how I've shepherded a flock,
3:58 but I do have to give an account for the words
4:01 that I've expressed, for the advice that I've given,
4:03 for the direction that I've given to people,
4:04 but it's like, wait a minute,
4:05 like I don't need to feel the pressure of leading a flock,
4:08 but there is pressure on speaking like literal truth to power,
4:13 like the crap and craziness that's happening in culture.
4:15 So it's kinda helped me kinda figure out how to approach all this.
4:19 - Well, I mean, yeah, I mean, there's,
4:20 'cause I think you understand there are guys
4:23 who are searching for stuff like myself was.
4:26 I mean, you know, I've been a believer, you know,
4:31 since I was a young kid, but like,
4:33 I have grown into this thing where I'm like, okay, Lord,
4:35 I want everything that you could possibly get to me
4:38 that you think that I would love.
4:40 And so I think you understand that you do have an audience
4:42 who are younger guys, who are searching for things.
4:46 And you don't, you know, I think you probably feel
4:48 a little pressured to not say things
4:50 that would lead them the wrong way.
4:52 And I don't think you would ever do that, right?
4:53 But like, there is some sort of flock mentality in that
4:57 because you do have listeners, right?
4:59 - Well, people are like, people love to be a part of a tribe
5:01 or whatever, and there are people that are like,
5:03 look, I'm an undaunted lifer.
5:04 - Right.
5:05 - And so I'll get messages from guys that are teenagers
5:07 and I'll get messages from dudes that are in their 60s
5:09 and everything in between.
5:11 As you were saying that, I remember there was a guy
5:14 that was in his 70s or 80s.
5:19 And I got that, I'll never forget this email.
5:22 But he sent me this long email.
5:24 He's like, hey, I'm a veteran, I'm a tough guy,
5:26 I'm blah, blah, blah.
5:28 And then I forget which episode he had listened to
5:30 or whatever, but it was something that we had done
5:31 and undaunted life.
5:33 And he goes, for my entire life, I thought I could be
5:37 a Christian or I could be tough.
5:40 So I just chose to be tough.
5:42 And he's like, it wasn't until listening to your show
5:45 when I realized this entire time I could have been both.
5:48 - Yeah.
5:49 - And so as opposed to lamenting the last 60 years
5:52 of wasted time, I'm just gonna get after it being tough
5:55 and being a Christian.
5:56 And I'm just like, you know, 'cause like that's a dude
5:59 that's in the sage stage of his life that could easily
6:01 just be like, oh man, I've wasted all this time
6:03 and just kind of like pack it in.
6:04 But he's like, when that's not like me pat myself
6:06 on the back, that's like, okay, I was gonna say this stuff
6:09 anyway.
6:09 And how many stories are there of guys like that
6:12 that you just, you don't know, like you don't know
6:13 that guys are just like, oh, I'm just gonna change.
6:15 I've changed my life 'cause I made a decision
6:18 to like change things.
6:19 And you know, maybe it was my podcast that sparked it.
6:22 Maybe it was one of Joby sermons, maybe it was a song
6:24 that somebody, you know, that they listened to.
6:26 But then they're just like, no, I can point to this time
6:28 and be like, this is when I decided that's it.
6:29 I'm changing.
6:30 - Yeah, for sure.
6:31 And I think, you know, a lot of that has happened
6:35 in my life, you know, recently where I have understood
6:39 things the wrong way.
6:40 Like from a really, honestly a legalistic standpoint, you know?
6:45 Like, and we've talked about this,
6:48 but your country music theology, I mean, that was me.
6:51 So like, just not understanding truly the full scale
6:55 of what grace is.
6:57 And like, you know, it's, and two, you said
7:01 like the way things are said, but there's a,
7:06 for some reason, think about this, but Joby said one time
7:09 he's talking about Jesus getting angry.
7:13 He's like, it's okay to get angry about things in the world.
7:16 - Yeah.
7:16 - Like, and I think I sense that from you,
7:19 like when I listen to you, like the things that like
7:22 get you angsty and, but they are things
7:26 that are for righteousness, right?
7:28 Like Jesus walked in the temple and turned the tables over.
7:31 It's okay to get angry about things that aren't right.
7:34 And I think that is so encouraging to dudes like myself.
7:38 'Cause I mean, I think for a long time,
7:40 you kind of feel like, well, is it okay to be like
7:43 as angry as I am about this?
7:44 'Cause I'm angry.
7:45 - One there, 'cause so some people will take Jesus
7:48 turning over the temple, turning over and redriving
7:50 the people of the temple, which happened multiple times
7:52 early in his ministry and late in his ministry.
7:54 So he, we know that he's done it at least twice.
7:57 They take that as license to be aggro about everything.
7:59 - Yeah, dude.
8:00 - And I mentioned a guy to you last night
8:01 that I won't mention on air, but like, there are people
8:03 and kind of the conservative Christian space
8:05 that everything is outrage.
8:06 - Yeah. - Everything is level 10.
8:08 And it's like, look, when you're outraged
8:10 about everything. - For sure.
8:11 - Okay, you're outraged about this bill
8:14 that passed the State House in Wisconsin,
8:16 and you're outraged about 70 Christians
8:17 being beheaded in Congo.
8:19 It's the same sound coming out of your face.
8:21 - Yeah, it's very cry wolf-ish.
8:23 'Cause I'm like, well, what do you actually care about?
8:25 - Yeah, it's like your calibration knob is broken.
8:27 - For sure.
8:27 - And the thing is, is your heart breaks
8:28 for whatever your heart breaks for.
8:30 - For sure.
8:30 - Okay, so, you know, you could be a fervent Christian
8:33 and study and theologically adept and all that,
8:34 but there's gonna be a story that affects you
8:36 more deeply than a story over here, right?
8:38 And, you know, I've got a lot of positions
8:40 that, you know, people are not huge fans of, like,
8:42 but it's, these are my convictions
8:45 that I say into the microphone.
8:46 So you may not like how I approach, you know,
8:48 how I talk about Andy Stanley,
8:49 or how I talk about the abortion debate,
8:51 or immigration, or pit bulls, or whatever the thing is,
8:54 or IVF, any of the stuff that I've said
8:55 that have like kind of really got people's hackles up,
8:57 but I'm like, I'm not just saying things.
9:01 I am saying things after I have considered them
9:04 for a long period of time, I've considered the ramifications
9:08 of what I'm suggesting should happen,
9:10 because there are people, someone pointed this out
9:12 the other day, I'm like, actually, they're right.
9:14 Oh, it was the podcast you sent me,
9:16 where Josh Howerton and Frank Turk did an amazing conversation.
9:19 So guys, this is coming out a few months
9:20 after we are recording it, but Josh Howerton, on his show,
9:24 he had Frank Turk on, and they were talking,
9:26 and they both love Al Moller, which I love Al Moller too.
9:29 I listen to the briefing every single morning,
9:31 but Al Moller is fairly long on description,
9:34 but fairly short on prescription.
9:36 And so it's like, dude, I'm with you,
9:37 these are all problems, now what do we do Al?
9:40 Right, now if you read Al Moller's books,
9:42 like the oncoming storm, I think it's one of them,
9:44 like that's one where it was like, okay,
9:45 so we got long on description and prescription,
9:47 but for me, if I'm gonna prescribe
9:50 a different way of operating, or prescribe a way
9:52 to think about a cultural topic, or news topic,
9:54 or political topic, or whatever,
9:57 I don't just do that flippantly, right?
9:59 I have a moral foundation and a philosophical foundation
10:03 in a lot of different areas,
10:05 so that whenever I give my opinion, it's not just,
10:07 well, I got mad, and I just immediately went to Twitter
10:09 and just started like, ah, right,
10:11 like I try to make sure it's undergirded by something.
10:13 - For sure, and I think you're really good at that,
10:15 and yeah, this is coming out gonna come out
10:18 a little while after things we've talked about currently,
10:21 but like, what you gave last night, the story you told me,
10:26 the throwin' the kids in the river thing, like that,
10:30 I mean, let me actually say that for people that,
10:33 'cause so I said it on an episode,
10:35 I did an episode about the sex-dortion epidemic
10:38 happening with young kids, so essentially,
10:40 the FBI puts out a PSA about these kids that are online,
10:44 playing video games, whatever, they get a DM
10:45 from someone that looks like a young, hot girl.
10:48 They, you know, get switched over to Snapchat or Instagram,
10:51 whatever, they start sendin' back, you know,
10:53 nude photos or, you know,
10:54 sexually explicit photos, then the veil's taken off,
10:57 it's some random dude in Nigeria,
10:59 and then they say, hey, we're gonna post all these
11:01 on Facebook and tag your whole family and friends
11:03 if you don't give us $1,000 or however much money
11:06 some of these kids don't know what to do,
11:07 they freak out and they kill themselves, right?
11:09 Just an absolutely horrific circumstances.
11:11 But what I was talkin' about in that episode,
11:13 Drew is like, and you were just listenin' to it
11:16 this morning 'cause it just came out.
11:18 We're not describing the problem effectively,
11:21 so people are like, hey, we need to be talkin'
11:23 to our sons and let them know they can always come to us.
11:25 Yes, fact check true, love it.
11:26 We need to be informing our sons about different scams
11:28 that may come online so they aren't susceptible.
11:31 Yep, I'm for all those different things.
11:33 But the river example I gave is like, okay,
11:35 you've got three hikers that are takin' a break
11:36 and they're eatin' lunch by the river.
11:38 And then all of a sudden they hear a kid
11:40 who's in the river comin' down the river,
11:41 oh, help, help, I'm drowning, I'm drowning, I'm drowning.
11:43 Oh, shoot, so they all three jump in,
11:45 they grab this kid, they pull him ashore,
11:46 dry him off, oh my gosh, that's crazy,
11:47 I'm so glad we were here.
11:49 Five minutes later, another kid, oh, help, help,
11:50 I'm drowning, I'm drowning, oh no.
11:52 So they jump back in, they grab this second kid,
11:54 they're like, what's goin' on, this is crazy.
11:56 Five minutes later, a third kid comes down the river.
11:59 One of the hikers takes off runnin'.
12:02 And they're like, where's he goin'?
12:03 So the two guys left, they jump in,
12:05 they grab this third kid, they bring him out,
12:07 they got three kids and almost drowned,
12:08 but they saved all three of 'em.
12:10 30 minutes goes by, everything's quiet,
12:11 nothing's goin' on.
12:12 And the third hiker, their buddy,
12:14 starts walkin' back to camp.
12:16 And he comes back up and his two buddies are like,
12:18 hey man, where'd you go?
12:19 He's like, I went up river and stopped the guy
12:21 from throwin' kids in.
12:23 It's like, we'll look at the end of the situation.
12:26 - So good.
12:27 - And I think the example I use,
12:28 it's like giving band-aids to a cancer patient.
12:30 It's like, yeah, they may have sores
12:31 that are caused by some of the treatments
12:33 or whatever that is befallin' them,
12:36 but we're not treating the source of the issue
12:37 in that particular sex-torsion thing.
12:39 The source is that these kids have access,
12:41 unfettered access to the internet,
12:42 where these, it's not just what you're giving kids access to,
12:45 it's who you're giving access to them.
12:47 So these predators, these scammers,
12:48 you're giving access to them,
12:50 so I don't wanna get too far off on that diatribe,
12:51 but I feel like, Drew, we get to this point.
12:54 We talked about a lot of subjects last night at dinner,
12:56 and afterwards, shout out Stag Lounge in Oakland City,
12:59 the best cigar bar in town.
13:00 But there's so many people that they wanna solve the issue,
13:06 but they're solving the wrong part of it, right?
13:08 It's just like, we're not going to the heart of the issue
13:11 for all of these people.
13:13 - Yeah, and a lot of it is probably uneducated a little bit,
13:19 I guess, which is why, thank God for folks like you,
13:23 who have shows like this,
13:24 who enlighten dumb idiots like myself
13:27 of even the things that are going on,
13:29 and give your viewpoint to go,
13:31 well, I've never even thought of it that way, you know?
13:34 And so I think, to go back to our original point,
13:37 like where you said, yes, you are somewhat a prophet,
13:42 but you do have, not a flock that you are shepherding,
13:46 but you have guys that you're helping along the way,
13:48 like, hey, these are things that exist,
13:51 and hey, if you have the ability to help in this situation,
13:54 let's help, you know what I mean?
13:57 And so that's what I've taken away from kind of what you do.
14:01 - I do feel a pressure and I feel the gravitas of,
14:06 'cause sometimes like, I'll get introduced to a guy like you,
14:10 and we'll get in your career and all that here in a second,
14:12 and all that, but sometimes I'll get random DMs
14:15 or random stuff from people, and I'm like,
14:17 and these people are like, man, I've been listening to you
14:18 for a while, I'm like, oh, okay, and again,
14:23 I don't get real starstruck and all that,
14:24 but sometimes I'm like, wait a minute,
14:25 you're like a serious dude in whatever category
14:28 you're serious in, and it's like,
14:30 and I'm almost just curious, like,
14:31 what value do you find in what I'm saying?
14:34 But the typical refrain from a lot of guys is,
14:37 I've had these thoughts for so long,
14:41 and I thought I was the one that was crazy.
14:43 - Yeah.
14:44 - And then I hear you give an opinion
14:45 that I've never been able to give words to.
14:47 - 100%.
14:48 - And then I'm like, okay, not only am I not crazy,
14:50 apparently there are a lot of guys that feel this way,
14:52 and dude, that's how London Life started to where it's like,
14:55 I thought I was nuts thinking about men's ministry
14:57 the way that I did, 'cause most men's ministries
15:01 are just women's ministries that have been repackaged
15:03 for men, and I just didn't like that,
15:05 and I felt like dudes that were tatted up
15:07 and have cauliflower ears and rough dudes
15:10 that they just maybe miss out on Jesus,
15:11 'cause of all of his doughy, frumpy followers,
15:14 and I was like, no, I just want to do something
15:16 a little bit different.
15:17 But then when you constantly have guys say,
15:19 I never knew, Christian, we were talking about
15:21 contemporary worship music a lot last night,
15:23 and I did an entire episode on my problems
15:25 with contemporary Christian music,
15:27 and why most guys don't like it,
15:28 and some of the issues with the lyrics,
15:30 being like homoerotic in nature,
15:31 and different things like that.
15:33 And you had guys that were like, dude, my entire life,
15:37 I have felt uncomfortable during worship,
15:39 and I have been serving the Lord,
15:40 and I have been going to Him in prayer and all that,
15:43 but then I've been told, if I don't raise my hands
15:45 during worship, during the song that I don't like,
15:48 that somehow something's broken in me,
15:49 and that I'm not, maybe not even saved,
15:51 which is what someone told me one time,
15:52 a worship leader told me, dude, I don't think you're saved,
15:54 'cause I don't like Bethel music or whatever.
15:58 But it's just like, I'm not giving guys license
16:01 to act like a jerk, I'm giving guys license
16:03 to be like, it's okay to be tough,
16:05 it's okay to not check your balls at the door
16:07 of your church before you walk in.
16:09 - I've heard this analogy,
16:10 and I may have heard this on your show,
16:12 I don't know, so I'm still in this from somebody.
16:14 - Probably me.
16:15 - Yeah, go for it.
16:16 - So, if you walked into your house, right,
16:21 and your wife had on a nice shirt,
16:25 you're like, oh wow, you look beautiful in that shirt.
16:27 - This is a JOBism, yeah, go for it, yeah, it's great.
16:29 - Well, you look beautiful in that shirt,
16:31 and then if I walk in my house
16:32 and my wife has on my shirt,
16:34 I'm like, wow, you look beautiful in my shirt.
16:36 - That's right.
16:37 - But if you come in my house
16:40 and I'm wearing my wife's shirt,
16:42 you're gonna give me very weird looks.
16:45 - Yeah, it doesn't work.
16:46 - But like, that's kind of where it's been
16:48 for men's ministry for so long.
16:49 Like, the men's ministry has been wearing
16:52 a woman's blouse for way too long.
16:54 - Well, so I get into a whole reason
16:58 as to why I think that is.
17:00 Like, how long ago did you start listening to the show?
17:03 - Maybe a year and a half ago.
17:04 - Okay, so if you go way back,
17:07 so episode four of the podcast is called
17:09 Pussies in the Puse, and I mean,
17:12 it's like that's a pretty early line in the sand.
17:15 And here's the thing about that episode.
17:16 I didn't want to call it that.
17:18 I literally text a few guys that are a bit more mature
17:20 than I am, not quite as aggro.
17:22 And I'm like, hey guys, you know,
17:24 I just started a podcast, right?
17:25 Yeah, man, great.
17:26 Good for you.
17:27 I'm thinking about calling this episode Pussies in the Puse.
17:31 And here's the content of the episode,
17:33 all that, and literally, all three of these people.
17:36 Like, I sent it specifically to these guys
17:38 'cause these guys do not care about offending me.
17:41 That's why I love them, right?
17:41 - Yeah, for sure.
17:43 - All three of them said, no, man, if it's,
17:46 call what it is, this is your dividing line.
17:48 This is, hey, if you can't be down with this,
17:50 don't pass go.
17:52 And the people, and I told you last night,
17:53 I've lost lots of money from speaking engagements
17:56 where I was booked, and then elders went
17:57 and just looked at the names of my, you know, podcast.
18:00 And they're like, we can't be down with that.
18:01 And I'm like, well, did you listen to the episode?
18:03 Well, no, it's like, okay, well,
18:04 you're part of the problem
18:05 that I'm describing in the episode.
18:07 But part of the thing is, is we've just been,
18:11 you go back to the Industrial Revolution,
18:13 where were all the virile testosterone filled men?
18:16 They were in a factory, or they were underground,
18:18 or they were working these 16, 18-hour shifts.
18:20 Hey, they weren't exhausted,
18:23 so they weren't really in the churches.
18:24 Then you get back to the World Wars,
18:26 you've got young men going and fighting and dying
18:29 in trench warfare somewhere, and some God forsaken
18:31 filled in Europe and all that.
18:32 And so the only men that were left in these towns
18:35 or villages or whatever were the elderly, the young,
18:38 the sickly, the weak.
18:40 And then you have these effeminate men
18:41 that are some, in a lot of cases, more so drawn
18:44 to the ministry, to the, to the, you know,
18:46 sit down and hold hands of the widow type thing,
18:48 which is all super, super valuable stuff.
18:50 Yeah, for sure.
18:51 But it does ping a little bit more with capital F feminine
18:54 than it does capital M masculine.
18:56 And then when you're looking out at your congregation
18:59 and its women and children and elderly,
19:01 your sermon content is gonna bend
19:03 a little bit more Lamb of God,
19:04 a little bit more grace, a little less line
19:06 in Judah, a little bit less truth.
19:08 The songs are gonna be a lot more emotive, right?
19:12 About, you know, you're singing about Jesus
19:13 like he's your boyfriend and you can just curl him up
19:15 and put him in your shirt pocket
19:16 and he's just so sweet and he's never gonna say anything
19:18 that's gonna make you angry.
19:20 Like, and then you just do that,
19:23 decade after decade after decade after decade.
19:25 And then you get to this point where you're a church
19:28 or you're a music minister and you're singing a song
19:30 and you don't even realize how it's pinging
19:33 in the ears of your men.
19:34 Again, another email I got one of the best emails
19:36 I've ever received after I did the episode
19:38 of contemporary worship music.
19:39 Like the same week I get an email from a guy
19:41 who is a worship leader at his church.
19:43 And he goes, thank you so much for doing this episode.
19:47 The episode's called like contemporary Christian music
19:50 is for women and effeminate men.
19:52 And I don't remember the number, but you can find it.
19:55 He goes, every single time I get the songs ready
19:59 to go for Sunday morning, I never have them in mind.
20:03 - Wow.
20:04 - Until this episode, because I mentioned things,
20:07 I'm like, you're singing songs that have homoerotic lyrics
20:10 to where if you took out the name Jesus
20:11 and inserted the name Drew, right?
20:13 It would be like you're singing to your boyfriend Drew,
20:15 right? That's not good.
20:17 The lyrical content is more lamb of God-y,
20:19 not God of the universe, you know, the war Psalms,
20:23 like it's devoid of all that, right?
20:26 It's in a key that most men can't hit, right?
20:30 And so the men sit there with a blank stare on their face,
20:33 maybe they're mumbling the words,
20:34 God of mercy, and they're just kind of whatever.
20:37 And they've got their hands in their pockets.
20:39 And I'm like, as a worship leader,
20:41 when you look out in the crowd
20:42 and the only people like really getting into it
20:44 are the women, that that's a signal.
20:47 - Yeah, it's because the man,
20:48 they literally cannot, they feel like they can't participate.
20:52 - Right, and they feel like if they do,
20:53 they're checking their man card.
20:55 And so like, yeah, so I just wanted to make people aware
20:57 and like this worship leader's like, from now on,
21:00 when I look at the lyrics, when I look at the song choice,
21:02 the key, the people I have on stage,
21:04 like again, I don't understand music,
21:06 but like the harmony parts,
21:07 like we're gonna make sure that we hear masculine voices.
21:10 And there's just not a whole lot of churches
21:11 that focus on that.
21:12 - Yeah, for sure.
21:13 I mean, yeah, and I think it's time
21:17 we put a set of balls on some of that stuff.
21:19 - Well, that's a dude, that's one of the main reasons
21:21 though I wanted to have you in studio.
21:23 And so when you and I got introduced
21:24 and we're talking and all that,
21:26 you've had a crazy career in music
21:30 and you've been in the music industry
21:31 and we'll start unpacking all that.
21:33 But like one of the first things,
21:36 I'm pretty sure it was you that messaged me.
21:37 I'd have to go back and look,
21:39 you're just like, I wanna make Christian music
21:42 that has balls.
21:43 And you know, obviously everyone knows I'm a huge metal head.
21:46 I'm a huge fan of Christian metal.
21:48 And like, so I love me some chain and chain,
21:50 but you know, that's not always what I need.
21:52 Sometimes I need some for today.
21:54 I need some holy name.
21:55 I need some convictions to where it's like,
21:57 that's where I'm like, that's where I'm like worshiping.
22:00 And so like, okay, so we'll get there.
22:02 We'll get to the balls on music.
22:03 But for you, you're a young guy,
22:06 but you've had a long career in country music.
22:09 And so like, let's go back to like early Drew.
22:12 So you're growing up like,
22:14 so when did you get like into music?
22:16 Like, you know, what kind of like,
22:18 'cause you're, you know, 33, right?
22:20 And so you would have been on the tail end
22:23 of kind of the nineties country thing and all that.
22:25 And so you kind of came of age during kind of like
22:27 the early 2000s country, which is not my favorite.
22:29 But it's just like, you know,
22:30 what kind of formulated your music for the nation?
22:33 - Yeah, grew up in middle Georgia.
22:35 And grew up going to church.
22:39 I mean, we were, you know, I was the,
22:41 the old joke, I was a drug baby, you know what I mean?
22:43 Like drug two church, drug front church, drug back to church.
22:46 - I was like, wait a minute.
22:47 Oh my God, what happened? - No, no, no.
22:49 And so that was where I was introduced to music,
22:52 was at church and we would have fifth Sunday night
22:55 gospel singings, you know, like every so often
22:58 there would be like a fifth Sunday of the month
23:00 and we would have a special group or whatever
23:02 would come to church with sing.
23:04 And I was like, this is awesome.
23:05 These people like, they travel around and sing.
23:07 What is that about?
23:08 And so here I am young kid, six years old.
23:11 I'm like, I want to do that.
23:12 Like, I want a sing.
23:13 And so I would start getting up and doing little
23:16 kid specials at church, right?
23:18 And so one thing led to another and
23:21 I just started, that was what I wanted to do.
23:24 I wanted to sing music.
23:26 And so there was a guy in my hometown who would do like
23:30 Friday night little gospel things in the Arby's parking lot
23:33 on a flatbed trailer and - Shout out to the happy
23:35 roast beef, let's go.
23:36 And so I would go there on Friday nights.
23:38 And again, a kid singing songs, you know.
23:41 And these were older than these gospel songs.
23:43 Yeah, this guy was in his, he was probably in his
23:47 40s at the time. - Okay, yeah.
23:48 - Yeah, yeah.
23:49 We would just go to kind of hear him
23:51 and then he would like bring me up to like do a special
23:54 or whatever.
23:54 And so I was exposed to like playing a show.
23:57 - Yeah.
23:58 - And so loved music, I started playing Southern gospel
24:03 when I was probably 10 or 11.
24:06 And when I say that, we would load my mom's
24:08 Ford Expedition up with some sound equipment.
24:10 My dad went and bought.
24:12 We'd travel all over the state of Georgia, Southeast.
24:14 And I would sing like solo by myself,
24:17 Southern gospel music at churches.
24:19 So I did that for quite a while.
24:21 2008 economy crashes, that kind of goes away.
24:26 So like, you know.
24:27 - 'Cause you would have been what,
24:28 in like middle school, high school?
24:29 - Yeah, middle school, high school.
24:30 I was like a sophomore in high school at this time.
24:33 Economy crashes and that kind of goes away.
24:38 The traveling, singing gospel music at churches
24:41 kind of goes away 'cause that was just no money.
24:43 And I wouldn't do it for money, but like, you know,
24:47 it just, they weren't even inviting people to come in
24:49 'cause they didn't, you know.
24:50 And so they needed the money to stay there kind of thing,
24:55 you know.
24:56 At least that's what I understood as a young kid
24:59 as a 17 year old.
25:00 And so to fill my habit, my passion of music,
25:05 I started doing, I'd do like open mics.
25:08 I did an open mic at a pizza joint in my hometown.
25:11 - And are you, are you playing like all covers
25:14 or songs or are you? - Covered country songs.
25:15 - Okay, you're not writing anything.
25:16 - No, not writing anything yet.
25:18 Covered, I'm covering country songs.
25:21 And the owners of this pizza joint come back and they're like,
25:23 "Hey, can you come back and do like three hours of this?"
25:27 And I'm like, "Yes, I can."
25:29 Knowing that I couldn't.
25:30 - Dude, three hours, that's like a crazy set.
25:32 - Yeah, I mean, a hundred percent.
25:34 And so I show up the first time I got this guy,
25:37 this kid that I grew up going to church with,
25:39 he knew how to play guitar.
25:41 I didn't really know how to play guitar yet.
25:43 So I got him to like learn, we learned like, I don't know,
25:47 15, 20 songs.
25:49 And the turnover was just weird, like, okay,
25:53 we can just like, like these and then we'll just,
25:55 we think the crowd has changed over,
25:56 we'll just do the same songs.
25:57 - So what were y'all singing, like who are y'all?
25:59 - Oh man, like Alan Jackson, like 90s country stuff.
26:02 - Okay, yeah. - You know?
26:03 Or like maybe whatever was popular at the time,
26:06 Jason Aldine, like just different things.
26:08 And so doing that and dude, we packed the place out.
26:13 I mean, we, the place is slammed.
26:16 And so the people are like, can you come back like,
26:19 twice a month and do this please?
26:21 'Cause I mean, we're bringing in tons of business.
26:24 And so I'm like, yeah.
26:26 And one thing led to another, I started doing that
26:31 all over my hometown and then expanded like
26:34 into other towns.
26:36 And so I started like playing legit shows.
26:41 And I'm still not writing songs.
26:44 This is like cover songs.
26:46 I'm gonna do a full band show at this place in Atlanta
26:49 called Wild Bills.
26:50 It's like, back then it was the like the place club
26:54 you went to see a country show.
26:56 And I'm gonna finally get to play, do it my own show there.
27:01 But I was, I had to sell the tickets.
27:03 Like I, you know, I had the tickets, the physical tickets.
27:06 So there was no like--
27:07 - Where do you learn 16 at the time?
27:08 - Probably, no, I'm probably 18 or 19 at this point.
27:12 - Still young.
27:13 And so there was one guy that was like
27:18 kind of booking a lot of the talent in Georgia
27:22 for like bigger shows, like he would bring like
27:24 C and B level artists, D level artists to Georgia
27:28 from Nashville to play shows, right?
27:31 And I was like, I need that guy to come to my show.
27:34 I need him there.
27:35 'Cause I think if he hears me, he'll at least let me open
27:37 for some of these shows he's booking.
27:38 And I knew one person that knew him and I was like,
27:40 whatever you do, you gotta get him here.
27:43 His name's Bradley Jordan.
27:44 Like you gotta get him here.
27:46 And Bradley came to the show.
27:48 And there was, I mean, there wasn't a ton of people there.
27:53 I maybe sold 200 tickets, which was awesome, my fault,
27:56 you know, right? - This is so good, yeah, yeah.
27:57 - And so Bradley comes, Bradley liked it.
28:00 He's like, man, I'm gonna start putting you on to open
28:02 for like these acts I'm bringing out in Nashville
28:04 if that's cool, I'm like, awesome.
28:05 - Let's go, yeah.
28:06 - So fast forward, I go to college.
28:10 I have a college degree in radiology, take x-rays.
28:14 You know, I'm doing that in my hometown.
28:16 And I'm like, man, I need to get to Nashville.
28:18 How do I get to Nashville?
28:20 So I'm living with my parents working this job,
28:22 trying to figure out how I'm getting to Nashville.
28:24 I know I'm going.
28:24 In the meantime, Bradley's put me to open these shows.
28:30 He calls me on a Friday.
28:30 He's like, hey, man, I'll give you 100 bucks.
28:32 If you can drive, my opener just bailed on this show.
28:35 100 bucks, drive to Rome, Georgia is about two and a half
28:38 hours away to come open the show.
28:40 I'm like, yes, I'll be there.
28:41 I just kept saying yes.
28:43 - Yeah, yeah.
28:44 - And I get there.
28:47 I'm like, by the way, who am I opening for?
28:49 - Right.
28:50 - And he's like, what's this new guy out of Nashville?
28:52 He just moved to Nashville's name's Luke Combs.
28:54 I'm like, okay, awesome.
28:56 I don't know who that is.
28:58 And so me and Luke are hanging out in the green room.
29:02 We hit it off and he goes, hey, man, why don't you come
29:05 to Nashville and write some songs with me?
29:06 And I'm like, perfect.
29:08 Nobody's ever invited me to Nashville to write songs.
29:11 I've been wanting to get there.
29:12 Let's do it.
29:13 So that was in about 2014, I guess, 2013, 2014.
29:18 I started driving back and forth from Georgia to Nashville
29:23 for nine months.
29:24 And then nine months later, I moved.
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31:47 Okay, so Luke Holmes, I mean, dude, that's insane.
31:52 I mean, you wanna talk about looking backwards,
31:54 seeing whether the Lord's done for you
31:55 and the Lord's that he opened for you.
31:58 But at that point,
31:58 how much writing had you done?
32:01 I maybe had written, well, I actually had,
32:03 I had written one song.
32:05 Well, okay, so what did Luke Holmes see in you opening
32:11 that made him think, 'cause one thing to have someone play,
32:15 but as we were talking about last night,
32:17 there are people that are great writers,
32:18 that suck as performers, there are people
32:19 that are great performers that suck at writing.
32:21 Then there's that small group of people that can be both.
32:24 But like Luke hadn't seen you writing,
32:27 he only had seen you performing.
32:28 I just think he saw a dude who is like-minded.
32:32 We talked about life, we talked about the things we liked,
32:34 we both liked Eric Church, like,
32:36 we just had the same, we liked the same things.
32:39 And what he thought was a good song,
32:41 was a song that I thought was a good song.
32:43 So he's like, okay, well, we're like-minded in this.
32:45 So like, I think maybe we can write good songs together.
32:48 'Cause that's how I've always like kind of looked at it.
32:50 Like, if you said, hey, I like this song,
32:53 and I'm like, yeah, I like that song too.
32:54 We would probably agree on a lot of things.
32:57 You know, like, so that's where I think it came from.
33:01 Like, he recognized it, I recognized a good song.
33:04 And so maybe I could write one too.
33:07 - Okay, so- - That's what all I think
33:09 probably it was.
33:10 - Yeah, you know, that's actually true
33:11 'cause you and I last night,
33:13 and I let you play DJ a little bit in my car.
33:15 And you almost maybe driving oncoming traffic
33:17 'cause you said you hate Johnny Cash
33:19 with the fire of a million sons.
33:21 - I didn't say I hated it. - It was something like that.
33:22 It was something, you said something like that.
33:23 It was just one of the most egregious things
33:25 I've ever heard in my life.
33:26 And I was like, I almost, as opposed to driving you to dinner,
33:28 I almost drove your butt right back to the airport.
33:30 It's like, let's get this guy out of my presence immediately.
33:32 But like, it is interesting when you hear like, okay,
33:35 this guy likes this type of song or this type of music.
33:38 It does give you some insight into their taste,
33:41 their background, all that.
33:43 And so, okay, so you get invited to Nashville,
33:47 like, but you're not really a songwriter.
33:50 Like writing one song doesn't make you a songwriter.
33:52 So like, okay, what does that process even look like?
33:55 So you get to Nashville, right?
33:57 What do you just, you go into a room with your guitar
34:00 and you start like strumming and humming along
34:01 to something like what? - Yeah, yeah, yeah.
34:04 I mean, you're just literally just making up something.
34:06 - So you and Luke are in a room
34:08 or you and Luke and somebody and you're just kind of like,
34:10 - Hey, I've got this idea, you know, a title.
34:13 Typically, I mean, is where it would start.
34:15 Like, you know, whatever the title would be, you know?
34:20 And you would kind of start there,
34:23 hey, this is the title of the song.
34:24 This is what it's about.
34:25 And you would just honestly start making up stuff, literally.
34:29 The first song that Luke recorded
34:33 that me and him wrote together was a song called Lonely One.
34:35 It was on his very first record that he put out.
34:38 And the idea of the song was like a guy sitting at a bar
34:45 and going through a heartbreak, typical country music,
34:49 you know, and he's having this conversation
34:51 with the bartender, well, he finds out
34:53 that the bartender is also a heartbroken and it's like,
34:55 well, you're not the only lonely one.
34:57 So it was just like play on words, like just stuff like that.
35:01 And so, I mean, that's kind of the process, I guess.
35:05 And to this day, I mean, usually most songs, not all,
35:10 but most songs that I would be a part of,
35:12 they start with a title.
35:14 - Okay.
35:15 So are you, is there like,
35:17 is there something recording the entire time?
35:19 I remember like, I remember Stephen Tyler was talking
35:20 about like how Aerosmith would write stuff.
35:23 And they like, every single time they got together to jam,
35:26 they had something being recorded.
35:28 Because, you know, the guitarist is over there
35:29 and like he'll hit a lick that he's never hit before.
35:32 - For sure.
35:33 - And someone will be like, hey, can you play that again?
35:34 But they'll think about it like half an hour later.
35:36 And he's like, I have no idea what I just played,
35:37 but they just kind of go back to the thing.
35:39 So do you all have like--
35:40 - There's a lot of that going on.
35:41 And you know, there's been also been times
35:42 where there wasn't something recorded.
35:44 And you're like, hey, what'd you do while ago?
35:45 And they're like, I don't know.
35:46 - I have no idea.
35:47 - And I'm like, who was recording?
35:48 No one. And we're like, dang, come on.
35:51 - I mean, I've had that happen a million times.
35:53 So, you know, that's a lesson that we're always
35:57 in learning, I guess.
35:58 So, but typically it's just,
36:04 it's literally the same format.
36:05 I mean, song I did for me.
36:07 And then, Hummin' A Melody.
36:12 And usually trying to hum that.
36:15 And usually your title is part of your hook
36:18 of the chorus.
36:19 And so, what's a cool melody over that?
36:21 And then let's kind of work backwards a little bit.
36:23 And I'm always a guy, I don't start at point A.
36:27 Like I'm like, okay.
36:29 - You figure out the chorus
36:30 and then you figure out the intro.
36:31 - That's me, typically.
36:32 That's how I like to write.
36:32 'Cause I need to know where I'm going to.
36:34 'Cause to me, the culmination of a song
36:37 is where the hook lands at the end of the chorus.
36:39 Well, I need to know that before I know
36:41 where the story's gonna start, right?
36:45 And so, that's typically the process I like to take.
36:50 - So, I'm assuming most people in our audience
36:52 aren't like familiar with the music and everything like that.
36:54 So I'm gonna be asking a bunch of questions
36:56 of you how to probably gonna be mind-numbing,
36:57 but it's 'cause I'm an idiot and I don't understand this world.
37:00 So, okay.
37:01 So two questions.
37:02 One, when did you feel like what was the point
37:05 where you're like, oh, I'm a songwriter now.
37:07 So, well, let's just start there.
37:09 Like what's the point?
37:10 And we'll ask the second one so I don't forget.
37:11 So like, okay, at what point where you're like, okay,
37:14 I'm not just the opening act performer at a pizza joint.
37:16 Like, I'm a songwriter now.
37:18 And then also like, okay.
37:20 You and Luke are sitting there in the room,
37:22 strumming on your guitar, you're humming some things along.
37:24 At what point do you realize we have just made a song
37:28 and then now what happens?
37:30 Like, do you bring in a record executive
37:31 and play it for them?
37:32 And they say, yes, indeed, that is a song.
37:35 And then like, 'cause I know y'all write way more
37:38 than what ends up on a 12 song LP or whatever.
37:41 So when did you feel like you were a songwriter?
37:44 - Honestly, man, when I got to town
37:46 and started writing songs, it was more of a--
37:49 - Like immediate.
37:49 - Yeah, in the sense of almost like tricking yourself
37:53 in the sense like, this is who I am.
37:55 Like, I guess to build confidence, right?
37:58 But as far as like going, okay,
38:00 I think I might, this might be my job, you know,
38:03 in the future.
38:04 'Cause I was working at a hospital at the time.
38:06 I got a job at a hospital there.
38:08 And so I would write songs during the day,
38:11 work at the hospital at night, and I did that for a while.
38:13 And so, but I think probably once I got my first cut,
38:18 so when Luke, when that first, one of those songs
38:22 that me and Luke wrote very early on wound up
38:24 on his first record after he signed a record deal,
38:28 I was like, okay, well, and you're kind of naive
38:32 and kind of dumb and you're like, okay,
38:33 I'm gonna be rich off this.
38:35 And like, then you were--
38:36 - But you're out of the business, yeah.
38:37 Yeah, you have no clue.
38:38 So, but you do think, you know, okay, well,
38:42 I got a song on a record, like, this is awesome.
38:46 And then obviously Luke blew up.
38:48 And so you kind of, along those you go,
38:51 oh, wow, this might turn into something.
38:53 And so I guess from a confidence level,
38:57 I'm like, this is who I am from the get-go
38:59 when I get to Nashville.
39:00 But then also just landing your first cut on a record
39:04 that felt, you know, well, I'm actually, I did it, right?
39:08 'Cause I mean, I write, I've written hundreds,
39:11 probably thousands of songs that don't make the thing.
39:15 And like, you get done with 'em, you're like,
39:16 eh, I probably won't do anything.
39:18 But then you write one, you're like, okay, well,
39:20 that might do it.
39:20 And so I guess that's when.
39:25 And then I forgot your other question.
39:28 - Yeah, so essentially, like, what does the process look like
39:31 when, 'cause this is before, 'cause you explained last night,
39:33 like you get a publishing deal and you're like part of the,
39:35 you know, as Luke is blowing up, you're blowing up with them.
39:37 So we'll get to that.
39:38 But like, okay, you're in the room.
39:39 You've created the song, you and Luke are like,
39:42 this is a song now, you figured out all the words
39:44 and all the parts, you know, you don't have the full band,
39:46 you're full accompaniment yet.
39:48 But like, now what's the process to be like, okay,
39:50 this is a song now?
39:50 - Yeah, so I think in that process,
39:54 when me and Luke were writing early on
39:56 and we had like a core group of friends,
40:00 we were just kind of, that was our circle of writers.
40:04 We kind of just wrote there until, you know,
40:06 we expanded our networks.
40:07 But I think we didn't even have a clue what we were right,
40:12 what why we were writing.
40:15 We were just like, this is what you gotta do
40:17 when you come to Nashville
40:18 and you wanna be a songwriter, you just write songs.
40:19 We had no plan, who's gonna record 'em, nothing.
40:23 It just turned in.
40:24 Luke kind of started getting some attention on social media.
40:27 And so we started doing, we could kind of see his numbers
40:32 kind of going up on social media and then
40:35 he would start recording them.
40:36 But I mean, you were to write a song.
40:38 - And are you like studio in the same building
40:39 where you're writing?
40:40 - No, a lot of it, like if me and you were to write
40:43 a song right now, we would probably just pull out my phone
40:47 and I would grab my guitar and we would just
40:51 sing it into a voice memo, yeah.
40:54 - That's how you would do a demo?
40:55 - To an extent.
40:58 - Wow, okay.
40:59 - So a lot of it, but there's also producer,
41:04 we call them track guys who are also,
41:06 you can also write with them too.
41:08 So like me and you would be right with them
41:09 and he would be over there.
41:10 Me and you would be writing a song.
41:11 He would be building a track.
41:12 We get done writing it.
41:14 He's following along what we're doing.
41:15 He's got it mapped out on his thing and then we get done
41:17 and we sing it into his track.
41:19 So then you can have a fully produced demo
41:21 or you can do it the other way where we do the voice memo
41:24 and then I take that voice memo and I send it to a studio
41:29 or take it to a studio and we cut a demo with a live band.
41:34 - Is there any concern,
41:35 I was just thinking about this too.
41:36 Is there any concern at that moment that
41:38 when you send it somewhere, is it known?
41:40 This is my property because it's like,
41:43 couldn't they just like give that to one another artist
41:45 and be like, "Hey, sing this."
41:46 Like, well, what are your rights to that song?
41:50 - Yeah, it wouldn't happen.
41:51 - Okay.
41:53 - Yeah, that--
41:54 - I mean, I guess it's a bit worse.
41:55 - I mean, I guess it somehow could, but it just wouldn't.
41:56 - Okay.
41:57 So you got some sort of demo, you start sending it around
42:01 and then so--
42:02 - Yeah, so typically, like, if remove Luke
42:07 from the situation of me and you wrote a song--
42:09 - Yeah, it'd be a great song, it'd be a banger.
42:11 - It would be.
42:12 - Yeah, let's go.
42:13 - And so we're like, "Hey, this sounds like Blake Shelton."
42:17 We're like, "Okay, well, how do we get it to Blake Shelton?"
42:20 Well, let's see.
42:21 What connections do you have to Blake Shelton?
42:23 What connections do I have?
42:24 If we have publishing deals, our publishers,
42:27 they can get it to somebody.
42:29 - Right.
42:30 - What is the best way to get it to Blake Shelton?
42:32 So I go, "Well, I've got a connection to his producer,
42:34 "I'll send it there."
42:36 And then hopefully they fall in love with it.
42:38 It's literally like, it's almost like, not gambling,
42:42 but that's how many steps you gotta go to
42:45 for a song to be successful.
42:47 I mean, you gotta get somebody,
42:49 you gotta get one person to like the song,
42:50 aside from who wrote it, one person.
42:53 That person believes in enough to send it to somebody.
42:56 Then that person hears it and believes in it,
42:57 and they're like, "Yeah, I like this.
42:59 "Let me play it for Blake Shelton."
43:01 And then Blake Shelton listens to it,
43:02 and he's gotta go, "Yeah, man, I like that."
43:04 Then they go record the song, they get it back,
43:08 and the record label goes,
43:10 "Yeah, we like that song, let's put it on the record."
43:12 Or they could say, "Ah, we don't think
43:13 "that's gonna fit the record."
43:15 So then they've, if you've gotten all the way there,
43:19 they've recorded the song,
43:20 and then all of a sudden, it doesn't make the record.
43:22 There's so many stories about that in Nashville
43:24 of it getting all the way there,
43:26 and the artist even goes and records the song,
43:29 and it doesn't make the record.
43:30 So then it just lives in the middle of nowhere,
43:32 and nobody ever hears it.
43:33 - Yeah, it'll be, after the person dies,
43:35 it'll be the albums that are released of the tracks.
43:37 - There's so many songs in Nashville
43:39 that are just sitting on shelves, technically, you know,
43:42 that are probably the best songs you've ever heard,
43:46 but nobody will ever hear 'em.
43:47 - Just 'cause one exec didn't like it,
43:49 and they just--
43:49 - One person knew it like it, or whatever.
43:51 - Okay, so let's take the scenario.
43:52 So Oklahoma boy Blake Shelton, you know, for whatever way
43:55 you weave through, it gets to someone on his team,
43:58 it gets to Blake, he's like, yeah, I like this,
43:59 this is my kind of song, he records it,
44:02 and the executives like, no, we think that's great,
44:05 let's record that, or let's keep that
44:07 for the upcoming record.
44:08 Okay, so now what does that look like for you?
44:10 Because it's not Blake's song.
44:12 - Correct.
44:13 - It's your song, but now it kind of reminds me, again,
44:16 I'm gonna have to bring up Johnny Cash
44:17 since you hate him so much, but like Trent Reznor
44:20 of Nine Inch Nails, Hurt is a Nine Inch Nails song.
44:24 But I remember Trent Reznor being interviewed
44:26 after the American recordings that Johnny Cash did of Hurt,
44:29 which is, you know, for my money,
44:31 one of the most incredible songs and videos I've ever seen.
44:33 And Trent Reznor goes, the moment I gave Johnny Cash
44:36 permission to sing my song,
44:37 I realized it was not my song anymore.
44:39 And this is before he had heard the final track,
44:41 he's like, that's not a Trent Reznor
44:43 and Nine Inch Nails song anymore, it's his.
44:45 But he had recorded it, like that was his song,
44:48 he wrote it, and then Johnny Cash just did his take on it
44:51 and it just became his.
44:52 And you see that, like, how many times you see a song
44:54 that you don't realize is a cover?
44:55 You said Keith Whitley is like one of your favorites.
44:57 Well, there's like an Allison Krauss song,
44:59 that's a Keith Whitley song, but the first time I heard
45:01 it was Allison Krauss in Union Station.
45:03 So in my head, it's her song.
45:04 So like, how does that work?
45:05 - Well, Chris Stapleton, Tennessee Whiskey.
45:07 That's a George Jones song.
45:09 - Shocking, right?
45:10 You know, and you know, and George Jones
45:13 didn't write Tennessee Whiskey either.
45:15 Like, that was written by just a guy named Dean Dillard
45:18 and one of the greatest songwriters ever.
45:21 And he wrote it, George Jones recorded it.
45:24 And then years later, Chris Stapleton records
45:27 his own version, you know?
45:28 - Right, and that blew him up.
45:30 So, okay, back to the Blake Shelton thing.
45:32 He loves it, executive loves it, all that.
45:34 Okay, what does that mean for the album?
45:37 What does that mean for Blake?
45:38 What does that mean for you at the very, you know,
45:40 start of this thing?
45:41 - So, and I don't know how deep we want to get into this,
45:45 but--
45:45 - We are all the time in a world.
45:46 - There are, and I tried to explain this yesterday,
45:49 the best I could, and this is so confusing.
45:53 A song has two pies, okay?
45:57 There's a Master Pie, there's a songwriter pie, okay?
46:01 The Master Pie is the sound recording.
46:03 So, the record label puts it out,
46:06 whatever it makes on the recording, okay?
46:09 There's also a songwriter pie.
46:10 So, and I don't know how the money is split.
46:13 How do they determine what money goes to this pie
46:15 and what money goes to that pie?
46:16 I have no clue.
46:16 But let's take the songwriter pie.
46:21 So, this song is somehow split.
46:23 So, I'm gonna get paid out of the songwriter pie.
46:25 Well, in the songwriter pie,
46:27 that pie is cut amongst songwriters, okay?
46:30 So, if me and you wrote a song, you get half the pie,
46:32 I get half the pie.
46:33 Well, then you're half of the pie,
46:35 you got to split your half of the pie with whoever
46:38 you have a publishing deal with.
46:39 Now, if you don't have a publishing deal
46:40 and you're an independent songwriter,
46:41 you get your whole half.
46:42 - Okay, but I more than likely have a publishing deal.
46:44 - More than likely.
46:46 So, then you got to split that somewhere
46:48 and I would do the same with my pie.
46:50 And then, but me and you as songwriters,
46:54 we get nothing, no money from this master pie over here.
46:58 And now, what's crazy to me is how it's all figured up.
47:05 I like, it makes no sense to me
47:10 because someone streams the song me and you wrote,
47:14 they stream it on Spotify.
47:16 Well, we get paid differently than if they go stream
47:18 at one time on Apple Music or one time on YouTube.
47:20 It's not like a universal number across the board,
47:23 which is very confusing to me.
47:25 And I guess probably confusing to everyone.
47:27 Like, why that's not.
47:28 Like, why does our song have a different value
47:31 on this network than on this one?
47:33 Like, it's the same song.
47:34 - When you even tell me what,
47:35 last time you told me for every a million streams
47:37 on Spotify, that's like $4,000 in revenue.
47:39 - So like, so like, I think that's if you own the master.
47:43 - So if you own the whole part of this pie.
47:45 - If you own the part of this pie.
47:46 - Okay.
47:47 - On the songwriter's side, it's like 0.0007 cents, I think.
47:52 - Gee, okay.
47:54 - Per stream, that's per stream.
47:56 And then that split amongst songwriters.
47:58 So that point, so every time the song me and you wrote,
48:02 get streamed on Spotify, 0.0007, I think is the number.
48:10 It's either three zeros or four zeros.
48:11 Anyway, that amount, pennies, I mean,
48:16 we're talking not even pennies.
48:17 Fractions of pennies goes into the songwriter pie.
48:20 Well, then there's people eating,
48:22 there's more than just me and you eating from this pie.
48:25 So I mean, you split the 0.7 and then whoever's also eating
48:28 from our pie is taking a fraction of what me
48:32 and you just took.
48:33 - Wow, okay.
48:34 - So it takes for streaming, I mean,
48:36 you can make money as a songwriter
48:40 if someone's streaming your songs that you've written,
48:43 but like they've got to be streaming a lot.
48:45 That's why Morgan Wallen is very awesome
48:49 to get a cut on Morgan Wallen record, Luke Holmes.
48:54 We're talking guys that stream tons.
48:57 - How do you say millions?
48:58 - Yes.
48:59 So I don't know, that's how that works.
49:05 How do we make it where people can make a little more money
49:08 just by getting a song recorded?
49:10 Because if, here's the reality, if you don't get a song
49:13 to be a single at-country radio, terrestrial radio,
49:21 it's hard to make like a real living.
49:24 - That's what I was gonna ask.
49:25 So like, you know, a fraction of a fraction of a fraction
49:28 of a penny split amongst several other people.
49:31 Like a million streams is $4,000.
49:33 It's like, it's not no money,
49:35 but it's almost like no money
49:36 if you're trying to live in a city like Nashville.
49:38 - Yeah, and we're talking about,
49:39 we're talking about if that song streamed a million
49:41 like immediately, then you get that.
49:43 But like, we're talking about, it doesn't.
49:45 - It could stream a million over a year.
49:46 - Exactly.
49:47 - Right, okay.
49:48 And a million's a lot.
49:49 - That's a lot of streams.
49:50 - Yeah, that's awesome.
49:51 Somebody loves your product.
49:52 - Right, okay.
49:54 So help me attach, so you're a songwriter,
49:58 people obviously make very good livings
50:01 and can make very lucrative livings off of writing songs,
50:04 but that doesn't make any sense on the streaming world.
50:06 And I know it's changed 'cause back in the day,
50:08 it was basically all radio and touring
50:11 'cause there was no other option.
50:12 Oh, and album sales,
50:13 but now no one's really buying albums
50:15 because, you know, that's not really super duper a thing.
50:18 Like, yeah, if you're buying albums and CDs
50:20 from Walmart or if you're buying vinyls and all that,
50:22 but almost everything has gone to streaming, go ahead.
50:24 - So that royalty rate, so like if streaming didn't exist
50:28 and there's a physical product
50:30 and you had to go to Walmart to buy Luke Combs record,
50:32 that's the only place you could get is
50:34 if you go to Walmart, Target or whatever.
50:35 - Yeah.
50:37 - Okay, I mean, you had a song, a two-way song on there.
50:41 That song, I think, got, you'd get nine cents a copy,
50:45 which is a lot.
50:48 That's a lot compared to what we're getting now.
50:49 - Right, it was streaming, okay.
50:51 - Okay, and that rate, that nine-cent rate,
50:55 I think it's nine cents.
50:56 Don't hold me to any of these exact guys, but--
50:58 - Yeah, there were, it is.
51:00 - That rate was set years and years and years ago,
51:05 like maybe in the 1930s.
51:08 - Really? - Okay.
51:09 - Okay, well that rate was set
51:12 when streaming didn't exist,
51:14 Napster didn't, nobody knew that the internet didn't even,
51:17 like we didn't know that we were gonna get to this point.
51:19 - Right, radio and touring controlled everything.
51:22 - Yeah. - Whenever that was made.
51:23 - Yes, in physical sales.
51:25 - Right.
51:26 - That rate has not changed in 2025.
51:29 Here we are almost a hundred years later,
51:31 and we're still living off this old physical sales model.
51:36 - 'Cause it's good for the record companies, I guess.
51:40 - Yeah. - That's why they're
51:41 keeping it that way. - So, I don't know, man.
51:43 I mean, I wouldn't discourage anyone
51:46 from being a songwriter, but I think people,
51:50 it's hard to understand,
51:52 'cause it is a very, very, very confusing business,
51:55 and I think they like it that way, to be honest with you.
51:59 - But, and don't let me, don't hear what I'm not saying.
52:03 I've been super blessed.
52:05 Like, the Lord has taken care of me and my family.
52:07 I've been fortunate to have hit songs at Country Radio,
52:11 and those have been awesome.
52:12 But like, if you don't have those, it can be tough.
52:17 - It can be a slog.
52:17 Okay, so we talked about this last night.
52:19 So, because I mentioned last night,
52:21 I was like, I don't remember the last time
52:22 I turned the radio.
52:23 Actually, I do remember last time I was getting to drive
52:27 my grandfather, who has passed away,
52:29 his 71 Ford Ranger, that's all original.
52:33 Like, the whole thing was at my dad's house.
52:36 And that was the first vehicle I ever drove.
52:38 I was like 13 years old.
52:39 My grandpa was like, let's drive around the neighborhood,
52:40 right?
52:41 And I'm like blowing through stop signs,
52:42 'cause I don't know what stop signs are.
52:43 Like, it's just stupid, right?
52:44 But this was like, separated by 30 years.
52:48 Here I am driving, you know, my grandpa's truck.
52:50 - Yeah.
52:51 - Well, it just got the original radio.
52:53 And so, we're just listening to AM or whatever,
52:56 but I was like, okay, like who listens to the radio?
52:58 And you're like, dude, everybody.
53:00 That is still king in this world.
53:03 And so like, okay, let's talk about that process.
53:05 So let's stay with the Blake Shelton example.
53:07 Europe's from a long blah, blah, blah.
53:08 You and whoever you're riding with is like,
53:10 this is a Blake Shelton song.
53:11 You weave it up to Blake Shelton.
53:12 He's like, yeah, I like it.
53:13 They recorded the record deal, record company.
53:16 They were like, yeah, let's get this out there.
53:18 Now, how does it get pitched to country radio?
53:23 And then just take us all the way to, okay.
53:24 Now it's a hit, like what does a hit mean?
53:27 'Cause everyone knows what a number one hit is.
53:29 I think we at least kind of understand what that is.
53:31 But like, how does that all happen?
53:32 - Yeah, so a record label has a radio promotion team.
53:37 So they would work the song at radio.
53:40 They would announce, hey, Blake Shelton's next single is X song.
53:45 It's gonna be going to country radio.
53:48 And so radio stations start playing it.
53:53 And so there's two radio charts.
53:58 There's a billboard chart
53:59 and there's a country air check media based chart.
54:03 Billboard chart is where the song lands on the chart
54:08 is determined by audience.
54:10 So how many people heard this song this week?
54:12 Media base is how many times it got played, okay?
54:16 And a lot of times the two charts line up.
54:19 Sometimes they don't, but a lot of times they do.
54:22 So there's no thing that makes a song a hit.
54:27 I mean, if it's a number one song, you're like,
54:29 well, that's a hit.
54:30 But like, there's a lot of songs that never got to number one
54:32 that I think are hit songs.
54:33 Jamie Johnson in color hit song never was a number one song.
54:37 - Yeah.
54:38 - Mind blowing.
54:39 That's just hard for me to even wrap my head around.
54:41 So, but from a, you know, business side of things.
54:48 So there's royalty, there's like a collection agencies,
54:53 I guess, I'm a member of BMI.
54:57 So broadcast music incorporated.
54:59 So they collect my royalties for me.
55:03 And so they have hit song bonuses.
55:08 So if a song gets from top 40 to 30, you get a bonus.
55:13 From 30 to 20, you get a bonus.
55:17 And I don't know what the exact like deviations are,
55:21 but it might be 30 to 25, and then 25 to 20.
55:24 But anyway, 20 to 10, then like 10 to five,
55:26 and then like five to two, and then like, oh, number one.
55:29 Like there's different like levels of bonus.
55:32 And so, but the radio promotion team
55:36 is working the song at radio.
55:37 Blake Shelton's traveling around,
55:39 and he's, you know, playing shows for these radio stations,
55:43 you know, hoping that they'll play his music.
55:45 And the whole concept of where this even came from years ago,
55:50 so is to promote a record, to promote a physical record.
55:54 Like that's how everybody made money was,
55:56 let's play this song on radio,
55:58 then we'll sell these physical copies.
56:00 And that's how they determined
56:01 whether it got, whether it kept playing on radio.
56:04 It's like, well, we've been playing it in Oklahoma City,
56:07 and this, your record sold 10 copies this week.
56:11 We're not gonna play your song anymore.
56:12 Nobody likes it 'cause nobody's buying it.
56:14 You know, and that was kind of how it, it worked by them.
56:18 But like now, you know, there's physical copies.
56:21 There's really no, there's really no way to understand,
56:25 you know, there's consumption rates
56:27 that they now look at from, you know, streaming.
56:29 And there is, oh, what's the word for it?
56:34 Research, the radio does research.
56:37 So radio calls you and they go, hey, Kyle,
56:42 we're gonna play you five songs.
56:44 Press one if you like it, two if you don't.
56:47 And they'll play a small clip of this Blake Shelton song.
56:49 And if you hit one, you say, and you liked it.
56:52 So then they take all the people that they did research
56:55 and they're like, well, 100% of the people we sent it to
56:57 said they liked it, so we're gonna keep playing it.
56:59 - Okay.
57:00 - That's kind of what we're doing now.
57:00 Which is kind of an old school model to me, you know.
57:06 - And so for you specifically--
57:09 - Well, let's talk about, so you've had--
57:10 - We are in the weeds right now too.
57:12 - Okay, this is not interesting to you guys.
57:14 I don't care if it's interesting to me
57:15 'cause I'm the one sitting here.
57:16 No, I think people will find this interesting
57:18 because I always like digging into people's worlds,
57:20 like whatever business or thing that they're neck deep in.
57:24 But I think this is, everyone consumes music,
57:27 but we don't know how people make money, right?
57:28 And then, you know, we've heard about these horrible deals
57:31 where you have this artist like, I remember this so funny
57:33 'cause the first CD that I owned was TLC Crazy Sexy Cool, right?
57:39 So I'm like eight years old or something like that.
57:41 But I remember like the VH1,
57:44 buying the music or whatever TLC,
57:45 they sold however many millions of records of that LP.
57:50 And they made, as an artist, they made nothing.
57:54 Like, they're like, we had no money.
57:56 Like, we were being taken care of on the road
57:57 and stuff like that, but in terms of our bank accounts,
57:59 we had no money 'cause the deal they were signed to
58:01 was like egregious.
58:02 It was like a terrible, terrible deal.
58:04 But like, okay, so for you,
58:06 let's talk about your first number one
58:08 because you've had a handful of number ones in your career.
58:12 So let's talk about that process.
58:14 So you write a song, like when you wrote it,
58:16 did you like, did you know?
58:18 'Cause like, I'm thinking like as a podcast there,
58:20 sometimes I'm like, oh, this was a great, great podcast.
58:22 No one ever talks about it.
58:24 And there's times where I just kind of mailed it in
58:25 and people are like, dude, that's the one right there.
58:27 You know what I mean?
58:28 So let's talk about that.
58:29 - So my first number one was a song
58:32 called "Homemade" for Jacob and I had never had a hit song.
58:38 I had had like, maybe a couple songs recorded,
58:43 like, you know, that were on records,
58:45 but I had never had like a song picked to say,
58:49 "Hey, this is gonna be our next radio single."
58:51 And even when they say that, you're like,
58:53 "Oh, that's awesome."
58:53 Like, we did it.
58:55 But then you got, it's got to,
58:57 - It's got to actually happen.
58:57 - It's got to happen.
58:58 - Yes, people got to love it, you know?
59:00 But when we wrote that song, I mean, I had never written,
59:04 I had never had a hit song before,
59:05 so I didn't technically know what one was.
59:08 But man, dude, I felt, I was like,
59:10 if there ever was one, this has got to be it.
59:12 Like, this has got to be it.
59:13 'Cause it was very up, it felt fun.
59:19 And it was a country song.
59:21 Like, and it was like, I mean, "Homemade."
59:24 Homemade me love a dirt road.
59:25 Homemade me love sweet tea.
59:29 Only mama knows how to make homemade.
59:31 Homemade me love a small town.
59:33 You know, it's like, it's all these plays on "Homemade."
59:35 Everything I love is "Homemade."
59:37 And so I was like, what does the trick
59:40 of like using the hook in different ways?
59:42 And so it just felt like a hit, it really did.
59:45 So it kind of got in the hands of different artists
59:50 in town very quickly.
59:53 People were like, yes, we wanna record this.
59:55 Yes, we wanna record this.
59:56 Yes, we wanna record this.
59:57 Jacob, and here's it.
59:59 He's like, I wanna record it,
1:00:00 and I wanna jump the line,
1:00:02 and I wanna record it this week.
1:00:04 So then we have to like, okay, well, what do we,
1:00:06 how do we, how do we do this?
1:00:08 'Cause it's kind of an honor system, honestly.
1:00:11 Yeah, so what happens if like five artists
1:00:13 all wanna record it, like who gets to?
1:00:15 Is it literally the first one to the studio?
1:00:19 Yeah, I mean, that's kind of the rule now, I guess.
1:00:22 There is no rule, that's the problem.
1:00:23 There's no like, there's no,
1:00:25 because artists don't have to pay you to hold a song.
1:00:29 That's another slight little small issue
1:00:32 that I kind of have with the whole thing is like,
1:00:36 you could say, Kyle, you could be the biggest country artist,
1:00:38 and you could say, hey, I love the song,
1:00:41 I wanna hold it, but I'm not recording
1:00:44 for another year and a half.
1:00:46 So here you are, you literally are holding on
1:00:48 to my song for a year and a half,
1:00:49 and then your record comes out and you hate the song down,
1:00:51 so then you don't record it,
1:00:52 and you've like, kept me from getting recorded
1:00:55 by somebody else for a year and a half.
1:00:57 So now it only, I think there's, there is no rule.
1:01:04 There's no rule, it's just like,
1:01:06 if a bunch of people put it on hold,
1:01:09 and then this one guy goes, I want it,
1:01:10 and I'm gonna record it this week.
1:01:12 Usually the songwriters are just gonna go,
1:01:15 "Yeah, go ahead, please, thank you."
1:01:16 You're telling us you're gonna record it, so go ahead.
1:01:18 We don't know, we don't want it to sit
1:01:21 in the pocket of this other person for a year and a half.
1:01:24 And they probably weren't gonna do that,
1:01:25 but let's take a chance on who's gonna cut it right away.
1:01:28 So that was kind of how that happened.
1:01:31 We wound up on his record, record label loved it.
1:01:34 I remember getting a call from one of my co-writers
1:01:37 who found out it was gonna be the next single dude.
1:01:38 And I mean, that was the moment for me
1:01:42 where I was like, "Oh my gosh,
1:01:44 or me and my wife, we were, you know,
1:01:47 we had been married four years at this point,
1:01:51 and we're three and a half when we found out
1:01:55 that it was gonna be the single,
1:01:55 and I mean, we're celebrating, dude.
1:01:58 I mean, I'm crying, I mean, I'm crying.
1:01:59 This is what you work for to get a single.
1:02:03 And we're celebrating, and I was still working
1:02:08 at the hospital, and then song goes number one,
1:02:12 March 22nd of 2020, right in the middle of COVID,
1:02:17 which honestly, when COVID started, you know,
1:02:21 like the COVID thing was happening,
1:02:22 and we were like, "Oh my God,
1:02:23 is country radio is gonna like just shut off."
1:02:25 Luckily, our song was already researching as a hit
1:02:30 when like COVID happened, right?
1:02:32 And so it didn't kill it, right?
1:02:38 Because they country radio because nobody was in their cars.
1:02:43 So nobody was really listening to the radio
1:02:46 'cause nobody was going anywhere.
1:02:48 And so the things country radio was playing
1:02:50 was very familiar stuff.
1:02:52 The only way we can get people to listen
1:02:54 is if we play things they know.
1:02:56 Well, luckily ours was already like in the top 10
1:02:58 at the point.
1:02:59 And anyway, it ends up going number one,
1:03:02 March 22nd of 2020, I called my boss at the hospital.
1:03:06 And I had made a deal with her
1:03:07 that if I ever got a number one song
1:03:09 that I would work one more shift
1:03:10 and then I was gonna quit.
1:03:12 So I called her on a Sunday, the chart come out,
1:03:15 March 22nd, 2020, number one song, homemade jicco.
1:03:18 And I called my boss at the hospital.
1:03:19 I'm like, hey, I got my first number one.
1:03:21 I'll be there tomorrow, but that's gonna be it for me.
1:03:23 She was like, congratulations, awesome.
1:03:24 - Wow, that's cool.
1:03:25 - And so Monday rolls around.
1:03:28 I'm in my bedroom, putting my scrubs on,
1:03:30 getting ready to go work my last shift.
1:03:31 I mean, dude, life couldn't get any better.
1:03:33 I mean, it was awesome, except COVID, you know.
1:03:37 - Yeah.
1:03:38 - Wouldn't allow anybody to go anywhere.
1:03:39 So I'm putting my scrubs on, getting ready
1:03:42 to go work my last shift on cloud 1000, dude, life.
1:03:47 As I'm putting my scrubs on my wife walks in the bedroom
1:03:50 and says, hey, my water just broke.
1:03:52 - Oh, shoot.
1:03:55 - So I had to call my boss back and say,
1:03:57 - Just kidding.
1:03:58 - Hey, actually I am coming to the hospital,
1:04:01 but I'm not coming to work.
1:04:03 My Mallory has gone into labor.
1:04:06 And I get to the hospital.
1:04:09 My boss comes and helps us get out of the car.
1:04:11 And I never, I never worked my last shift there.
1:04:14 So in a matter of 72 hours, had my first number one,
1:04:18 quit my job and became a dad.
1:04:21 - Dad, for the first time too.
1:04:22 - First time.
1:04:23 - Bro.
1:04:24 - And 72 hours.
1:04:24 I mean, dude, I look back on that.
1:04:29 And for the longest time, dude, I struggled with saying
1:04:33 2020 was the best year of my life.
1:04:35 Because for a lot of people, it wasn't.
1:04:36 Like a lot of people passed away, you know,
1:04:38 and a lot of people went through struggle.
1:04:40 And for a long time, dude, I felt guilty for saying
1:04:43 2020 was the best year of my life.
1:04:44 But then I like people were like, dude, that what?
1:04:49 If it was the best year of your life,
1:04:50 it was the best year of your life.
1:04:51 And so, and it truly was.
1:04:54 I mean, dude, I mean, everything that I worked so hard for
1:04:56 for the last five years, I moved to Nashville in 2015,
1:04:59 had my first hit in 2020.
1:05:01 Like everything that I worked hard for had happened.
1:05:05 First hit, quit my real job, you know.
1:05:08 And become a dad.
1:05:11 And so like everything was like, awesome.
1:05:15 And, I mean, yeah.
1:05:19 - Well, so let's take that out and let's extrapolate
1:05:22 that out further.
1:05:23 Because now, and for, you know, all the guys in our audience,
1:05:25 when you became a first time dad,
1:05:26 a lot of things became real.
1:05:28 'Cause like, I've talked about this before
1:05:29 because I was prepared 'cause everyone was like,
1:05:31 hey, you know, at the moment, you see that baby.
1:05:34 You're never gonna know that you could love something so much.
1:05:37 And like, you're just gonna attach to immediately.
1:05:39 I didn't have that feeling.
1:05:40 And I thought, oh no, something's broken in me.
1:05:42 Because like, when I'm looking at James,
1:05:44 little James, I'm like, oh my gosh.
1:05:46 Like, I don't know, I don't want to hold him
1:05:48 'cause I'll drop him.
1:05:49 Like this is like, you know, I got good hands,
1:05:50 but this thing's gonna wiggle out of my hands.
1:05:53 And it took me, honestly, about six weeks.
1:05:56 Like I knew I loved him like intellectually,
1:05:58 but it was like, it was just weird because you're not,
1:06:00 you're dad.
1:06:01 And so your job is to take care of everything around mom.
1:06:04 So mom can keep your progeny alive, right?
1:06:07 But at six weeks old, we were rushing him to hospital
1:06:09 in the middle of the night for emergency surgery, right?
1:06:11 And you're handing your baby over to a nurse.
1:06:13 I still get upset thinking about it
1:06:15 'cause you're like, oh no, this could be the last time
1:06:18 I even touch you 'cause you're going in a surgery
1:06:20 and you're six weeks old, you're so small.
1:06:22 And obviously it worked out fine.
1:06:23 But like, it does change where you're like, okay,
1:06:27 before that you're just providing for you
1:06:29 and you and your wife.
1:06:31 And you know, she's probably working,
1:06:33 you're working, you're trying to make ends meet.
1:06:34 You know, whatever the economy's doing,
1:06:36 that doesn't really affect your next shift.
1:06:38 You just gotta go and work it and get paid to do your job.
1:06:41 But now you're a hit songwriter.
1:06:43 You're a number one songwriter
1:06:44 and you've got progeny now.
1:06:46 You've got a baby.
1:06:47 So talk about your mindset a little bit of like, okay,
1:06:52 I've made it, but I don't wanna be the songwriter equivalent
1:06:55 of a one hit wonder. - For sure.
1:06:56 - Where this is the last time anyone buys anything
1:06:58 I've ever done in the last time that we're successful.
1:07:00 Now there's the added pressure of like, oh crap,
1:07:02 there's that extra amount to feed
1:07:04 and you don't wanna be a loser dad.
1:07:05 So let's talk about, okay, what does your career look like
1:07:08 now that you've kind of made those shifts?
1:07:10 - Yeah, so I quit, I mean I quit.
1:07:13 - So you're not doing radiology anymore?
1:07:16 It's like you're done with that.
1:07:17 - And also, this was about the time.
1:07:22 So I quit the hospital, I'm writing songs
1:07:25 and I'm like, okay, now let me start focusing
1:07:28 on my artist career.
1:07:29 Okay, so. - Oh yeah, I guess
1:07:32 I kind of forgot like you were trying to,
1:07:33 you know, do it yourself as well.
1:07:34 - Yeah, yeah, just write songs.
1:07:35 - Not just write songs, just be a songwriter,
1:07:37 be an artist too.
1:07:39 - So this is like about the time I started,
1:07:41 and I was on, I was actually on "Toward Luke Combs"
1:07:45 when all this, when like COVID happened.
1:07:47 Like my last show before COVID was "Rupp Arena"
1:07:52 in Lexington, Kentucky, where Kentucky plays basketball.
1:07:56 - So are you playing with Luke's band or your opening?
1:07:59 - No, I was wanting one of the opens.
1:08:00 - And so are you singing your songs?
1:08:01 Are you singing my songs? - Yeah, singing my songs.
1:08:03 - Okay, yeah, yeah.
1:08:04 - So singing my songs.
1:08:06 So I was doing the artist saying,
1:08:07 I hadn't really, I had put out like a four song EP, okay?
1:08:11 And so I was kind of, those were the songs I was playing.
1:08:14 I was playing maybe 30 minutes.
1:08:16 So it was me, Ashley McBride, Luke Combs, on that tour.
1:08:21 So that tour was over, COVID happens, hit song,
1:08:26 become a dad, quit my job.
1:08:28 So now I don't have a real job.
1:08:32 We're writing songs on Zoom now because of COVID.
1:08:36 And so I start focusing on my artist's career.
1:08:41 Like, what are the steps I need to take
1:08:43 for my artist's career to take off?
1:08:46 So doing that, new dad.
1:08:49 We were about to, I was about to put out,
1:08:57 I was actually, I had an EP recorded.
1:08:59 I'm rethinking all this stuff.
1:09:00 I hadn't thought about it in a long time.
1:09:02 I had an EP recorded that I was gonna put out right.
1:09:07 Like March of 2020.
1:09:10 I didn't put it out 'cause of COVID.
1:09:12 We were like, well, the tour got canceled.
1:09:14 The tour was over.
1:09:16 So why am I, there's no need to put music out right now.
1:09:18 Let's wait.
1:09:19 Well, then like October rolls around and I'm like,
1:09:23 and this is the perfect time to put music out, you know?
1:09:26 So I call my manager, I'm like, hey,
1:09:28 like people are in, the world is basically in turmoil.
1:09:33 And hey, if I've got this six song EP,
1:09:36 I think it was, it's 30 minutes worth of music.
1:09:41 You know, 20 minutes worth of music.
1:09:42 If for 20 minutes somebody can listen to it
1:09:44 and forget about the craziness that's in the world,
1:09:46 let's do that.
1:09:47 So in October, I put this EP out.
1:09:49 There was one song on it called "Why You're Gonna" blew up.
1:09:53 It got picked up by SiriusXM.
1:09:55 It was played on the highway.
1:09:57 It went number one on the highway.
1:09:58 Me as an artist, my first number one as an artist
1:10:01 on SiriusXM.
1:10:02 Very big for me.
1:10:03 My fan base grew very large.
1:10:08 Or at least for what I thought was large, you know?
1:10:12 And so that happens.
1:10:16 Then the record labels kind of start coming
1:10:20 'cause they're seeing me have success independently.
1:10:22 So then in November of 2020,
1:10:26 I signed a record deal with Warner Music Nashville
1:10:28 as an artist.
1:10:30 You know, so here I am writing songs,
1:10:32 still writing songs hoping that I'm gonna write something
1:10:34 that somebody else loves, but also I'm writing something
1:10:37 and I'm like, well, I love this,
1:10:38 so I'm gonna put this over here for me.
1:10:40 And if I didn't fill something like it was something for me
1:10:45 or something that I wanted to sing about or whatever,
1:10:47 I would pitch it, you know, to ex-artist.
1:10:50 So that went on for a while
1:10:53 and I continued writing songs with Luke
1:10:56 and then wound up with some songs on his,
1:10:59 what you see is what you get record.
1:11:02 I think I had three songs or four songs on that record.
1:11:05 - Okay, so let's talk about,
1:11:07 so you're still working with Luke.
1:11:09 Tell me about the relationship
1:11:12 that you guys are developing with one another
1:11:14 'cause obviously you hit it off in the green room
1:11:16 back at that show that you open for him.
1:11:19 You've written some songs together.
1:11:20 You've written some songs that went onto albums of his,
1:11:23 you know, you're touring and so like y'all's careers
1:11:27 are kind of like intertwined to a degree.
1:11:30 - Yeah, for sure.
1:11:31 So you're trying to make it, you know, as a solo guy,
1:11:34 solo act and you've got your deal.
1:11:37 So like when you got your deal,
1:11:39 did that like complicate what you were doing with Luke?
1:11:41 Were you kind of still writing?
1:11:43 Like, well, what did that look like?
1:11:43 - No, it didn't.
1:11:45 We, you know, I mean, he's one of my closest friends.
1:11:48 Like, yes, we worked together
1:11:50 in the sense of writing songs, but like he, you know--
1:11:53 - Hey y'all, just boys.
1:11:53 - Yes, if he called me, I'd go do whatever he needed me to,
1:11:56 you know, and he would do the same for me.
1:11:58 And so we're just continuing to write songs
1:12:02 and hang out.
1:12:03 He would, he was nice enough to bring me along for tours
1:12:07 to, 'cause he knew I was trying to do the art of saying,
1:12:09 he believed in me.
1:12:10 - And he gets to make that call as a headliner?
1:12:12 - Yeah, yeah.
1:12:13 - Or like, okay.
1:12:13 - He's like, hey, I want Drew to become like--
1:12:14 - I didn't know if like the management or like,
1:12:15 you know, they get to force somebody on tour with you.
1:12:18 - Yeah, I mean, he's making the decision,
1:12:20 ultimately making the decision.
1:12:21 He's like, I want Drew to come on tour.
1:12:22 So I mean, I've toured with him so many times
1:12:25 on different tours.
1:12:26 So he believed in me, I'm touring with him.
1:12:28 So now here I am doing the songwriter thing,
1:12:32 but also touring with him, promoting my music now
1:12:36 and trying to grow a fan base.
1:12:38 And so nothing really changed, honestly.
1:12:42 When I got the record deal, they took "Why You're Gone"
1:12:47 when I signed in November of 2020.
1:12:49 They took "Why You're Gone", the song that was number one
1:12:51 at Sirius XM independently, they got it.
1:12:53 And they sent it to terrestrial radio.
1:12:57 Now, the exact opposite happened of what happened
1:13:01 with homemade, so when nobody was driving in their cars,
1:13:06 homemade was already like top 10,
1:13:08 so they didn't quit playing it, right?
1:13:11 'Cause it was familiar to their listeners.
1:13:13 The exact opposite happened with my song.
1:13:15 I'm a new artist, song no one knows,
1:13:18 other than whoever's heard it on Sirius XM
1:13:20 or whoever streamed it, right?
1:13:23 It goes to terrestrial radio and just,
1:13:25 I mean, it gets like top 40, you know?
1:13:28 And that's just kind of where it stalled,
1:13:31 because I think it's because like,
1:13:36 country radio, they needed to play songs that were familiar.
1:13:41 'Cause the purpose of country radio,
1:13:42 the purpose of radio, period, is not to play music.
1:13:45 The purpose of radio is to sell advertising.
1:13:48 - Yeah, sell ads.
1:13:49 - But to keep people listening,
1:13:51 to hear the advertisement is to play familiar songs.
1:13:55 If I come on there, they're gonna like,
1:13:57 probably skip, they're like, I don't know this song.
1:13:59 I'm gonna go find another song,
1:14:00 I'm gonna go find another song, I'm like, so.
1:14:02 I think that's partly why it didn't work.
1:14:04 Just nobody was willing to take a risk really,
1:14:07 which I don't blame them at all.
1:14:09 I mean, listen, God has orchestrated
1:14:11 exactly what is supposed to happen in my life.
1:14:13 I truly believe that.
1:14:14 And I don't think he wanted that song
1:14:16 to get any farther than it did, so.
1:14:20 But that, I mean, that's what happened.
1:14:21 But yeah, I continued on tour with Luke,
1:14:23 continued to grow a friendship.
1:14:25 I mean, not my closest friends.
1:14:26 - I mean, just about everyone,
1:14:27 our audience is gonna know Luke Holmes' and all that.
1:14:29 So like, the kind of the typical question,
1:14:32 'cause I'll get asked sometimes like,
1:14:34 hey, what's my Chandler like behind closed doors?
1:14:37 Like, what are the Robbersons like behind closed doors?
1:14:38 Like, what's Joby like for real?
1:14:40 And the thing is, is for the most part,
1:14:42 'cause I used to work for Major League Baseball,
1:14:44 so I was around a bunch of ball players,
1:14:45 a bunch of Hall Famers, a bunch of really famous people.
1:14:50 And almost all of them were rather incredible.
1:14:53 Like, with the exception of Brandon Phillips,
1:14:56 one of the worst human beings
1:14:57 I've ever been around in my entire life,
1:14:58 an awful, awful, terrible human being.
1:15:00 And I thought that coming in,
1:15:02 and he just confirmed it when I was around.
1:15:03 - Wow.
1:15:04 - Okay, so he was the, you were telling me Dwight Yolkam's,
1:15:06 you know, not the nicest guy in the world last night.
1:15:08 And so Brandon Phillips, terrible, terrible human being.
1:15:10 I hope he's repented it.
1:15:11 I hope he's like, found Christ and all that.
1:15:12 Otherwise, if not, I hope he, you know,
1:15:15 gets stuck in a ditch somewhere.
1:15:16 But like, I remember like Charlie Sheen came
1:15:19 to this studio where I was working at in 2012.
1:15:22 And this was like the height of like Tiger Blood time.
1:15:25 Like, you know, he's just got infamous
1:15:28 more than he is famous at this point.
1:15:29 I remember them telling us, all of us working there,
1:15:31 'cause we were like on-air personalities and all that.
1:15:33 They're like, look, no one can talk about Tiger Blood.
1:15:36 No one can talk about like drugs.
1:15:38 No one can talk about hookers, like nothing.
1:15:40 Like, and so by the time he's walking in,
1:15:42 we're all like kind of scared.
1:15:44 Like we can't talk, can't function.
1:15:46 He could not have been a nicer, more accommodating person.
1:15:50 So not only did he just know baseball.
1:15:52 And so when you're working for Major League Baseball
1:15:54 and you have people come in that clearly don't know baseball,
1:15:56 it's kind of like, okay, you're just here for the publicity.
1:15:58 But he just knew baseball.
1:15:59 He just sat down and watched baseball with us.
1:16:01 And he's just telling us about different things.
1:16:04 Huge baseball fan.
1:16:05 And one point I think it was the Angels.
1:16:07 He wanted a home run ball 'cause he had never caught a ball.
1:16:09 So he bought every ticket in left field bleachers.
1:16:12 Like, just hoping somebody would hit a home run.
1:16:15 He was the only guy out there and nobody hit a home run.
1:16:18 But like, I never even at one point,
1:16:20 someone comes up to him and like brings him a bottle of water
1:16:23 that he didn't ask for.
1:16:24 And he literally, he could have just grabbed it
1:16:26 and kept talking to whoever he was talking to.
1:16:27 He just, he stopped and he goes,
1:16:28 "Hey, thank you so much."
1:16:30 Like, that's so nice to consider.
1:16:31 What's your name?
1:16:32 - It's awesome.
1:16:33 - And like, he was just such a nice guy.
1:16:34 But like, then we hear these horror stories
1:16:36 of these people that seem really, really nice.
1:16:38 And every time you see them on TV or a social media,
1:16:40 they're really nice.
1:16:41 And then it's like, I'm everyone, Ellen.
1:16:42 Like everyone found out like Ellen DeGeneres
1:16:43 was this horrible, horrible, awful, terrible person.
1:16:46 And people were shocked because she's always nice
1:16:48 and jovial and fun, loving on television.
1:16:50 So it's like, all right, man, Lou Combs.
1:16:53 Like, what is he like, you know, when all the cameras are off?
1:16:55 - Dude, I mean, and I always feel like no one's gonna believe me
1:16:59 when I say this, but he is literally the nicest dude.
1:17:02 Like, he is, like he put out a record.
1:17:05 What you see is what you get.
1:17:06 It couldn't be more true.
1:17:07 Like, he is that person.
1:17:09 And he's not, but he, and he doesn't boast
1:17:12 about being a nice person.
1:17:13 Like, I've seen him do things behind closed doors
1:17:15 that like people would like put him on a pedestal for,
1:17:20 but he doesn't want, you know, praise for those things.
1:17:23 You know, like, he is just a very genuine, great dude.
1:17:27 He's been a great friend to me.
1:17:28 He's, you know, he's always been in my corner.
1:17:30 He's always believed in me and fought for me in situations.
1:17:34 And man, he truly is a great dude.
1:17:39 And, you know, I get that that's, you know,
1:17:43 he's my friend.
1:17:45 So yeah, he's great to me, but I've seen him
1:17:49 in every situation you could possibly see him.
1:17:50 And he's just a great dude.
1:17:52 And, you know, kind of to what you're saying,
1:17:54 I've asked him, like, 'cause he's been around
1:17:57 the who's who of everyone, you know, I mean,
1:17:59 he's set in every nice suite at the Super Bowl
1:18:03 that you could possibly, you know.
1:18:04 So I've asked him, like, hey, man, how is,
1:18:06 who is, how is this person?
1:18:08 And he won't tell you.
1:18:09 I'm like, what do you mean?
1:18:11 He's like, well, dude, well, they're all nice to me.
1:18:15 - Oh, but are they nice to the help?
1:18:16 - Exactly. - Are they nice
1:18:17 to the person that parks a car for him?
1:18:18 - 100% dude. - Yeah.
1:18:20 - And knowing that he thinks about people that way
1:18:23 can, to me, tell you how great of a person he is.
1:18:26 Because he won't even say so-and-so is a nice person.
1:18:30 He's like, because they're all nice to me, man.
1:18:32 Like they're all, but like, how are they treating the person
1:18:35 that just press the button on the elevator for him?
1:18:38 You know, like at the Super Bowl or whatever it is, you know?
1:18:40 And I have seen him literally like,
1:18:43 stop and shake the hands of people at the end, dude,
1:18:45 it would make their day.
1:18:46 Like the people building the stage at the stadiums or whatever.
1:18:50 He just, he is a very caring, genuine dude.
1:18:53 And there's no more I can say about it than that.
1:18:56 - So without, you know, violating confidence or whatever,
1:18:58 like give us an example of like,
1:19:01 while I was talking to you at dinner last night.
1:19:02 So back when Albert Pujols was still on the St. Louis Cardinals,
1:19:06 there would be after games.
1:19:09 And I think Bob Stoops here, you know,
1:19:10 when he coached for OU, he would do something similar to this.
1:19:12 So I might be mixing stories just a little bit.
1:19:15 But like after a game, and the games are get done, you know,
1:19:17 10 o'clock at night or, you know, whatever.
1:19:20 He would get cleaned up and he would go to a local
1:19:22 children's hospital without his manager,
1:19:25 without a PR team, nobody taking pictures.
1:19:28 And he would just go and talk to kids that were sick
1:19:31 and just sit with them and talk to their parents.
1:19:33 And you know, sign stuff, and he'd bring them stuff
1:19:36 and all that.
1:19:37 And then he would just, like he wasn't being whisked
1:19:39 in an unmarked SUV and whisked out like, you know,
1:19:43 some mega church pastors.
1:19:44 Like he was literally just going in there
1:19:46 and just serving these kids when there were no cameras around.
1:19:49 And so like, I kind of have like a dissonance with that
1:19:51 because it's like, okay, I saw this video the other day.
1:19:54 It's like, hey, do you know you can pray for homeless
1:19:56 people on the street without recording it
1:19:57 and putting it on TikTok?
1:19:59 But it's like, but then you do that
1:20:00 and you put it on TikTok and you remind people,
1:20:02 hey, you should be doing this.
1:20:03 And look at what the Lord did in this moment, aren't we?
1:20:05 So glad we have the encouragement of the video going around.
1:20:08 So I kind of like, I don't want to know the stories,
1:20:10 but I do want to know the stories.
1:20:11 But like, is there like a story that comes to mind
1:20:13 where, hey, Luke did this thing, no one knew about it,
1:20:15 but he just like kind of spoke to his character a little bit?
1:20:18 - Well, I mean, a few different things.
1:20:21 And let me say this, Luke's the people that are around Luke
1:20:24 also can tell you like how great of a duty is,
1:20:27 like the people that work for him,
1:20:28 because they are unbelievable as well.
1:20:30 Like so, and I say that to say, we were in Europe.
1:20:34 I toured with him in Europe back in 2023.
1:20:37 We were there for a month touring like 18 different cities
1:20:41 in Europe.
1:20:42 And there was a young kid who was a cancer patient
1:20:47 who unfortunately has passed away,
1:20:51 but they came to the show.
1:20:53 And dude, just like he literally,
1:20:56 what he interacts with like that,
1:20:59 he talks to him like they're the only person,
1:21:00 like he is just, he's a golden dude, man.
1:21:03 Like he truly is.
1:21:04 And another instance, I think this happened years ago,
1:21:08 like this is very early on.
1:21:11 I think he was still touring in a sprinter van
1:21:14 when this happened.
1:21:15 And I was with him.
1:21:16 It was like me, him and his band.
1:21:21 And we were in a sprinter van.
1:21:26 And he was crushing it, dude.
1:21:27 I mean, he was crushing it at the time.
1:21:30 And I believe we were in Oklahoma City.
1:21:32 And I watched him literally give a life-changing tip
1:21:35 to this girl at a restaurant.
1:21:37 And when I say life, I'm talking like...
1:21:40 - He don't have to get another.
1:21:41 - Could be life-changing. - Tell me on fair, yeah, yeah.
1:21:44 - And I saw him do it, dude.
1:21:45 And this girl broke down and he was just like,
1:21:48 she was like, can we take a picture?
1:21:52 And he was like, yeah, absolutely.
1:21:54 And just, but he didn't do it.
1:21:57 He didn't want me to know that he did that.
1:21:59 The only reason I knew that he did it
1:22:01 is 'cause she's like walked back up to the table
1:22:03 and she's crying and I'm like,
1:22:04 well, she's been happy this whole time
1:22:06 while she crying all of a sudden.
1:22:07 And then we leave and he's like,
1:22:09 I was like, bro, wow, you gotta tell me,
1:22:10 otherwise it's gonna drive me nuts.
1:22:12 And he told me, but he didn't want nobody to know that.
1:22:17 So he's just a good dude, man.
1:22:19 - And it kind of reminds me, I've heard a lot of stories
1:22:21 of Shaquille O'Neal, 'cause again,
1:22:23 like that was probably my favorite, you know,
1:22:26 that one of my favorite players
1:22:27 when I was watching the NBA, like growing up and stuff,
1:22:29 like I was just so dominant and just like a,
1:22:31 you know, like they were changing rules
1:22:32 and they had to like change the structure of the backboards
1:22:37 'cause he kept like bringing down an NBA game.
1:22:39 So it's just like insane.
1:22:40 But I've heard so many stories of him
1:22:43 just paying for all kinds of stuff, right?
1:22:46 Like just, but like not doing it in public,
1:22:49 but like literally going to Walmart,
1:22:51 'cause he's done some of this on on film,
1:22:52 like going to Walmart and just finding the single moms
1:22:55 in Walmart and being like, hey, let's walk around
1:22:57 and let's get your kid a bike, let's get some toys.
1:22:59 Like, hey, and then just giving us some cash here.
1:23:01 Here's for diapers and groceries and stuff like that.
1:23:04 And so it's good when you hear stories like that
1:23:06 'cause we don't really like the stories of people
1:23:08 who are really not doing those things.
1:23:09 But, you know, even for Luke,
1:23:12 'cause I tell people all the time,
1:23:14 I'm like, don't put your faith like in your favorite artist
1:23:17 or your favorite podcast or your favorite, you know,
1:23:19 pastor or whatever, 'cause you know,
1:23:20 they can always let you down.
1:23:21 And part of it is like, if the veil is taken off
1:23:24 and it's like, oh, this guy's a complete [inaudible],
1:23:26 like it'll kind of like crush you a little bit.
1:23:28 And like, I remember like, as a kid,
1:23:30 you find out kids, like guys aren't really, really nice
1:23:33 or even when you see guys that are like really mean to kids,
1:23:36 like they won't even stop and give a kid a handshake
1:23:38 or a picture and all, it's like, man,
1:23:39 that's like kid's whole life, he's seven.
1:23:41 Like stop and take a picture, you fricking jerk.
1:23:43 But like Luke Combs' music is important to me
1:23:49 if for nothing else because of the one album
1:23:51 that like you didn't help him with at all.
1:23:54 And so like, I've told you about and you've listened
1:23:56 to my episode where I talked about fathers and sons.
1:23:59 And like, okay, by the time he releases that record,
1:24:03 he's already a mega superstar, he's selling out arenas.
1:24:05 Like he's, you know, he's been, I think,
1:24:08 Entertainer of the Year a couple of times and all that.
1:24:11 And then he's just, okay, I'm gonna put out an album
1:24:15 of all like fatherhood type stuff.
1:24:18 And you can correct the record
1:24:19 'cause I just wanna kind of hear like the behind the scenes
1:24:22 of this album because I thought I'd heard the record label
1:24:26 or whoever the executives were like, okay,
1:24:28 we can do a song, a fatherhood song, like on your next album,
1:24:32 but we can't do like a whole concept album
1:24:34 of just father and son, you know, type stuff, manhood type stuff.
1:24:38 It's not gonna sell, it doesn't make any sense.
1:24:40 Like why would you do that?
1:24:41 Let's just kind of keep the gravy train moving with,
1:24:43 you know, rinse, repeat, you know, keep your sound,
1:24:45 like keep making records that people can sing along to.
1:24:48 So like when were you kind of made aware of this?
1:24:51 And I know you didn't work on it
1:24:52 'cause you were doing some of your own stuff,
1:24:53 but like what's your understanding,
1:24:56 kind of where the sound came from?
1:24:57 Because I mean, it's just had a huge impact.
1:24:58 - Yeah, from what I understand is that,
1:25:03 you know, he was in an album cycle of needing to,
1:25:09 you know, starting to put a record together.
1:25:12 And he was a new dad.
1:25:14 And so he was writing, you know, these kinds of songs.
1:25:18 And then people were, you know, people would send him,
1:25:20 you know, you know, half songs, like verse, chorus of an idea,
1:25:24 whatever.
1:25:25 And they were, everybody knew he was a dad.
1:25:29 So they would like try to, you know,
1:25:31 they would send him, you know, an idea of a dad song or whatever.
1:25:34 Well, then it turned into like,
1:25:35 well, I like this one and I like this one and I like this one.
1:25:38 And it's like, well, this album cycle,
1:25:40 it probably don't need to do it like.
1:25:42 - Yeah, you can't put like three dads on there.
1:25:44 - It's either I can only do like maybe one or two on this record,
1:25:47 which I think would have been growing up or getting old.
1:25:54 They did like growing up getting old
1:25:56 and it was like the getting old part, right?
1:25:58 I think, I can't remember exactly.
1:25:59 But anyway, so maybe I could do one or two on there
1:26:02 or I could just take all the ones I love
1:26:05 and go make an actual Father's Day release
1:26:09 of a Father's son's record.
1:26:10 That's how I understood it all happened.
1:26:12 But yeah, I didn't have a song on there.
1:26:15 I was kind of busy doing radio tour on on.
1:26:17 And also, I'm not a dad to I'm a girl dad.
1:26:21 So, but man, that record is unbelievable.
1:26:25 - Like I can literally remember it was,
1:26:28 I was like scrolling TikTok or whatever, like, you know,
1:26:30 looking for content to repurpose on our stuff.
1:26:34 And the, so it was hunting by myself.
1:26:39 It was some, some hunter had like posted this video
1:26:42 with those in the background and like,
1:26:43 I had never heard of it.
1:26:44 I obviously, okay, that's Luke Holmes's voice and all that.
1:26:46 And then I think Luke said, hey,
1:26:48 should I release a whole album of stuff like this?
1:26:50 And I remember sitting there and I think at the time,
1:26:52 my boys were probably three and one, maybe like a three
1:26:57 and nine months old, something like that.
1:26:59 And I remember the hunt by yourself again.
1:27:00 And I've told everyone on my own, it's a million times,
1:27:02 I didn't grow up hunting.
1:27:03 I wish that I had grown up hunting by like,
1:27:05 my dad didn't hunt, his dad didn't hunt.
1:27:07 Like I was playing baseball and I was trying
1:27:09 to get straight A's and so there was a whole lot of time
1:27:11 to go sit in a deer stand.
1:27:12 I didn't have anyone to take me, right?
1:27:13 And so in like, I don't, I don't fault my dad for that.
1:27:16 It's like, oh, my dad didn't teach me astrophysics.
1:27:18 Like he wasn't astrophysicists.
1:27:19 So you don't hold that against somebody.
1:27:21 So it just kind of is what it is.
1:27:23 But hunting is important to me being able to look for
1:27:26 and provide provision through meat for your family,
1:27:28 for other families.
1:27:29 And so I'm learning and I'm making like rookie mistakes
1:27:32 in my thirties, you know, when it comes to hunting,
1:27:34 so that my boys can just grow up having always hunted.
1:27:38 So that can get that skillset can be passed down.
1:27:40 And I remember when it hit the course of that
1:27:43 and where dude, I'm like getting upset,
1:27:46 even just thinking about it.
1:27:47 Cause I just like, I broke down crying at the thought of like,
1:27:50 oh my gosh, if I do this right,
1:27:53 eventually I'll be hunting by myself again.
1:27:55 I was just like, oh, and then I like send it to Joe B
1:27:58 cause like his son JP was about to graduate high school
1:28:00 and like, you know, you know, he probably blubbered.
1:28:02 He would never admit it,
1:28:03 but he probably blubbered on his backyard
1:28:04 while I sit there watching the birds
1:28:05 or whatever he does with his spare time.
1:28:07 But then when the whole album came out,
1:28:10 like I remember distinctly just about every single song,
1:28:15 like it was like Mike Tyson one, two like uppercut
1:28:18 punching me right to the fields.
1:28:21 And it was like, I was like, is this because
1:28:23 these are just that impactful?
1:28:25 Is it because I'm a boy dad now?
1:28:26 Is this having the same impact on somebody else?
1:28:29 But like the ripple effect for me,
1:28:31 I talked about it on the show, other dads
1:28:33 that maybe weren't country music guys,
1:28:35 maybe we're Luke Holmes guys or all that,
1:28:37 and I said, that's one of the most important records
1:28:41 like for fathers, like, and I forget all the grandiose
1:28:44 things I said about it,
1:28:45 but like the ripple effect and the impact of that
1:28:47 has been substantial for a lot of people.
1:28:50 - It is.
1:28:51 I mean, and I too related to that record.
1:28:52 I mean, I have a dad who, you are a son.
1:28:55 - I am a son, you know, and I have a brother
1:28:57 and I had a great dad, you know, my dad is awesome.
1:29:00 He grew up taking us hunting.
1:29:02 And so like I did relate to it.
1:29:03 It's just, I related to it from a different place
1:29:06 than you would 'cause you're our dad, two sons, you know.
1:29:09 But yeah, man, that record was so good.
1:29:13 - And you can just find yourself
1:29:14 and all kinds of things on that record and then, okay.
1:29:16 And then he got kind of back to the normal schedule thing.
1:29:19 But one of the things that you and I talked about a lot
1:29:23 is so you're a believer, you know, your first,
1:29:26 you cut your teeth, you know, doing gospel music
1:29:28 and all that and you kind of always been a Christian
1:29:31 and we can talk, well, yeah, let's talk country music
1:29:33 and theology because, you know, for all intents, purposes,
1:29:38 Luke Combs is one of your best buddies, not a believer.
1:29:42 - Yeah.
1:29:43 - And I told you whenever, 'cause, you know,
1:29:46 people that have just found me in the last year,
1:29:48 you're in half, they don't know this,
1:29:49 but I almost ended my career
1:29:51 'cause I had two vocal cord surgeries
1:29:53 within a couple of months
1:29:54 'cause the first one was unsuccessful,
1:29:56 had a class vocal cord,
1:29:57 have had a class vocal cord for God knows how long
1:29:59 and who knows how it happened.
1:30:01 First surgery was not successful.
1:30:02 I could not speak above a whisper and I was fully healed.
1:30:05 So they had to go back in there and, you know,
1:30:07 take out the implant, put it into implant.
1:30:09 They woke me up in the middle of surgery
1:30:10 to try to make me talk while I'm my next wide open
1:30:13 so they can, you know, it's a whole nine yards.
1:30:15 And so my first recording back
1:30:18 after I had kind of gotten my voice back
1:30:21 and I'm on the, you know, the upswing with my recovery
1:30:23 and rehab and all that was country music theology.
1:30:27 So that's such an important thing to me
1:30:29 because that idea was stuck in my brain for months.
1:30:33 So I'm sitting in a chair, a recliner.
1:30:36 That's where I would have to sleep
1:30:37 with a giant gash on my neck,
1:30:39 trying to make sure I don't sneeze so that, you know,
1:30:41 that the stitches don't pop and like, you know,
1:30:43 you can't really hug your kids or, you know,
1:30:45 do all that 'cause you're just scared of getting your neck,
1:30:47 you know, bopped or whatever.
1:30:48 And for me, my show is kind of cathartic, right?
1:30:53 'Cause I need to think through my philosophies,
1:30:55 think through my opinions and then I need to write it
1:30:57 and then I need to, you know, record it
1:31:00 and then I need to put it out.
1:31:01 And then once it's out there into the world,
1:31:03 it's out there now and then I feel like I can move on.
1:31:05 I just couldn't move on from this concept
1:31:06 and for anyone that has not listened to the episode,
1:31:08 I would encourage you to go back to it.
1:31:09 But ultimately it was when you're doing ministry
1:31:13 in the south, right?
1:31:14 So if you're in Oklahoma or Georgia or Texas
1:31:16 or Tennessee or whatever, a lot of people think
1:31:19 they're Christians because they're Grandmama,
1:31:22 always went to church because they got baptized
1:31:24 when they were a kid, because they believe in God,
1:31:27 because, you know, they, when they vote,
1:31:30 they vote Republican and they listen to 90s country music,
1:31:32 which is the best version of country music.
1:31:35 And they think that's what saves them
1:31:36 'cause God likes all those things.
1:31:38 And it's like, well, then we start talking to the person.
1:31:41 It's like, well, you know, God doesn't save last names.
1:31:44 He saves first names.
1:31:45 God doesn't have grandchildren, right?
1:31:47 He has children.
1:31:49 And it's like, no, no, no, getting dunked in water
1:31:52 doesn't mean anything.
1:31:53 That is after you have postuode, Joby,
1:31:57 after you have put your faith in,
1:31:58 transferred your faith into the, you know,
1:32:02 the sin debt that was paid for on the cross.
1:32:04 Baptism is the first public expression
1:32:08 of an internal reality.
1:32:09 - For sure.
1:32:10 - Okay, so getting dunked is just getting dunked,
1:32:12 but baptism should be a public expression.
1:32:14 And so you're trying to figure out
1:32:18 like your own country music theology, like, oh, you know,
1:32:21 you just raised, you know, do more good things
1:32:23 than you do bad things and God will let you in the club,
1:32:25 but it's like that's not biblical, that's not Christianity.
1:32:29 That's country music theology.
1:32:31 But then here you are interacting with a lot of guys
1:32:33 that may think, hey, I'm a good guy.
1:32:34 I leave life changing tips, you know,
1:32:37 I'm nice to the help and all that.
1:32:39 So like, how does that all kind of mix into y'all's relationship
1:32:43 and kind of how you approach things?
1:32:45 Because again, the depravity in the country music world
1:32:49 is just like the depravity in the hip hop world.
1:32:51 It just sounds different and looks different.
1:32:53 Like I remember going to a PBR event
1:32:55 and the amount of like scuzzy looking hooker girls,
1:32:58 it's the same thing if you were to go to a hip hop show,
1:33:00 but it's just, it's wrapped in the American flag
1:33:03 and George Strait and it's so it's like somehow acceptable.
1:33:06 You know what I'm saying?
1:33:07 - Yeah, for sure.
1:33:07 Yeah, man, oh, where to start.
1:33:11 So, you know, again, I've been a believer
1:33:17 for, you know, most of my life.
1:33:19 I very early on, you know,
1:33:24 I was kind of scared into salvation a little bit, I think,
1:33:28 partly.
1:33:29 - Same.
1:33:30 I got a Hellfire and Brimstone Pre-Johnna Sunday afternoon.
1:33:32 - Exactly.
1:33:33 - Hell sounds awful, I don't want to go there.
1:33:36 So yes, that kind of thing, you know, and I did believe,
1:33:41 I believed the story.
1:33:47 I believed all the things, you know what I mean?
1:33:49 And to this day, but the put your faith in part was like,
1:33:53 I didn't realize that I hadn't done that.
1:33:55 I thought I had, right?
1:33:56 So I want to back up a little bit.
1:34:00 So I had wrote some songs with Luke
1:34:04 and they turned in to hits.
1:34:09 One of those songs in particular was a song called "Doing This"
1:34:14 and it got nominated for a Grammy
1:34:16 for Best Country Song of the Year, whatever.
1:34:20 So, which I thought was awesome.
1:34:23 I mean, it's a great thing.
1:34:25 And so, but I kept like, I would kind of,
1:34:30 what's the word I'm looking for?
1:34:33 I would try to be like false humility, right?
1:34:36 Like of like, kind of like, oh, it ain't nothing,
1:34:40 but hey, you got nominated for Grammy, you know?
1:34:43 Yeah, right, so, and I kept like,
1:34:46 I would be playing songwriter rounds
1:34:47 and I'd be doing this and I just,
1:34:49 it kept being like me, me, me, look what I did,
1:34:51 look what I did, kind of stuff, right?
1:34:53 And dude, the Lord got ahold of me.
1:34:54 This is probably, probably two years ago at this point.
1:34:58 And I just felt the Lord say,
1:35:02 bro, you haven't done anything.
1:35:05 Like you, yeah, you wrote this song,
1:35:07 but you haven't done anything.
1:35:08 And not once have you think to me
1:35:10 for what the song did, you know?
1:35:12 And dude, it was in that moment where I was like,
1:35:14 okay, I'm sorry, Lord, sorry.
1:35:18 And the Lord just began to work on me
1:35:20 and I realized that that song wasn't written just for Luke.
1:35:23 That song was also written for me.
1:35:25 That song tells Luke's story of like how,
1:35:28 if he wasn't playing music, you know,
1:35:30 the whole thing is like, if I wasn't doing this,
1:35:31 I'd still be doing this.
1:35:32 It just might look different, right?
1:35:34 Like, and so I realized that I wouldn't even be able
1:35:39 to do this if it hadn't been for the gifts
1:35:41 that God gave me when I was born, right?
1:35:44 So he gave me the gift of writing songs.
1:35:46 He gave me the gift of singing.
1:35:48 He gave me the gift of music, you know?
1:35:51 And here I was, I wasn't thanking him.
1:35:52 So I wouldn't even be able to do this.
1:35:54 So the reason that I do this should be to glorify God
1:35:58 in what I'm doing, right?
1:36:00 And so he began to get my attention with that.
1:36:03 Probably two years ago, I picked up and started reading
1:36:07 if the tomb is empty, you know?
1:36:09 This was all about the same time.
1:36:11 And it wasn't like, I really wasn't searching for the Lord.
1:36:15 I knew the Lord.
1:36:16 And I'm getting to country music, like I had country music,
1:36:19 theology, I don't, like I have the Lord.
1:36:22 It wasn't, I wasn't a believer and I need to be saved.
1:36:26 It was just like, man, I'm not, I'm not doing what I'm supposed
1:36:30 to do on this earth, which is glorify God.
1:36:32 Like I'm not, he's given me these gifts and these talents.
1:36:36 And I'm not using them to like glorify him, right?
1:36:39 So he uses a song I wrote doing this to get my attention
1:36:44 for all those things.
1:36:45 And so time goes on.
1:36:47 And I began to like fill the Lord like nudging me
1:36:54 for whatever reason.
1:36:55 He's just like every, just the Holy Spirit just kept,
1:36:58 you know, convicting me, but I didn't know
1:37:00 what it was convicting me of, like what is going on?
1:37:02 And I just kept ignoring it, ignoring it.
1:37:05 And so this was in the middle of the process
1:37:11 about a year and a half ago now,
1:37:14 starting to start the process of recording
1:37:16 my first full-length project under my record deal
1:37:20 at Warner Music Nashville.
1:37:21 And I felt like God like trying to get my attention,
1:37:24 didn't really nobody was trying to get my attention for,
1:37:26 but I'm like, not right now, God.
1:37:29 Everything I have worked for is happening.
1:37:31 I'm finally doing a full-length project.
1:37:33 The record label is going to send another song
1:37:35 back to country radio.
1:37:36 Finally, after four years, I'm not having one.
1:37:38 Like this is what, this is what we planned on God.
1:37:41 Like this is what we wanted.
1:37:42 Like, you know, that it's finally happening,
1:37:45 like not right now.
1:37:46 And so I just kept ignoring it.
1:37:51 And then finally I, about a year ago now,
1:37:56 or about the same time I started meeting
1:38:03 with the men's pastor at my church on a weekly basis.
1:38:06 And then I had read Joby's book.
1:38:09 He had found out that I was a fan of his book.
1:38:12 I was coming to Jacksonville for,
1:38:14 I was on the Luke Holmes Stadium tour in 2024.
1:38:20 And we were playing the stadium in Jacksonville there.
1:38:22 And Joby found out I was coming.
1:38:24 I was on that tour.
1:38:26 Took me golf and came to the show the next week.
1:38:30 Joby's like, hey, man, I would love to mentor you,
1:38:33 disciple you, whatever you need, you know?
1:38:35 So I started having these men come into my life
1:38:37 and I'm like, okay, this is weird.
1:38:40 And now I look at, I'm like, God, man, God was,
1:38:42 he was literally preparing me.
1:38:44 He was preparing me.
1:38:45 He was, and you said this last night,
1:38:46 he started to use people to put kindling around me, right?
1:38:50 And so, and I knew the Lord was trying to get my attention.
1:38:54 I just didn't know what for or why.
1:38:56 And so he's putting all these people around me.
1:38:58 I'm starting to grow in the Lord.
1:39:01 Like I'm starting to really read my Bible
1:39:04 and understand what it's saying.
1:39:05 I'm like consuming Joby's messages.
1:39:08 I'm consuming undaunted life.
1:39:09 I start finding things like I want what I'm desiring something.
1:39:14 What am I desiring?
1:39:15 'Cause here I am playing these stadium shows.
1:39:17 I play 30 minutes.
1:39:18 I have the time of my life.
1:39:19 I mean, awesome, dude.
1:39:20 I mean, thousands of people are like singing along, whatever.
1:39:25 And then I get off stage and I'm like,
1:39:26 I want to be home right now.
1:39:28 Yeah. I want to be home right now.
1:39:29 Why am I, why do I, why I'm enjoying this, but I'm not.
1:39:34 Like why?
1:39:35 And so time goes on.
1:39:40 I just keep ignoring God.
1:39:41 And then finally December of 2024, I met my church.
1:39:44 And I don't even know why.
1:39:47 Like I don't know why.
1:39:49 I don't remember exactly what the preacher preached on that
1:39:52 morning, but I just remembered at the end of that sermon.
1:39:55 I'm like, okay, God, I'm sorry.
1:40:01 I've been stubborn, I've been ignorant.
1:40:05 You've been trying to get my attention for what feels like
1:40:08 probably a year and a half at this point.
1:40:10 And I just pushed you away.
1:40:14 You know, it's not what I wanted.
1:40:16 I'm scared of what it is you're trying to tell me to do.
1:40:18 Like this is my career.
1:40:20 Like I feel like you're trying to,
1:40:22 I don't know what it is, God.
1:40:23 I don't know.
1:40:24 I was like, hey, why are you trying to derail this?
1:40:25 Yes, exactly.
1:40:26 That's what I felt.
1:40:27 I'm like, I'm scared.
1:40:28 Why are you trying to derail what you gave me?
1:40:29 Exactly, exactly.
1:40:30 And so, because I thought that I was doing what you wanted me
1:40:33 to do, God, you know?
1:40:34 And so, I'm like, God, okay, here's the deal.
1:40:39 I'm stubborn, ignorant, here's the deal, God.
1:40:43 I need you to tell me what you're trying to tell me,
1:40:45 but I need you to do it in a way that leaves no doubt
1:40:48 that I can't deny what you're telling me.
1:40:50 I need it to be so clear that you're saying,
1:40:52 hey, this is what I'm trying to tell you.
1:40:55 I need you to tell me that way because again,
1:40:57 I'm stubborn, I'm ignorant, I'm a big dummy.
1:41:00 Like, tell me, that was it.
1:41:03 They was over, prayed that prayer.
1:41:06 Dude, I didn't think any more about it.
1:41:07 I didn't think, you know, I mean, obviously I still felt
1:41:10 like the Lord was trying to get me my attention,
1:41:13 but like, I just prayed that prayer and I was like,
1:41:15 it didn't feel like a burn the ships moment in the moment.
1:41:17 No, no, not at all, not at all.
1:41:20 I was just like, well, if either he's gonna reveal it
1:41:22 or he's not, you know, kind of thought.
1:41:24 So I go about my week, five days later, Friday rolls around.
1:41:28 Me and my wife are out of Christmas shopping.
1:41:31 My manager of 10 years, who also manages Luke Combs.
1:41:35 He's me and Luke are like the first two people
1:41:37 he started managing when we moved to Nashville 10 years ago.
1:41:42 He calls me and I've got him on the speaker phone
1:41:48 and I have no idea what, I have no idea what he's calling me for.
1:41:53 Like, no idea in the world.
1:41:56 And he just starts going, hey, man,
1:41:58 I know this country music thing is your dream
1:42:02 and like, it's what you moved to Nashville, to Chase.
1:42:05 I know that you love it so much.
1:42:08 And he just keeps going on like that and I'm like,
1:42:12 Kathy, what are you, just get it out, dude.
1:42:15 Like, what are you trying to tell me?
1:42:17 And he goes, man, I don't know how to tell you this,
1:42:21 but for the last week, and let me preface this,
1:42:23 Kathy is an unbeliever.
1:42:24 And me and him, I've had conversations,
1:42:28 he has no problem with me talking about this.
1:42:30 He's an unbeliever.
1:42:32 He is on a journey with the Lord right now,
1:42:34 with God right now, he's figuring it all out.
1:42:38 - Okay. - Okay.
1:42:39 But when he calls me, he's an unbeliever.
1:42:42 I mean, he's lost.
1:42:43 - And he's calling me out of the blue.
1:42:44 - He calls me out of the blue.
1:42:45 He goes, man, I don't know how to tell you this,
1:42:48 but for the last week,
1:42:52 I've been waking up in the middle of the night
1:42:54 around three o'clock in the morning
1:42:55 and I cannot get you off my mind.
1:42:57 Like, and I don't know, I didn't know what it was.
1:43:01 I said, he said, but there's this,
1:43:03 and I've been scared to tell you this,
1:43:04 and he keeps beating around the bush.
1:43:06 I'm like, Kathy, just tell me, dude, what did tell me?
1:43:09 And he goes, man, I don't know how to tell you this,
1:43:11 but there's this voice that,
1:43:13 when I wake up in the middle of night three o'clock,
1:43:14 there's something, there's a voice,
1:43:16 there's something telling me,
1:43:17 I'm supposed to tell you,
1:43:18 you're supposed to sing songs about Jesus.
1:43:21 You're supposed to be a Christian artist.
1:43:23 And I'm like, I go, what?
1:43:25 Well, he thinks that my reaction of what is like,
1:43:28 negative, I'm [inaudible], you know?
1:43:31 And so he starts like walking about, he's like, well,
1:43:34 you know, I just didn't, you know,
1:43:38 and I'm like, no, no, no, no, no, Kathy,
1:43:40 listen, bro, five days ago,
1:43:42 Sunday morning, I prayed that God would send
1:43:45 the most undeniable sign
1:43:48 that I'm supposed to do something different,
1:43:50 and I need to know exactly what it is I'm supposed to do.
1:43:52 And I said, bro, he's used you,
1:43:57 he's woken you up in the middle,
1:43:59 he's been waking you up in the middle of the night
1:44:01 to deliver this to me.
1:44:02 Like this, this is, I'm not offended, bro,
1:44:05 this is, I asked for this.
1:44:07 And he goes, what do you mean you prayed for it?
1:44:09 I'm like, dude, Sunday morning at church,
1:44:11 I prayed that God would send,
1:44:12 I felt like God was trying to tell me
1:44:14 I'm supposed to do something different.
1:44:15 I asked him to send me the most clear sign
1:44:19 that I would not be able to deny it.
1:44:22 I said, he's been, an unbeliever,
1:44:23 he's been waking up in the middle of the night
1:44:25 to tell me to sing songs about Jesus.
1:44:27 Like what, that, it can't,
1:44:28 don't get no more undeniable than that.
1:44:31 And he goes, when did you pray that?
1:44:33 I said, Sunday morning, he said,
1:44:34 that's weird Sunday nights when I started
1:44:35 waking up in the middle of the night.
1:44:36 - Bro, come on.
1:44:38 - And I'm like, oh my gosh.
1:44:39 And dude, it was just the most real,
1:44:42 like the most real experience of the Holy Spirit
1:44:45 of like God going, ha, I got you, pal, I got you.
1:44:48 Like don't, don't be scared, you know.
1:44:52 And so I, Joby Martin was the first person I called.
1:44:55 He's like, hey, I'm going through security
1:44:58 at the airport or something.
1:45:00 Can I call you right back?
1:45:00 Yeah, sure.
1:45:02 Joby calls me back.
1:45:03 I tell him exactly everything I just told you.
1:45:05 And he goes, have you listened to my message
1:45:08 from last night?
1:45:09 And I go, no.
1:45:10 And so this is Friday, his Thursday night message,
1:45:14 this particular week was a message called
1:45:15 why do we doubt or why do you doubt or something like that?
1:45:18 And he's basically talking about Peter is in the boat
1:45:21 and he's looking at the Lord and the Lord's like,
1:45:24 come on, Peter, you know, and the minute Peter doubts,
1:45:27 he falls in the water, right?
1:45:29 So, but Joby's like, but Peter got out of the boat.
1:45:33 And in his message, he's going,
1:45:35 there's some of you out there.
1:45:37 There's some of you that are sitting in the boat.
1:45:39 - Yep.
1:45:40 - You're scared to get out of the boat
1:45:41 'cause you're scared of what God has for you
1:45:42 and you're sitting there and you won't even get out of the boat.
1:45:45 You won't even get out.
1:45:47 You need to get out of the boat.
1:45:48 That's his message, dude.
1:45:49 And I'm literally watching this
1:45:51 after everything that has just happened this morning
1:45:53 on this Friday morning, December 6th.
1:45:56 And now I'm watching Joby say,
1:45:57 you just, the Lord wants you to get out of the boat
1:45:59 and I'm like, oh my goodness, Lord, I see you.
1:46:02 Like I see you.
1:46:04 And then two days later, I'm at my church and I go to
1:46:08 Long Hollow Church and right outside Nashville
1:46:12 and my pastor there, Robbie Gallady, he's preaching
1:46:14 and he's preaching on the parable of the talents
1:46:17 and how we're gonna, we store up treasures in heaven.
1:46:20 If like using art, using what the Lord's given us
1:46:24 for his glory, right?
1:46:26 And I'm like, oh, it was a dude.
1:46:28 It was literally just the Lord just kept.
1:46:31 I'm like, okay, God, when I pray that you would make it
1:46:34 undeniable, I see it.
1:46:36 You have like sending my unbelieving manager,
1:46:40 waking him up in the moonlight to call me and tell me this.
1:46:42 Like that was, I believe that.
1:46:44 And now you sent me a message from Joby
1:46:47 and now my pastor's preaching this.
1:46:49 And dude, it literally kept going.
1:46:50 It was one thing after another.
1:46:51 - No, not subtle.
1:46:52 - No, it was like, the Lord would like punch me
1:46:55 and then he'd right hook me and then he left hook me
1:46:57 and he's like, don't you see me, you big dummy?
1:46:59 You know, that's what I felt.
1:47:00 And I'm like, Lord, I see you, I see you.
1:47:03 And dude, so as of this, as of sitting right here,
1:47:08 I am, as an artist, I have asked out of my record deal.
1:47:18 And I don't know what the Lord has for me.
1:47:20 I think, you know, my plan is to continue writing country songs
1:47:24 for anybody.
1:47:24 If there's someone that, if I write a country song
1:47:26 and someone believes in it, wants to record it.
1:47:29 I don't believe the Lord has asked me to stop that.
1:47:32 But on the artist side of things,
1:47:34 I'm gonna be putting out music.
1:47:36 And hopefully, honestly, by the time this comes out,
1:47:38 I hope that I may have some music out.
1:47:39 So, but it's gonna be music that it literally,
1:47:46 it's the gospel, dude.
1:47:46 It's country, it's gonna sound country like country music,
1:47:50 like modern country music,
1:47:51 but it's going to have the gospel in it.
1:47:53 I think that's what the Lord has literally
1:47:57 specifically asked me to do.
1:47:58 - Dude, the story is just like,
1:48:03 so it's still powerful hearing it from you the first time,
1:48:05 but Joby and I were driving out to encounter,
1:48:08 that's like the hunting encounter they do
1:48:10 for Church 11, 22ers every, you know,
1:48:12 November or December or whatever.
1:48:14 So we're driving to Wherever'sville, Georgia.
1:48:17 And he tells me the story, and you and I hadn't met yet,
1:48:20 I don't even think you and I had ever talked yet.
1:48:21 And he kind of told me the story and I'm like,
1:48:23 "Wait, what?"
1:48:25 Like, it's non-believing manager called,
1:48:26 like that's not a, like that's not a nudge.
1:48:31 That's like a shove from the Lord,
1:48:33 where it's like, because of where the message came from.
1:48:36 - And that's a lot of people have gone,
1:48:38 well, why can't you just keep your record deal
1:48:40 and just keep doing like, like, there's nothing wrong
1:48:44 with what you're doing?
1:48:45 No, I didn't say there was, there wasn't,
1:48:47 if you go listen to, I mean, I put out my last full length
1:48:50 project, the one I was talking about,
1:48:52 is a record called Camouflage Cowboy.
1:48:54 There are very faith, some faith-based songs in there.
1:49:00 You know, I ended the record with an old gospel hymn.
1:49:04 I don't think there was anything wrong
1:49:06 with what I was doing.
1:49:07 - Yeah, and why can't I continue to do that?
1:49:11 - Well, I could.
1:49:13 That's not what God has asked me to do.
1:49:15 He didn't say, "Hey, bro, keep singing your faith-based."
1:49:18 Why would he have gotten the attention of me
1:49:21 through my unbelieving manager if what I was doing was okay?
1:49:24 Like, why, my manager's like, you're so,
1:49:27 he was like, this thing's telling me you're supposed
1:49:29 to be a Christian artist and sing songs about Jesus.
1:49:32 Well, I was, what I was doing was kind of that,
1:49:36 but obviously that wasn't, the Lord didn't,
1:49:38 he wants me to do something more specific.
1:49:40 - Like, he's the one you'd be on,
1:49:41 country music theology, you know what I mean?
1:49:43 - Exactly, and so, dude, it's, I know I kind of got
1:49:48 into this whole story, but on the country music theology,
1:49:52 but for so long, I was, I was that country music theology
1:49:56 guy, I was like, well, I'm a Christian.
1:49:58 You know, and I sang about it in my songs, like, you know,
1:50:03 but man, I had not really postuode, I guess, in a sense, you know?
1:50:08 - Well, and you and I talked about last night
1:50:10 about the process of sanctification, like, okay,
1:50:13 'cause there are people that are like,
1:50:14 oh, I thought I was saved as a kid, but then, you know,
1:50:16 I fell away, but I'm really safe now.
1:50:19 It's like, your moment of salvation could have been
1:50:22 when you were a child, and you made the wrong decisions
1:50:27 and you distance yourself from God and distance yourself
1:50:31 and stop listening to the Holy Spirit.
1:50:33 And then something got your attention and got you
1:50:35 to come back around on the back end.
1:50:37 And so, that is a description of your sanctification,
1:50:39 not your salvation. - Exactly.
1:50:41 - And so it's like, but you just had some delayed
1:50:43 sanctification going on. - And people get confused
1:50:45 and I'm here to encourage anyone that's listening
1:50:47 to this right now that, like, hey, like, it's okay, right?
1:50:52 'Cause I think for a lot of, you know, also to the growing
1:50:57 up in the South, I mean, there's a lot of legalistic stuff,
1:51:01 like, don't drink, don't you and don't go to girls who do.
1:51:05 - Yep. - And so.
1:51:07 - And if you're Baptist, never ever dance.
1:51:08 - Right, it's like so, I think a lot of that was like,
1:51:13 in my head too, you know, like, oh, maybe, I, you know,
1:51:18 I've drank, like, you know, like, is that bad?
1:51:24 Like, so, so I felt like, honestly, obviously
1:51:29 in country music, I mean, everybody's drinking.
1:51:33 So like, I felt in those moments that when I was drinking,
1:51:36 because of kind of the background that I had in the church
1:51:40 as a child, that like, well, I can't be a great Christian,
1:51:45 or I can't be a Christian and do these things,
1:51:47 but when I do them, I don't feel like I'm doing anything wrong.
1:51:51 Like, I'm not getting like drunk, you know what?
1:51:54 So that was kind of, until I realized, okay, hold on.
1:51:59 And then I read Joby's book,
1:52:01 run over by the grace train, and I'm like, hold on.
1:52:04 This version of grace is way different than anything I,
1:52:07 even, and so I do believe that when I was a child,
1:52:10 I understood Jesus died on a cross for me.
1:52:13 Why?
1:52:15 You know, and like, somehow it counted for me.
1:52:21 Like, I don't know how I counted, but somehow it did.
1:52:23 Like, he did die, and he did go in a grave,
1:52:26 and he was resurrected, and I believe
1:52:29 that as a child.
1:52:29 So I do believe that I was saved as a child.
1:52:32 But again, the sanctification process of my life
1:52:36 was country music theology, you know?
1:52:38 - Yeah, do nice things, like listen to nice music,
1:52:41 wrap yourself in an American flag, and it'll all be okay.
1:52:44 And I think that's the difference whenever we discuss,
1:52:47 like again, Joby teaching people about push duo,
1:52:50 because we talked about Jordan Peterson last night.
1:52:52 This is a man, very, very smart man,
1:52:55 a man that I'm a huge fan of for a lot of different reasons.
1:52:57 - Correct.
1:52:58 - On record now, as saying that he believes
1:53:01 that Jesus was resurrected from the grave.
1:53:04 He is on record saying that Jesus is God.
1:53:07 And it's interesting, it was two atheist podcasters
1:53:09 that got him to admit those two things.
1:53:11 It wasn't, you know, some Christian country artists
1:53:13 trying to like put him in a corner.
1:53:14 - Yeah.
1:53:15 - But there's also no evidence that Jordan Peterson
1:53:21 believes that that counted for Jordan Peterson.
1:53:24 And that's what push duo is.
1:53:25 You're transferring your faith into that reality.
1:53:27 - Right, it's not believe that, it's believe in.
1:53:29 - Right, and so, and maybe you can help,
1:53:32 because I think somebody listening to this needs
1:53:34 to hear this, because this helped me.
1:53:36 Do you know, what's the analogy of the chair?
1:53:39 I think Joby's used it before.
1:53:41 - Okay, yeah, so explain that.
1:53:42 - Yeah, I use this all the time.
1:53:43 And I think I used some version of this
1:53:45 before Joby explained it.
1:53:46 He, you know, I explained it way better than him,
1:53:48 'cause he's kind of an idiot.
1:53:49 That Joby Martin guy, like I wish he could know
1:53:51 how words worked, but okay.
1:53:52 So when you walked in the studio this morning, right?
1:53:56 - Yeah.
1:53:57 - You looked at the table and you saw,
1:53:59 you recognized on your side of the table
1:54:01 that that was a chair.
1:54:02 - Correct.
1:54:04 - And you recognize that as a chair,
1:54:06 because you have an evidentiary basis that that's a chair.
1:54:10 Why?
1:54:11 It looks like a chair.
1:54:12 It's got the elements of a chair.
1:54:13 It's got legs.
1:54:14 It's got a seat.
1:54:15 It's got a back on it.
1:54:17 And you've got experience with chairs,
1:54:19 'cause you've seen a lot of chairs that look vaguely,
1:54:22 at least like what that chair looks like.
1:54:25 But in that moment,
1:54:27 knowledge of what a chair is,
1:54:30 and knowledge of, I believe that that's a chair,
1:54:34 you have yet to provide faith in the fact that it is a chair
1:54:38 because you have not transferred your weight of your body
1:54:42 into the chair and you have not transferred the fact
1:54:45 that I believe it's going to uphold my body
1:54:48 when I sit there, right?
1:54:50 That's the line.
1:54:51 So that's where people that I know and love,
1:54:53 people that are listening to this right now,
1:54:55 and you know exactly who I'm talking about.
1:54:58 They believe in God.
1:54:59 They were baptized when they were a kid,
1:55:02 and that's good enough.
1:55:03 Don't say another word.
1:55:04 I don't want to hear anything else.
1:55:06 Well, you know, but hey, but Jesus,
1:55:09 and the demons even believe,
1:55:10 and they shut her at the thought.
1:55:13 But hey, you know what?
1:55:14 You get to have your opinions and I get to have mine.
1:55:16 You are entitled to your own opinions.
1:55:17 You are not entitled to your own facts, okay?
1:55:20 And so you can look at that and say,
1:55:23 I believe that's a chair.
1:55:24 I know that's a chair.
1:55:26 You put me in the corner and I say,
1:55:27 yeah, I believe that's a chair,
1:55:29 but have you placed your faith in the chair, right?
1:55:33 'Cause guess what?
1:55:34 You didn't make the chair, you didn't put the chair there.
1:55:36 The only thing you bring to the chair is your faith
1:55:39 that it is that and sitting down onto it
1:55:42 and allowing that to uphold you.
1:55:43 That is the gospel when Jesus died on the cross
1:55:47 at Calvary, Uncle Gatha, right?
1:55:49 Whole long story about that, which I absolutely love, right?
1:55:52 When he did that, that provided a payment,
1:55:55 a payment that satisfies, right?
1:55:57 A propitiation of your sin debt, right?
1:56:00 And then your sin debt was paid in full to tell us die, right?
1:56:03 It was paid in full, right?
1:56:06 What is your role as it pertains to the gospel?
1:56:08 You bring your sin to the cross and you bring your repentance
1:56:13 and you push to, oh, you put your faith in
1:56:15 that when Jesus died on the cross,
1:56:17 that somehow that you don't fully understand
1:56:19 because we have finite brains that that counted for you.
1:56:23 Now, what is required of you?
1:56:25 Oh, now you have to be the ultimate rule follower,
1:56:28 the ultimate rulekeeper, the ultimate, well, hey, you know,
1:56:30 don't cuss, like do all that, like, no,
1:56:35 but you should be on the start of a sanctification process
1:56:38 that changes everything about you for the good.
1:56:42 Repentance is not saying I'm sorry super fervently
1:56:46 and with a lot of gusto.
1:56:47 Repentance is I was going this way
1:56:49 and I'm turning 180 degrees away
1:56:52 from my self-driven sinful desires and lifestyle.
1:56:56 And I am going to, in my best ability imperfectly,
1:56:59 gonna follow the dictates of God
1:57:01 and to follow the promptings of the Holy Spirit
1:57:03 as I move forward in this world.
1:57:05 And I'm gonna share about the transforming faith
1:57:09 and what I believe with other people
1:57:11 so that they can be invited to postuo in the chair as well.
1:57:14 That's what we're doing.
1:57:15 - Yeah, yeah.
1:57:16 And you don't have to be scared
1:57:18 to put your faith in the chair.
1:57:19 - No, it's a chair, right?
1:57:21 He's God, you don't have to be scared to put your faith in him.
1:57:24 - And when it's God's chair,
1:57:24 you know, when you put your way down on it's not gonna break.
1:57:26 It's not gonna, it's not a false chair, like it's not.
1:57:29 Now, there are plenty of false gospels out there
1:57:31 that look like chairs.
1:57:32 - Yeah, for sure.
1:57:33 - And one of the false gospels is hey boo, you do you, right?
1:57:37 What false gospels is chase money, get honeys, right?
1:57:40 That's a false gospel.
1:57:41 And then there's Christian sounding false gospels,
1:57:43 like new thought that Melissa Doherty
1:57:45 has taught a lot of people about
1:57:46 to where things kind of sound Christian,
1:57:48 they're bereft of any type of biblical theology,
1:57:52 like, or a biblical reality.
1:57:53 Hey, Jesus is just a guru
1:57:56 that said a bunch of really nice things.
1:57:57 He was a pacifistic, you know, communist somehow
1:58:01 that just would never tell anyone
1:58:03 that what they were doing was wrong.
1:58:04 He would never judge them.
1:58:05 He would never do any of those things.
1:58:06 And you know what, technically you're God.
1:58:08 Like you are divine.
1:58:10 Like, and if you send posy vibes into the atmosphere,
1:58:13 it'll connect with other posy vibes and rain down,
1:58:16 you know, positive things on you.
1:58:17 And hey, if you touch my hand,
1:58:19 'cause I'm a mega church pastor
1:58:20 and I've got two jets,
1:58:21 that's somehow you will receive blessings.
1:58:23 There's plenty of false gospels out there, baby.
1:58:26 But the true gospel is the only one
1:58:28 that when you sit, you will not fall.
1:58:30 Yeah, for sure. That's reality.
1:58:31 Yeah, man. That's so good.
1:58:34 And, you know, I think that's kind of,
1:58:38 I have discovered that.
1:58:39 And two, like, I think I realized like, okay,
1:58:44 well, why do I need to do this, right?
1:58:47 Well, to, you know, the whole store-up treasure
1:58:50 and heaven kind of thing, right?
1:58:51 Like, there's more to this than that.
1:58:54 Like, I, to glorify God and like,
1:58:58 to use my talents and to glorify Him
1:59:01 and to be a witness for Him, to folks who, you know,
1:59:05 who have honestly been in my shoes.
1:59:07 And that's like the reason why,
1:59:08 another reason why I'm like,
1:59:09 well, I can't, it's gotta be,
1:59:11 there is literally a line drawn.
1:59:13 This was a country, this was a country music career.
1:59:16 This is this new thing, right?
1:59:18 And because it's not just music.
1:59:22 Like, it's the gospel and I want to share the gospel, you know?
1:59:27 And God gave you a voice.
1:59:28 For sure. And dude, hopefully I will get back on the tour.
1:59:32 You know, hopefully one day, you know,
1:59:34 I'll be back on like the country music tours.
1:59:40 I think that what I'm gonna do is, you know,
1:59:42 can be on a country music tour.
1:59:44 I think it can be on a country music festival.
1:59:46 I mean, dude, right now, I mean,
1:59:48 this is the, I think you're gonna release this
1:59:50 a little after we record it.
1:59:51 But today, today, whatever today's date is,
1:59:55 I'm supposed to be in Indio, California,
2:00:00 playing stagecoach tonight.
2:00:01 That's where I was supposed to be.
2:00:04 But when the Lord called me out of this,
2:00:06 I was like, I got to cancel all the shows.
2:00:10 And everybody was like, oh, why?
2:00:11 They were like, don't you think the message
2:00:14 that you're wanting to deliver
2:00:15 should be for those people too?
2:00:18 And I'm like, okay, yes, but here's the deal.
2:00:20 I don't want people showing up to those shows
2:00:22 expecting to hear the stuff that, you know,
2:00:27 I've played for, 'cause I'm not,
2:00:29 that's not who I am as an artist anymore.
2:00:31 Like I am going to share the gospel.
2:00:34 - Camel Flush Cowboy is a chapter in your life
2:00:37 as an artist and it's just moved on
2:00:39 to a different part of the book.
2:00:40 - Exactly, for sure.
2:00:41 And so I don't want for one,
2:00:43 I don't want them to be disappointed
2:00:46 that I'm not going to play those songs.
2:00:48 But also I don't have anything to play.
2:00:50 I mean, this is so new.
2:00:53 I've written like literally a very small amount of songs
2:00:57 for what I'm going to do next.
2:00:58 And when the Lord sends me,
2:01:01 every time he sends me one, I go write it, you know?
2:01:04 And so, but man, it's just I,
2:01:08 but I am also in the best place in my life
2:01:11 because I just, the Holy Spirit has like,
2:01:14 just reminds me daily, bro, just keep being obedient.
2:01:19 Just keep being obedient.
2:01:21 Just keep, and honestly man, put your yes down.
2:01:24 And a lot of it, and I didn't mention this,
2:01:28 but I think this could be for somebody out there.
2:01:30 I had hit songs, I mean, homemade,
2:01:35 forever after all, Luke Holmes, doing this Luke Holmes.
2:01:39 Blake Shelton just recorded a song of mine
2:01:41 that hopefully is going to be a single for him at some point.
2:01:44 I went along, I never tithed to my church, never.
2:01:51 And dude, about a year and a half ago, I was convicted.
2:01:54 I'm like, we got, we got to start giving.
2:01:57 Like what am I doing?
2:01:59 - Yeah.
2:02:00 - And dude, it's literally just obedience
2:02:02 of what the Lord wants from you.
2:02:04 He starts to work in your life and you get consumed.
2:02:07 So it's literally, I'm just trying to not get off,
2:02:10 not run this thing off the rails.
2:02:12 I'm just trying to walk in obedience.
2:02:14 So like it started with, you know, me realizing,
2:02:19 you know, through an unbeliever asking me questions
2:02:21 that I didn't know much about the Bible.
2:02:22 I needed to know more about the Bible,
2:02:23 started digging into that, beginning to get convicted
2:02:26 that I'm not giving, start giving, start meeting
2:02:28 and being, surrounding myself with kindling
2:02:32 that I didn't even know that's what it was
2:02:33 at the point in time, you know,
2:02:35 around other men who are believers.
2:02:37 And just continue to walk in obedience towards the Lord,
2:02:40 spend more time in the Word.
2:02:41 And then he, along the way, after being obedient
2:02:46 for that period of time, he sends my unbelieving manager
2:02:48 to deliver a message that I prayed for.
2:02:50 Like that, this isn't happenstance.
2:02:53 I don't believe in, you know, coincidences
2:02:57 don't exist in my life that, you know, to this standpoint.
2:03:01 I just, everything is just orchestrated by the Lord.
2:03:03 And I'm just seeing it clearly now.
2:03:04 And I think it's always been there.
2:03:06 Just, I had, again, this veil was over my eyes, right?
2:03:09 - Well, let's talk kindling a little bit,
2:03:11 'cause we brought that up a little bit last night.
2:03:13 I think it was Matt Chandler,
2:03:13 the first person to say it because it's like, okay,
2:03:16 you can't guarantee your kid's salvation.
2:03:18 You can't, you know, get them saved,
2:03:20 but all you can do is put kindling in and around them, right?
2:03:24 And so, 'cause I think about it,
2:03:25 'cause I know people that were in Christian homes,
2:03:28 fervently Christian mother and father,
2:03:31 private Christian school, you know,
2:03:33 they went to all the camps, they did all the things
2:03:35 and they're adults now and they're far from the Lord, right?
2:03:37 And a lot of them are not believers.
2:03:39 - Yeah.
2:03:40 - Then you got the guys who grew up in abusive households
2:03:43 and, you know, were never around the Bible.
2:03:45 And then here they are, you know, in their 30s
2:03:47 and they're, you know, in the process of ODing on heroin
2:03:50 and they hover over their body for a second
2:03:52 and then they zips that back into their body
2:03:54 and then all of a sudden they end up in a church
2:03:55 and all that, okay, and then these people are Christians
2:03:57 and then they become missionaries.
2:03:58 So everyone's got their own story of how
2:04:00 they found the Lord and how they got there.
2:04:02 But kindling, you asked me a question last night
2:04:05 because we were talking about,
2:04:06 forget what we were talking about that brought it up,
2:04:11 but we were basically talking about how people,
2:04:13 or do you remember what you were saying?
2:04:14 - Yeah, so I believe in what you're getting at, I think,
2:04:16 is we were talking about not putting your faith
2:04:19 in pastors, right?
2:04:20 And I'm like, but man, dude, like,
2:04:23 and I don't think Joby wouldn't have a problem
2:04:24 with us using him as an example.
2:04:26 I love that dude.
2:04:27 Like, like that dude has been like awesome for me.
2:04:30 Like man, and like, I've had my dad, but I've never,
2:04:35 but like a man like him to like really put their arm around me
2:04:40 and believe in me as more than just a songwriter
2:04:43 and a country music singer to like want to pour
2:04:46 into my life, like he's been awesome for me.
2:04:49 And so when I hear you say,
2:04:51 "Hey, don't put your faith in these guys
2:04:53 that they can let you down," you know what I mean?
2:04:55 Like, well, that's kind of scary to me.
2:04:58 'Cause I'm like, okay.
2:04:59 Then I asked you, I'm like, "Hey, how do we make sure
2:05:01 that don't happen?"
2:05:02 - Yeah, so that's where we got to last night,
2:05:04 'cause every time something like this happens,
2:05:06 we're a pastor falls or, you know, we find out,
2:05:09 you know, what Steve Lawson did.
2:05:11 We find out what Andy Stanley is doing.
2:05:12 We find out what, you know, allegedly Robbie Zacharias
2:05:15 did before he passed away.
2:05:17 And I'm just like, I'm a reminder of my guys,
2:05:20 pick your favorite pastor, Toby Martin Matt Chandler,
2:05:22 Vody Bockham, John McCarthur, whoever your favorite guy is.
2:05:25 Don't put your faith in that person.
2:05:26 Pick your favorite country music singer,
2:05:28 pick your favorite politician, pick your favorite athlete.
2:05:30 You know, I'll put your faith in these people.
2:05:32 They will let you down.
2:05:33 Your favorite podcaster, if that's me,
2:05:35 don't put your faith in me.
2:05:36 I put myself in the same category
2:05:38 because some is gonna maybe take them out.
2:05:40 They may have a bend toward the chemical.
2:05:42 It might be money, it might be honey.
2:05:43 Like, we don't really know what it's gonna be.
2:05:45 - And then it can cause you to question your--
2:05:47 - Right, you get saved at a RZIM, Robbie Zacharias event.
2:05:50 And then we find out, allegedly,
2:05:52 that he was a horrible sexual deviant.
2:05:55 And then now you're questioning your own salvation, right?
2:05:57 And that's not a good thing.
2:05:58 But you asked me, how can we put,
2:06:00 'cause we were talking about Kenling,
2:06:01 you know, how can we put Kenling around these guys?
2:06:04 And I said, well, no, that's not how you ask it.
2:06:07 You asked like, how can we make sure
2:06:09 that those guys can't fall?
2:06:10 And what did I say?
2:06:11 - You said you can't.
2:06:12 - You can't, you flat out can't do it.
2:06:14 Just like you can't work out on their behalf.
2:06:16 You can't eat well for them.
2:06:18 You can't study the Bible for them.
2:06:20 You can't pray, you can pray for them,
2:06:22 but you can't pray for them as them, right?
2:06:25 - Yeah, for sure.
2:06:26 - And so, but I said, what you can do
2:06:28 is put Kenling around them, right?
2:06:30 So you feel some kind of way about Joby
2:06:33 kind of putting his arm around you
2:06:34 because like, you know, Joby to me,
2:06:35 it's like he's somewhere between like a much older brother,
2:06:38 much uglier older brother or an uncle or a father.
2:06:43 Like he's kind of like this amalgamation
2:06:44 of just a really important man in your life.
2:06:46 And as you said, he's got his arm around you
2:06:48 and it's like, oh my gosh, this feels great.
2:06:49 But what I can do for a guy like Joby
2:06:54 is when we're driving down the road,
2:06:56 you know, on our way to go hunt or do something else,
2:06:58 I can be like, hey man, how you doing?
2:07:00 And not like, hey brother, how you been?
2:07:03 Like that kind of thing.
2:07:03 No, no, no, no.
2:07:05 Hey man, things good at home?
2:07:06 - Yeah.
2:07:07 - You and JP still connected.
2:07:09 Are you in Reagan company?
2:07:10 Are still like, you know, she's still seeking after the Lord.
2:07:12 Hey, are your elders elders, right?
2:07:15 Are they laughing at your jokes a little bit too much
2:07:18 when they're not funny?
2:07:19 Like, hey, you still working out?
2:07:21 Hey, you still, you still, you know,
2:07:22 taking yourself on this, you still eating meat?
2:07:24 Like, hey, like, and you're just,
2:07:27 you're providing an opportunity for him to say,
2:07:29 no, actually, you know, my daughter and I
2:07:32 are, we're at odds right now
2:07:33 and I can't seem to break through with it,
2:07:35 which is not true, I'm just making this up.
2:07:36 Like Reagan can be the best.
2:07:37 But like, you know, you're giving them the opportunity
2:07:42 and what you're also doing, Drew,
2:07:44 is you're giving them the opportunity
2:07:46 to invite you to get up under the bar.
2:07:49 That's on their back, okay?
2:07:51 So I've used an example similar to this before,
2:07:53 but it's like, you know, you're a barbell athlete,
2:07:56 you're a squat guy, you know, precisely the amount of weight
2:08:00 you can put on the bar that would crush you, okay?
2:08:02 So even if you're really, really strong, right?
2:08:05 If I put 2,000 pounds, if I put a ton on the barbell
2:08:09 and then get under it and try to back squat it,
2:08:11 it's gonna, it's gonna destroy me.
2:08:13 It's gonna snap my spine in half.
2:08:15 It's gonna like, absolutely destroy me.
2:08:17 And that 2,000 pounds might be your life.
2:08:20 It might be the weight of your business.
2:08:21 It might be the weight of your ministry.
2:08:22 It might be the weight of your family.
2:08:23 It might be the weight that's been put on you
2:08:26 by having a kid gone prodigal.
2:08:27 It might be the weight of a sickness.
2:08:29 It might be the weight of a financial issue
2:08:31 that's going on right now.
2:08:32 But you as a man can invite other men
2:08:37 to get up under the bar with you, right?
2:08:40 - Yeah.
2:08:40 - You don't get to get up under,
2:08:42 you don't get to get off the bar.
2:08:43 - Yeah.
2:08:44 - You are in the middle of the bar.
2:08:45 But if I put five guys on either side
2:08:48 and I'm there in the middle,
2:08:50 we can get that 2,000 pounds off the rack and down
2:08:53 and up again.
2:08:54 - 100%.
2:08:55 - We can do that.
2:08:56 But I can't do that by myself.
2:08:57 And so when you're having these real conversations
2:08:59 with these men, men that might be untouchable, right?
2:09:03 That seem untouchable, right?
2:09:04 They're famous for whatever reason
2:09:06 or they have a big influence in the community
2:09:08 you live in, whatever.
2:09:09 But you're allowing them the opportunity
2:09:12 to invite you to get up under the bar.
2:09:14 And again, I say this all the time, guys,
2:09:16 if you get that invitation,
2:09:18 you better get up under that damn bar, right?
2:09:20 - Yeah, for sure.
2:09:21 - And if a guy welcomes you into his life
2:09:22 and says, "I want you to provide accountability for me,"
2:09:25 you better provide accountability.
2:09:26 And if you're the one asking for accountability,
2:09:29 when you get it, you better respond like a man.
2:09:31 - For sure.
2:09:32 - You better take the rebuke.
2:09:33 - 100%.
2:09:34 - And you better operate accordingly.
2:09:35 Why?
2:09:36 Because this man loves you
2:09:36 and he put relational chips in the center of the table
2:09:39 for not his benefit, for your benefit.
2:09:41 - 100%.
2:09:41 And so I think if you're in a group
2:09:46 of men, a de-group, whatever it is,
2:09:50 you'd like to call him your foxhole.
2:09:52 - Yeah, yeah, foxhole, mac carriers.
2:09:54 - All those.
2:09:55 - Okay, those guys.
2:09:56 - Okay, if you care about the guy sitting across from you
2:10:00 at your forging table, if you care about this man.
2:10:04 - Yeah.
2:10:05 - Tell him what you're struggling with
2:10:07 because you know what you're gonna do.
2:10:08 - Yeah.
2:10:09 - You're gonna break the barrier.
2:10:11 You're gonna break this veil.
2:10:12 You're gonna break this ice.
2:10:13 You're gonna shoot the elephant in the room, okay?
2:10:17 If you care about the dude sitting across from you,
2:10:20 tell him your struggle.
2:10:20 'Cause you know what you're gonna do?
2:10:21 You're gonna shoot the elephant in the room
2:10:22 and he's gonna tell you about his.
2:10:24 - You're modeling to them.
2:10:25 - 100%.
2:10:26 You're like, wait, this guy trusts me enough
2:10:28 to tell me that he's struggling with X,
2:10:30 whatever it is, porn, lust, money,
2:10:34 whatever the things are, right?
2:10:36 He could fill in the blank with anything.
2:10:39 Tell him what you're struggling with
2:10:40 and he's gonna go, man, this guy trusts me to tell me that.
2:10:44 Man, I need it.
2:10:45 Now I feel a little bit of freedom
2:10:48 'cause now I can tell him what I'm struggling with.
2:10:49 - Right.
2:10:50 - And dude, there is so much freedom.
2:10:52 And to me, that is manning up.
2:10:55 It's like, you know what I mean?
2:10:57 You wanna man up in front of your friends
2:11:00 and tell them what you're struggling with.
2:11:01 That's a man up.
2:11:02 - Well, dude, that's what we were talking about
2:11:04 in terms of men's ministry.
2:11:05 We were talking last night,
2:11:06 talking at the beginning of this conversation.
2:11:08 You know, a lot of men's ministries
2:11:10 have taken the physical part too far.
2:11:12 And somehow they've wrapped up their manhood
2:11:15 in the number of pullups they can do
2:11:17 or how fast they can do the Murph
2:11:19 or, you know, how much they can deadlift.
2:11:22 And dude, I'm pro all those things.
2:11:24 I do the Murph every year.
2:11:25 I deadlift every week.
2:11:26 Like I do hard things physically
2:11:28 'cause God gave me one body, right?
2:11:30 And I know you and I talked about that
2:11:31 because you're not as much on the physical side of things.
2:11:34 But it's just like God gave me one body
2:11:36 and what if he requires something of me
2:11:37 that's gonna take my body and my body's not ready for it?
2:11:40 Right, I use the example of, okay,
2:11:41 you're helping dig water wells for tribes in Africa
2:11:45 or whatever.
2:11:46 And you know, the place where you're working
2:11:48 is a couple miles down a dirt road
2:11:49 and you've got these high luxes
2:11:50 that you pile all the stuff in every single day
2:11:52 and you drive down the road.
2:11:53 Whoops, the high luxes went missing
2:11:55 or they're not running anymore.
2:11:57 Do we just not build water wells today?
2:11:59 Is that just, oh, or are we gonna start putting stuff
2:12:02 on our back and walking our tush
2:12:03 a couple miles down the road
2:12:04 so that we can help prepare these people?
2:12:07 But if you're not ready for that,
2:12:08 it's too late for training.
2:12:10 You're in the moment.
2:12:11 If an image bearer of God is being violated physically
2:12:14 and you don't know how to fight
2:12:15 and you're physically incapable of using your body
2:12:17 to stop somebody 'cause you're fat worthless
2:12:19 and you haven't taken care of your body your entire life.
2:12:22 You've just been feeding your body Cheetos and Dr. Pepper.
2:12:25 Well, you're not ready to intercede in this moment, right?
2:12:28 You don't have the skill, the desire
2:12:30 or the know-how to intercede in this moment.
2:12:32 That's why I talk about the physical.
2:12:34 But it's kind of like what a lot of people have said.
2:12:36 It's like, look, I like hunting,
2:12:39 I like going off road, I like working out, I like jerky,
2:12:43 I like whiskey, I like cigars.
2:12:44 And as Joby would say, all those things make me awesome.
2:12:47 They don't make me a man though, right?
2:12:50 - 100%.
2:12:50 - And for me, in what we talk about in a Don life,
2:12:52 a man is a male, it's stupid that I have to even start
2:12:55 the sentence, a man is a male.
2:12:56 But here we are in the dumbest time in human history.
2:12:59 But a man is a male that cultivates spiritual, mental
2:13:01 and physical resilience on a daily basis.
2:13:03 - Yep.
2:13:04 - What in the world does that require of you?
2:13:06 Spiritual, mental, physical resilience, not strength,
2:13:09 strength wanes over time, it always goes down as you age.
2:13:11 Resilience, that's the one thing you can continue
2:13:13 to get better at as you age is resilience,
2:13:16 not typically strength, right?
2:13:18 And so like, that's what a man does.
2:13:20 And if you do that, guess what?
2:13:21 You're gonna be loving your life and an Ephesians wife
2:13:23 in a Ephesians five way, you're gonna be raising up your,
2:13:26 well, it goes back to the lawyer that tried to trip up
2:13:30 Jesus as we see in the gospels and ask him, you know,
2:13:32 what's the greatest of all the laws?
2:13:33 And Jesus takes a singular question, turns it into
2:13:36 a dual answer, he says, one, love the Lord to God
2:13:38 with all your heart, soul, mind and strength.
2:13:41 Heart, soul, mind and strength.
2:13:43 Oh, and also the second is like it.
2:13:45 Love your neighbor as yourself.
2:13:46 Okay, well now that we need to talk about neighbors,
2:13:48 what does that mean?
2:13:49 What is your primary neighbor as a human being?
2:13:51 Your spouse, that is your primary neighbor.
2:13:54 If you're a male, you have to love your wife
2:13:55 in a sacrificial way as Christ loved the church.
2:13:57 And as a female, you are a helpmate made fit for him
2:14:00 and you are to protect his side and be at his side.
2:14:02 That's your primary neighbor.
2:14:03 Who's your secondary neighbor?
2:14:05 Your children, whom you have to raise up in the nurture
2:14:07 and admonition of the Lord and put as much kindling
2:14:10 around those people as anyone else that you would run into.
2:14:13 Who's your tertiary neighbor?
2:14:15 Everybody else, your friends, your pastors, your coworkers,
2:14:19 your job, all those things are tertially important at best.
2:14:24 And when things are in the right ordering,
2:14:26 then you're able to do the things in the order
2:14:29 and in the cadence that God has put before you
2:14:31 and has asked you to do.
2:14:33 But we live in the most disordered time period in history
2:14:37 to where men who have to provide for their families
2:14:39 or their worst and an unbeliever,
2:14:41 where they elevate that above loving God
2:14:43 with all their heart, soul, mind, and strength
2:14:45 and above every neighbor.
2:14:47 And so they build this career,
2:14:48 they build this life for themselves and they realize,
2:14:50 wait, I didn't bring anyone along with me.
2:14:52 Oh, and I'm at a place right now where nobody can check me.
2:14:56 Nobody can tell me, hey, brother,
2:14:58 you're screwing up right now
2:14:59 'cause they've insulated themselves
2:15:01 from all this negative feedback and it's just,
2:15:03 yeah, that's where a lot of these men's ministries go wrong
2:15:06 to where it's like, they go the lone wolf route
2:15:08 and it's like, watch animal planet.
2:15:10 What happens to lone wolves, they die alone.
2:15:12 Like that is not a good plan.
2:15:14 Don't do the lone wolf thing.
2:15:15 - Yeah.
2:15:16 Yeah, I think there's a lot of times
2:15:20 and this is just really something that became evident to me.
2:15:25 I think a lot of times we get it wrong
2:15:28 and I really don't have the ground to stand
2:15:31 on to speak on this, but I've just seen it
2:15:33 and I was kind of part of this.
2:15:34 Like we want the hand raised, but then we're...
2:15:38 - Where's the size of the shot?
2:15:39 - We're not equipping, no one's equipped
2:15:44 and I talked about this and I don't wanna get too much
2:15:46 in the weeds of this 'cause there's some information
2:15:49 that I don't know about.
2:15:49 - Let's get in the weeds.
2:15:50 - We talked about, but it's some things we talked about
2:15:53 that I don't really want to get the public.
2:15:55 So 'cause it was a specific situation,
2:15:57 but I was put in a position where I was asked questions
2:16:01 about things and I was not equipped to answer them
2:16:03 and I literally felt like a loser,
2:16:05 like a guy searching on a journey towards the Lord
2:16:09 and he's got questions and I had no answers
2:16:13 because I'm not equipped.
2:16:15 And yes, that is partly on me.
2:16:18 I mean, it's mainly on me, right?
2:16:20 That I haven't equipped myself, right?
2:16:22 But also, where do I go to get equipped?
2:16:26 I mean, I can go read the Bible and I can do my hear journal
2:16:30 and I can read, we've talked about that,
2:16:31 but like, I need help, bro.
2:16:34 - Yeah, like I need help, you know?
2:16:36 Like some, I'm literally, I want to help somebody,
2:16:39 but I'm screaming for help because I can't help them
2:16:41 'cause I don't know how to help them.
2:16:43 - Yeah, the desire you don't have to know how.
2:16:45 - 100%, that's so--
2:16:47 - What?
2:16:47 - The mission of--
2:16:48 - Sorry, I get so impassioned about it
2:16:50 because I've been, I was the guy, like,
2:16:53 and thank God I had a Joby Martin and a Will Moore
2:16:57 and a Kyle Thompson and other men who saw me
2:17:02 and wanted to put their arm around me
2:17:03 and they were guys that knew how to help.
2:17:06 - Right.
2:17:07 - But now here, you know, but I was put in a place
2:17:09 before I had those guys where somebody was, you know,
2:17:14 I was Christian enough for them to have questions for me
2:17:17 and I didn't have a stinking answer.
2:17:19 - And that's why, so why are we here?
2:17:22 We're here to equipment to push back darkness, okay?
2:17:25 You can't push back darkness if you refuse to look for it.
2:17:28 So if you're covering your eyes,
2:17:30 if you're plugging your ears, if you,
2:17:31 oh, you don't wanna rock the boat with, you know,
2:17:33 culturally incendiary topics or things like that.
2:17:36 And so you're just gonna let, you know,
2:17:37 let bygones be got bygones.
2:17:39 You're gonna go along to get along.
2:17:40 You're just gonna be like a, you know,
2:17:42 a walking hallmark card with everybody,
2:17:44 never challenging anybody, any of those types of things.
2:17:47 And so we equip guys to notice darkness,
2:17:49 which causes me personally and all the people here,
2:17:52 everyone that's ever sat at this forging table
2:17:54 to, you know, get into some dark areas
2:17:57 and wade into some dark waters
2:17:59 and sit there in the milieu of that for a while.
2:18:02 But then we have to equipment how to do that.
2:18:03 We have to equip them with a voice.
2:18:05 You know, I do a presentation
2:18:07 how to destroy pro-abortion arguments.
2:18:12 And I teach people like, hey,
2:18:14 here's the top 18 pro-abortion arguments that are made.
2:18:17 And here are the questions you should ask back to somebody
2:18:20 because the person in power is not the person answering
2:18:22 the question, it's the person asking the question.
2:18:25 But then we get back to the scripture telling us
2:18:28 that we are to be able to be stand ready to provide
2:18:31 an apologia or apology, a reason for the faith that we have.
2:18:35 Does that mean you need to become William Lane Craig
2:18:38 and like be able to talk about every possible philosophical
2:18:41 underpinning of a certain thing in audiology?
2:18:43 No, does that mean you should study him?
2:18:45 Yes, does that mean you should study
2:18:47 and retactics by Greg Cocle
2:18:49 and understand how you can be putting rocks
2:18:51 in people's shoes?
2:18:53 Yes, does it mean studying something
2:18:54 like the Sandler language system?
2:18:56 That's a sales language system that people,
2:18:58 if they need to sell like, you know, life insurance
2:18:59 or whatever, like they learn the Sandler system,
2:19:01 but it's all about questioning strategy.
2:19:03 And it's because again, someone says something,
2:19:06 they ask a question, it could even be an angry question.
2:19:09 And you can diffuse the situation and inform them
2:19:12 just by asking a question back.
2:19:14 And so you were telling me about this person
2:19:15 that's very important to you, that I was asking you,
2:19:17 these heartfelt sincere questions about God-ish related stuff,
2:19:21 Jesus tangentially related stuff, right?
2:19:25 And you were just completely flat-footed.
2:19:28 Now, it didn't destroy the relationship,
2:19:30 it destroyed an opportunity, but again,
2:19:32 it's not your job anyway to argue somebody
2:19:35 into the kingdom of heaven.
2:19:36 However, you can't, you can't be one of those people
2:19:39 that's like, Christian apologetics is stupid,
2:19:40 you shouldn't do that either.
2:19:41 Because what was Peter doing whenever he was
2:19:44 at the Areopagus and like, when you see these different
2:19:47 people preaching in the book of Acts,
2:19:49 like what were these people doing if not being prepared
2:19:52 for their audience?
2:19:53 So if it was a mainly Jewish audience,
2:19:55 they would speak, you know, Paul, Peter,
2:19:57 the different people Barnabas, they would speak in this way.
2:20:00 If they were speaking to a mainly Greek secular audience,
2:20:03 they would start this way, but it all circled the drain
2:20:07 to the gospel of Jesus Christ and the reality
2:20:09 of the resurrection.
2:20:10 - And I think to this story, to put a period on it,
2:20:15 I do think that I probably put a little rock in a shoe,
2:20:20 but man, dude, I wish I could have given more.
2:20:24 Yeah, you know, and so I think to encourage other people
2:20:28 out there who honestly know, you know,
2:20:30 know what I'm talking about, whether you're on the side
2:20:33 that I was on or whether you're a very knowledgeable person.
2:20:36 Hey, bro, don't just give a description, right?
2:20:39 We could go back to this, don't just give a description.
2:20:41 Get prescribed somebody, you know, like help us, you know?
2:20:45 And I just think that's, men need that.
2:20:48 And I think men want it.
2:20:50 And it's obvious by some of, I was listening
2:20:53 to your podcast, some of the numbers, I guess,
2:20:55 that just recently come, I think these were like
2:20:56 maybe UK numbers, just right.
2:20:59 - Yeah, just in Briarly, we were talking about it.
2:21:01 You know, I think--
2:21:02 - Shocking uptick in the number of news emails
2:21:05 going to church.
2:21:05 - But dude, I can sense this.
2:21:07 I can see this, I--
2:21:09 - Yeah, amongst--
2:21:11 - So I've been asking everybody about coming awakening
2:21:13 because it's just like, it feels like it's in the air.
2:21:15 It feels like it's so thick that you can like grab
2:21:16 a fistful of it.
2:21:17 - And do part of me wonders, is this why the Lord go back?
2:21:23 The Lord started putting kindling around me.
2:21:25 Is he trying to prepare me to provide, not entertainment?
2:21:29 I don't want to call it that, but provide an outlet
2:21:33 for men, for some of these men to have music to go listen to
2:21:36 that is the gospel, bro.
2:21:38 - Yeah.
2:21:39 - Like, I don't know, I don't know what the Lord has.
2:21:41 - I actually want to talk about that
2:21:42 because I want to put a fine point on that
2:21:44 because again, it's kind of like a thing now in my show
2:21:47 about how much I'm not a fan of contemporary Christian music
2:21:50 and how I like Christian metal and I like those types of things.
2:21:53 But all kidding aside and no tongue in cheek,
2:21:56 when I listen to generic contemporary Christian music
2:22:01 that as a category, it doesn't sound pleasing to my ears.
2:22:06 Now, I love me some Shane and Shane,
2:22:09 but even some Shane and Shane songs, I'm like,
2:22:10 eh, yeah, I just don't really like it.
2:22:12 I love me some Phil Wickham, but there's even some
2:22:15 of his songs are a little bit too scinthey,
2:22:17 a little bit too poppy and it's just,
2:22:18 it's not my style, it's not what I like, right?
2:22:21 And you can do that with just about every artist,
2:22:23 like, if they're rarely an artist,
2:22:24 even if they're your favorite,
2:22:25 where you just like every single track on every single album,
2:22:27 like, and you can tell by the number of streams
2:22:30 you have of certain songs on certain albums
2:22:31 versus some of your favorites, right?
2:22:34 But for whatever reason, metal has always appealed to me.
2:22:39 It's kind of like last night,
2:22:40 I'm teaching you about scotch and different things.
2:22:42 I like I love scotches.
2:22:43 Those are incredibly PD, smoky, you know,
2:22:47 depending on like, Ardbegg is kind of like, you know,
2:22:50 road tar covered pirate ship, campfire,
2:22:54 I had dining awesome and it sounds terrible to other people
2:22:56 for whatever reason, the first time I drank it,
2:22:59 I just understood it and it agreed with my palette.
2:23:01 I didn't have to acquire the taste
2:23:02 or any of those types of things.
2:23:04 But I do not like even the implication
2:23:06 that if you don't like contemporary Christian music
2:23:09 and if you don't sing it with your full heart
2:23:11 and fallen out in the aisles at church,
2:23:13 that somehow something's wrong with you.
2:23:15 Because a lot of people like that style of music,
2:23:18 most people don't.
2:23:19 But I'm also not advocating for bringing, you know,
2:23:22 a Christian death metal band and pending doom
2:23:24 and letting them do your worship set
2:23:26 because that's not gonna appeal to a wide audience.
2:23:29 - For sure.
2:23:29 - But there are people like me that will worship God
2:23:34 at a POD show or a skillet show or a convictions show
2:23:40 or, you know, again, a pending doom for today,
2:23:43 even though they're not around anymore.
2:23:45 And that's all the genre of very holy name, right?
2:23:49 Obviously they're the inter-altrow music of our show.
2:23:51 And like convictions has said, you know,
2:23:54 we're aggressive worship music.
2:23:56 I have a shirt from holy name that says violent worship.
2:23:59 That's the way that they're couching it and all that.
2:24:02 And it may not appeal to you, you may not like it.
2:24:05 But when I listen to it, I feel close to the Lord
2:24:08 and I feel excited about digging into the Bible
2:24:11 and about sharing the gospel and all those things.
2:24:13 The same is true for people that can't listen
2:24:16 to Bethel or Hillsong or, you know, elevation or whatever.
2:24:20 But when they hear the altar music,
2:24:22 which is worship music with a banjo
2:24:24 and it's, you know, it's Johnson City, Tennessee
2:24:26 and it's more bluegrass, that type of thing,
2:24:28 that's where I feel like you're gonna provide, Drew,
2:24:31 is like, okay, maybe you're not into hymns.
2:24:34 Maybe you're not into contemporary Christian music.
2:24:36 You're certainly not into, you know,
2:24:38 heavy aggressive Christian metal.
2:24:40 You're just country guy.
2:24:41 You like country music.
2:24:42 You like three chords in the truth.
2:24:43 But you also don't wanna listen to music
2:24:45 that you feel like is violating your intellect or, you know,
2:24:50 it's kind of like a lot of Christian art.
2:24:54 It's like, hey, it's Christian art.
2:24:55 So you better like it.
2:24:56 I know the movie's terrible.
2:24:57 I know the songs aren't good, but you better like it.
2:25:00 Why?
2:25:00 'Cause it's Christian, pure flicks, right?
2:25:02 You know, watch it.
2:25:03 But it's like it's just not good.
2:25:05 So I feel like that's your vein.
2:25:06 And that's the lane you're about to go run down
2:25:08 to where it's like it's country music with balls,
2:25:11 but it's gospel at the same time and it's unapologetic.
2:25:14 - Yeah, for sure.
2:25:15 100%.
2:25:16 I mean, I think that is literally what the Lord
2:25:19 has asked me to do.
2:25:20 And dude, I'm so excited to say I'm nervous, scared.
2:25:25 I mean, some of that exists a little bit, but not really.
2:25:29 I mean, not as much as people think.
2:25:30 I mean, I have left, I mean, I had a record deal
2:25:34 on a major record label, you know, out of Nashville.
2:25:37 Like, and I have asked out of that.
2:25:38 Like people are gonna, when people find this out,
2:25:41 they're gonna think you have lost your mind.
2:25:44 But like, bro, the Lord literally said,
2:25:47 hey, I need you to do this.
2:25:49 You know how I know he asked me to do that?
2:25:51 'Cause he's been waking my unbelieving manager up
2:25:53 to tell me this.
2:25:54 Five days after I said, Lord, send me a sign
2:25:57 that I can't deny.
2:25:59 That's how I know.
2:26:00 And so, yeah, it looks, it's gonna, it seems crazy,
2:26:05 but bro, I'm excited, you know, I think there's people
2:26:08 that, you know, that want it, that need it.
2:26:12 And two, man, again, if this is for one person,
2:26:16 I'm good with that too.
2:26:19 - Hey, that's what we just talked about.
2:26:20 - I'm just trying to be obedient.
2:26:22 - So we talked about last night,
2:26:23 we won't put anybody on the hot seat,
2:26:24 but there was a very specific person
2:26:26 that you brought up last night.
2:26:28 - Yeah.
2:26:29 - No, guys, it's not Luke Holmes,
2:26:30 but there was a very specific person
2:26:31 that's very important in your life
2:26:33 that you said, if getting out of the country music,
2:26:37 Nashville thing and going into this Christian circle
2:26:40 saves that guy and that, that was the whole reason
2:26:45 behind all this, you would consider that worth it, right?
2:26:48 - A hundred percent.
2:26:49 - And again, it goes back to what you were talking about
2:26:51 is the treasures that are stored up in heaven, right?
2:26:54 And I always use the, you know, the word picture,
2:26:57 it's not accurate biblically, but I'm like,
2:26:59 man, I'm just putting another golden brick
2:27:00 in my driveway, right?
2:27:02 And so, 'cause again, all these crowns
2:27:05 that you're gonna get when you get to heaven,
2:27:06 do you know what's required of you when you get there?
2:27:09 You take the crowns and you lay them at the feet
2:27:11 of the Lord, right?
2:27:13 So even all the stuff that you stored up in heaven
2:27:15 because you did the right thing
2:27:16 and you shared the gospel when you were supposed to
2:27:18 and you made the music you were supposed to
2:27:20 and you did all the Christianese things
2:27:22 that you were supposed to do,
2:27:24 it's still not for your glory.
2:27:25 - And when you understand, and this is what it took for me,
2:27:28 when you understand the grace of Jesus
2:27:30 and what that meant when he died on the cross,
2:27:34 he gave his life for you, right?
2:27:38 You're like, and I go, when I understood that, right?
2:27:41 And I go, man, dude, I need some more crowns to lay at it
2:27:45 like this man's feet, right?
2:27:47 - Yeah.
2:27:48 - And so I've got 33, you know, I was saved as a young child,
2:27:52 so whatever the math is, I've got 20 plus years
2:27:55 of some catching up to do on storing up some crowns
2:27:58 to give this man who gave his life for me,
2:28:01 a dirty rotten human that deserves, you know, death, right?
2:28:06 But man, this man died on a cross for me.
2:28:10 And bro, I got some more crowns, I need to store up to give him.
2:28:14 So like, thank you, Jesus, for giving me a chance to do this.
2:28:16 And man, I'm gonna use it for your glory, so.
2:28:19 - Well, dude, I'm psyched for you.
2:28:22 You know, we talked a lot about some of the songs
2:28:23 that are coming out.
2:28:24 And again, guys, by the time you're listening to this,
2:28:25 like we're releasing it strategically,
2:28:27 so you should be able to go to Apple Music,
2:28:30 to Spotify, to YouTube, search through Parker,
2:28:33 and you'll be able to see kind of the stuff
2:28:34 that you're coming out with.
2:28:35 And this is where I always tell guys,
2:28:38 a lot of guys have this habit and I don't get it.
2:28:40 They'll find something awesome.
2:28:42 It could be a new seasoning, shout out to Jeez.
2:28:46 It could be, you know, a new Jitsugi, shout out to Origin.
2:28:49 It could be, you know, a new song, or a new movie,
2:28:51 or a new show, or a new book, or whatever.
2:28:54 And they consume it, they love it.
2:28:56 And they don't tell anybody else about it, right?
2:28:58 They don't leave a five star review.
2:29:00 They don't do anything to get the word out
2:29:02 that they actually like it.
2:29:03 So guys, if you download this music, if you stream it,
2:29:06 if you whatever, and if you like it, guess what?
2:29:09 All you gotta do, and all these apps make it super easy.
2:29:12 Typically you hit one button, if not two buttons,
2:29:16 and you share it with someone that you think will like it.
2:29:18 So if there's someone in your life
2:29:19 that absolutely abhors country music,
2:29:22 and they think it's the stupidest thing in the world
2:29:24 and all that, probably not the person you should share it with.
2:29:26 But if you like it, like people like like people,
2:29:30 and so there's probably some people in your immediate circle
2:29:32 that are gonna be down with that same style,
2:29:34 that's how this stuff gets out.
2:29:36 And so I always tell people, like they'll be followers
2:29:39 of my show and I'll be like, hey,
2:29:40 so if you share it around, they're like, well, no.
2:29:43 I'm like, well, are there guys in your life
2:29:44 that you also think could, you know,
2:29:46 get some value from the people I'm interviewing,
2:29:48 or from the forging table, or whatever?
2:29:50 Well, yeah, I'm like, well, let's go ahead
2:29:52 and connect those dots for some people
2:29:54 because if they don't know I exist,
2:29:55 how in the world are they gonna find me?
2:29:56 Perhaps that's your job.
2:29:58 How are they gonna find your music?
2:29:59 Guys, just share this stuff around.
2:30:01 - Thanks, pal.
2:30:02 - I don't want stuff to be the best kept secret.
2:30:04 I was telling you this, like there's dudes in Nashville
2:30:07 that they're amazing guitarists,
2:30:10 maybe they're great singer-songwriters and all that,
2:30:12 and it's like you don't want to be the best artists
2:30:15 that no one knows about if you feel like God's calling you
2:30:18 to be an artist and all that.
2:30:19 And so ultimately, man, I'm psyched to play a little role
2:30:24 in some of the influence and the stuff that's going on
2:30:26 with you and like kind of the ecosystem
2:30:28 that is being created with these guys
2:30:31 that are getting after it spiritually, mentally and physically,
2:30:34 and they're taking in good Bible teaching,
2:30:38 you know, expository preaching, verse by verse,
2:30:40 verse by verse, they're not being isogied to do,
2:30:42 they're being exogied to do.
2:30:44 And like, we're just creating this.
2:30:45 And so like, I mean, I think there's some great things
2:30:48 for you and it may not look like, you know,
2:30:50 Grammys and mansions, but it's gonna look like,
2:30:52 you know, something this side of glory
2:30:53 that's gonna provide a lot of benefit for a lot of dudes.
2:30:56 I'm pumped for you.
2:30:57 - Yeah, and I have so much, you know,
2:30:59 satisfaction in that more than anything.
2:31:01 I mean, you know, I think we would be remissed
2:31:05 like people in country music, for sure.
2:31:08 It would be, we would be lying if we said,
2:31:10 "Hey, there's not a part of it that exists where you're like,
2:31:12 Oh man, I might be famous and I might be rich one day."
2:31:15 Right?
2:31:16 But dude, like I have so much freedom
2:31:20 from any of those thoughts anymore.
2:31:23 Because I'm, you know, what I'm gonna be rich in,
2:31:26 some crowns to lead Jesus' feet.
2:31:27 And that's, I'm more excited about that.
2:31:29 And thank God that I have experienced this revelation
2:31:33 or whatever you wanna call it that like,
2:31:34 the Lord has gotten my attention.
2:31:35 And man, it's just been awesome.
2:31:38 Thanks for platforms like yours who are allowing guys
2:31:43 like myself to grow in the Lord.
2:31:46 I mean, I think, you know, that your podcast
2:31:50 is plays a role in what has happened in my life in the last
2:31:54 five months, you know, six months.
2:31:55 And so I just, I think we need more of it.
2:31:59 You know, like, dude, after I get done,
2:32:01 I listen to your podcast for the week.
2:32:03 And then I listen to Deepin with Joby during the week.
2:32:07 And I listen to all these things.
2:32:08 And then it's Tuesday.
2:32:09 And I'm like, okay, well, what do I do
2:32:13 for the rest of the week?
2:32:14 You know, and so I just wanna say thank you for that too.
2:32:19 But I hope, I think people will love what I'm gonna do.
2:32:22 I hope, if not, that's fine too.
2:32:24 I don't know what, again, I'm just trying to be obedient.
2:32:26 I don't know what the Lord has planned.
2:32:27 It ain't up to me.
2:32:28 So I'm just trying to continue to write songs
2:32:30 that he wants me to write and put them out
2:32:32 and then let him do with it, what he wants to do with it.
2:32:35 - I can appreciate that, but dude, that's all for me.
2:32:37 Is there anything else you wanna get off your chest?
2:32:38 - No. - All right, dude.
2:32:40 Hey, man, appreciate being here.
2:32:41 - Yeah, you too.
2:32:42 - Thank you for listening to this podcast.
2:32:43 Wherever you're listening to this,
2:32:44 please subscribe, rate and leave us a positive five-star review.
2:32:47 If you wanna come speak live at your event
2:32:49 or on your podcast, just shoot me an email to info@undonton.life.
2:32:53 That's I-N-F-O@undonton.life.
2:32:55 Follow us on Instagram and like us on Facebook
2:32:57 and check out our website for everything else,
2:32:58 including how to donate to keep more content
2:33:00 like this coming your way.
2:33:01 Just go to www.undonton.life.
2:33:04 And as always, we wanna thank the band Holy Name
2:33:05 for allowing us to use their music for our content.
2:33:08 The music on this podcast is their song Perpetua,
2:33:10 which is off their self-titled debut album
2:33:12 on Face Down Records.
2:33:13 The links are in the description.
2:33:15 I'm your host, Kyle Thompson. Remember,
2:33:18 keep pushing back darkness,
2:33:20 keep forging spiritual, mental and physical resilience.
2:33:24 Keep seeking the lion of Judah.
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Key quotes
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Kyle Thompson
It's okay to get angry about things that aren't right.
Drew Parker
I want to make Christian music that has balls.
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